ECI profiles vs FOGRA

I always find colour management a little impenetrable ( I understand the basic idea, but the details can throw me sometimes). I'm just getting my colour settings sorted out for CS3 (Ai, Ps, and InD, via Bridge's sync feature) and am wondering about profiles.
I usually find myself in position where I have to start artwork before a printer is decided upon, so I don't normally have the option of getting a profile from the printer up front and end up having to use the best 'general purpose' profile set up that I can. I was going to go with Adobe RGB and Fogra27* from Adobe's regular set but I keep hearing that the ECI profiles give excellent results, so I am also considering eciRGB_v2 and ISOcoated_v2_eci*.
I've searched all over the electric interweb but can't find any real comparison of the two sets from a user/artworker's point of view -- every comparison gives vast amounts of highly technical data that is quite beyond me, but stops short of advising use of one or the other. Does anyone have any recommendations either way?
For the record, I work in the UK and my print work tends to be printed on sheet-fed offset litho (and occasionally digital). I'm after a good, reliable, middle-ground profile setup that will work most of the time when I don't know the specifics of the final output press. I know that ideally I should get profiles form the printers before starting the artwork but it's generally just not possible.
Thanks for any advice
* for RGB/CMYK respectively

>... but Adobe offering the opportunity to make or to offering the opportunity to make or to not make use of color management does not make it their responsibility if people dont invest the time and effort to get an understanding of their works demands.
Yes, that has been the mind set of industry experts and Adobe staff and is has not worked in Adobe's best interest and that is the point that I have been trying to make all these years. If you make software so open ended that no one can follow it, or better stated, very few can follow, then what is the point of continuing such ideology? I ask this with all honesty to any that dare to speak the truth about the implementation of said topic. Color management works quite well, it is the implementation that has failed due to the lack of realization that people WILL NOT spend the mind numbing time that it takes to follow the yellow brick road. And that is only part of the problem. The REAL problem is that there is very little file assurance between mutiple users. Well guess what. If the whole world is using Adobe products, then who is being blind here?
So here we have it. We have the most powerful graphics company in the world who preaches that it's the users responsibility to learn or not. Great.... Problem is this mentality helps no one - neither the companies profits nor the end user. We need a bridge to bring the gap of knowledge together to make things work better and that bridge is a process control system that not only ensures better color control but also installs user confidence is which they have a basis to actually assist in TEACHING themselves WHAT color management is and its uses.
As of now Adobe has failed as well as users being able to instruct themselves. To be honest, I'm tired of listening to myself at this point... Who else in their right mind would work so hard as I have done to propagate the demise of my own job for the betterment of all. hmm...
>And with file-formats that predate the icc-standard and arent Adobes property it might go down very badly with some users if Adobe unilaterally made embedded profiles mandatory but then I guess that might be part of what Mike means with »political mess«.
Chris -
Process control is not a force fit to other manufactures or Adobe users for that matter. If you want to continue to be a retard, by all means, we should let people do so. The Adobe CS Suite has lack luster appeal because the company can not get the divisions together enough to make a real difference and that is a real shame. Is it getting better? Yes, but the changes are too small and take far too long. The more time that passes by, the less hope there is for a cohesive global understanding for process control. Realistically this is about Adobe smashing the competition once and for good. If that is not good enough reason to listen to me, then I shall go quietly into thy good night - still being able to laugh all the way to the bank from Adobe's lack of marketing stance and understanding of anything related to human intervention as far as form and function in the REAL REAL WORLD.
>But You have been in the business long enough to remember the pre-icc-era, havent You?
Yes I do. The software sometimes has to go full circle in order for the creators and users to fully understand what works and what does not. We always here people complaining that color management needs to be more seamless - color management needs to be more seamless - color management needs to be more seamless. Well, DUH~! Color management WAS seamless prior to PS 5 because most had no concept what is does or how to change it. Most just went on their merry way without knowledge as to what was happening once a file was opened in PS. We need to take that very simple principal and reapply it to a process control workflow where as the novice can go about their work without worrying about all this technical junk as well as having the professional level user craft fine jewels. It can be done without disturbing the existing mess we have because it will take a large commitment from Adobe to implement. Smarter software is needed because there are more general users with little knowledge and that is how marketing is selling the product, but the engineers don't understand how to build intelligence on a global scale. Not to say that they have not worked hard to get where we are as of now...
It's about perspective and experience that drives decisions.
>And what are the market changes You refer to?
Many...

