Export rotated tiff images

Hi Just started with lightroom3 like it but. Exported my lightroom3 edited photos using export to harddrive folder, format choosenTiff no changes requested.
All exported files have a very small rotation when viewed in lightroom or windows slideshow. Amazingly photoshop elements 9 does not show this rotation in edit panel. Made some jpg files from these tiff exported files and they all show the small rotation too.
imorted to lightroom from camera as Tiff files from canon cr2 raw original files.
help is this me or software
PS jpg file conversion 100% setting from raw is fanastic in quality.

Unfortunatelly, LR doesn't work with layers or sellections done in PS. <[email protected]> wrote in message news:[email protected].. > Hello, > > I've imported some tiff with embedded clipping paths from photoshop to > lightroom. After an export these paths are missing in the tiffs. Is there > a possibility to retain the paths in the tiffs? > > regards, frank > > using lightroom-1.4.1/macos

Similar Messages

How to edit 16bit TIFF image sequence file in FCP?

Dear all,
I have a number of 16 bit TIFF image sequence files (2048 x 1024 resolution) - some of them are RED footage, and others came directly from our f/x guy. We are going into a color correction session in a post house and we've been asked to provide a sequential 16 bit TIFF image sequence of the edited time line.
I need to do a cross dissolve b/w most of the clips I have. I have created image sequence QT movie (reference files) from the TIFF images. Though they play fine in QT player, when I try importing into FCP, I am met with a "general error". I tried both dragging it into QT, as well as File --> Import.
I am wondering what can I do to get these clips into FCP in order to apply the cross dissolve transitions I need. Is this a problem relating to the 16bit nature of the TIFF files?
I tried exporting the TIFF image sequence standalone QT movie, and those imported fine. However, I have a feeling that the standalone movie conversion also decrease my bit depth from 16 to 8. (When I do my final TIFF output from FCP after dissolves / transitions had been applied, each TIFF file is now 8 MB instead of 12 MB, hence my suspicion that the bit depth is adjusted).
Are there any settings I am missing, or does FCP simply don't support 16 bit image sequence reference file. As a test, I had also converted all my TIFF to jpg, and created jpeg image sequence reference file. These reference QT file can be successfully imported to FCP and I can edit them as if they are a clip.
If FCP is not able to handle these files, what are my other options? After Effects?
Any help is appreciated.
Thank you.
Michael
<Edited by Moderator>

As far as I know, both FCP and Color only support up to 10 bit color, which is 1024 levels for each color channel, more than enough for avoiding color banding.
If you need 16 bit for sure, I believe AE will support 16 bit output. Another 16 bit application would be the extended version of Photoshop, which has some limited time line capability.

How export report SSRS to TIFF image programticlly

dear all,
I have in my application reports called from my page to the reporting service of SQL-Server.
I want in my web-form (with programming) to export this report to TIFF image ...

You can use LocalReport.Render method to export into TIFF format. Check
link. In the format parameter type it as "Image" and the file extension retain it to TIFF.
Regards,
Karthik
Please remember to click Mark as Answer and Vote as Helpful on posts that help you. This can be beneficial to other community members reading the thread.

Scale and rotate a tiff image

How do you scale and rotate a tiff image without running out of memory?
I have been trying to scale the image and rotate it before i pass it to the DisplayJAI but i keep running out of memory.
code i use to rotate the image.
private Image rotateImage(boolean rotateRight)
Image img = imageHolder.getInUseImageIcon().getImage();
Image rot = null;
int imageWidth = imageHolder.getInUseImageIcon().getIconWidth();
int imageHeight = imageHolder.getInUseImageIcon().getIconHeight();
int buffer[] = new int[imageWidth * imageHeight];
int rotate[] = new int[imageWidth * imageHeight];
try
MediaTracker tracker = new MediaTracker (this);
tracker.addImage (img, 0);
tracker.waitForAll();
PixelGrabber grabber = new PixelGrabber(img, 0, 0, imageWidth, imageHeight, buffer, 0, imageWidth);
try {
grabber.grabPixels();
catch(InterruptedException e) {
e.printStackTrace();
if(rotateRight)
for(int x = 0; x < imageWidth; x++)
for(int y = 0; y < imageHeight; y++)
rotate[(x*imageHeight)+y] = buffer[((imageHeight-y-1)*imageWidth)+x];
else
for(int y = 0; y < imageHeight; y++)
for(int x = 0; x < imageWidth; x++)
buffer[(y*imageWidth)+x] = rotate[((imageWidth-x-1)*imageHeight)+y];
for(int y = 0; y < imageHeight; y++)
for(int x = 0; x < imageWidth; x++)
rotate[((imageWidth-x-1)*imageHeight)+y] = buffer[(y*imageWidth)+x];
rot = createImage(new MemoryImageSource(imageHeight, imageWidth, rotate, 0, imageHeight));
catch (Exception e)
e.printStackTrace();
return rot;
this is the code i use to scaled the image.
Image scaled = originalImage.getImage().getScaledInstance(
(int)(currentWidth * 1.5),
(int)(currentHeight * 1.5),
Image.SCALE_FAST);
I tried this method, it works and does what i want but the scrolling and loading is too slow.
public void paintComponent(Graphics g)
Graphics2D g2D = (Graphics2D)g;
g2D.rotate(Math.PI/2, (int)dimension.getWidth()/2, (int)dimension.getHeight()/2);
g2D.drawImage(image, 0,0,(int)dimension.getWidth(), (int)dimension.getHeight(), this);
Help plss.

Nvm got the answer :)

Possible to export keywords for images in a catalog?

I have a fairly large catalog with scanned images (several thousands of images). The images have a number of keywords each and many have descriptions and titles. From this, I would like to create some sort of web site where this information is preserved. The web that I'm envisioning should list all the keywords that occurs in the catalog, and if you click on a keyword it should show all images tagged with the keyword.
However, with Lightroom 1.2 it doesn't seem to be possible