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    Betreff: acrobat/Indesign does not export correct into the selected output intention (eci_iso_coated_v2_300)
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    If there's no embedded profile when you start, there's no way to know what the color was supposed to look like, so color management is not possible, really. You can assign a profile, but you'd be guessing. Since the correct appearance at that point is unknown continuing with out color management shouldn't present a problem. The only case where you would need to manage the vector art would be if the color APPEARANCE is critical or you need it to match across different outputs, and in that case you would need to assign a profile and allow ID to preserve the profile on import and remap the numbers, which means you would likely get rich blacks someplace. Since it's unlikely that you can get a good match going from glossy to newsprint, I probably wouldn't even try -- you wouldn't want, for example, to tag the art as newsprint, and have it print subdued on the gloss if it would look better or more correct with the other profile. Color management would be much more useful if you were going from sheetfed to web on the same stock.

  • Support for n-channel icc-profiles

    I have recently attended a symposium where some speakers touched on Photoshop’s (or the whole CS’) lack of support for n-channel ICC-profiles.
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    I suspect this issue might also concern the matter of the Spot Channels-and-Layers-situation that has come up in this Forum repeatedly and changing the current situation may well fall in the neighbourhood of Programming and Nightmare.
    Moreover the question of who should or could provide those profiles in any quality regarding the overprint behaviour of the tints (and their possible combinations) would appear daunting.
    Still, even a simplyfied physical model may be an impovement to the recent situation.
    Plus, as the speakers pointed out, anything above a 7-channel profile is hardly realistic, anyway.
    In all probablity Adobe is already aware of the matter through its contacts with/in ICC, FOGRA and other bodies concerned with printing-matters (and their representative at said symposium).
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    Edit: This might be especially beneficial with flexo-printing in CMYKOGB (CMYK + orange + green + blue) – I don’t have enough experience with flexo to judge this with any statistical relevance, but it seems to be fairly popular.

    Thanks for Your answers.
    changing to support an arbitrary number of channels of color data will require a huge number of changes to the application to make even common features work
    Understandably.
    But it would seem that this may be a solution to certain dissatisfactions with the Spot Channels’ behaviour that have come up in this Forum, too.
    Well, not a straightforward solution, I guess, as one may not want to separate an image using the additional Channels but keep that in CMY(K) and only use the Spots for graphic elements etc. … and if Photoshop were to provide seven-Channels-Layers I suspect it wouldn’t be long until someone asks for eight.
    The packaging-industry’s needs don’t seem to be met by the CS currently, but the cost-benefit-considerations are certainly valid.

  • Determine ICC output profile (name) in PDF/X output intent

    Hi all,
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  • Profile and Speed Reductions

    Hi, sorry for my first post here to be yet another one about slow Infinity speeds but I would really welcome some help and advice. I switched to Infinity from Total Broadband 3 in early November and initial tests showed my line profile for downloads was 37 Mbps with download speeds just under that figure.
    After about a month the download profile and speeds dropped to around 32 Mbps which is what the online estimator forecasted when I signed-up. Over the next few weeks the figures gradually dropped further and then appeared to settle at around 26 Mbps. By the end of December the profile and speeds dropped again to between 20 – 23 Mbps and it was at this time that I decided to upgrade to Infinity 2. This was mainly to obtain the unlimited use but I did hope that it might also help return the profile and speeds to their original figures.
    I was therefore surprised to find that since Infinity 2 was activated the profile is now only 17 Mbps  with download speeds of around 16 Mbps. Upload speeds have remained fairly constant throughout at between 5 - 6 Mbps
    I presume there must something wrong somewhere but after trying all the recommended checks and tests I am unable to find anything. The modem is an ECI V-2FUb/I Rev.B and the homehub is an HH3 A. All speed tests have been carried out using an Ethernet wired connection. I have recycled and reset the hub but as often advised on here I have left the modem permanently on and connected.
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    Keith.
    Solved!
    Go to Solution.

    Thanks for your replies.
    I was always reluctant to try recycling the modem but after reading the posts I switched it off and did as suggested. I also switched off the PC and the homehub. After twenty minutes I booted the PC back up and then powered-up the modem. Finally I powered-up the homehub and after a minute or two everything connected together correctly.
    Sadly, I then ran a further speedtest and found the results to be more or less the same as this morning. Thanks for trying to help me though..... I do appreciate it. 
    I have now contacted the mods and will wait to hear from them.
    Keith.

  • ICC profile for CMYK values

    Hello Everyone,
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    Btw, it would be nice to have any possibility to choose one of predefined (e.g. Fogra 27, 39) or even upload custom ICC profile from local disk.
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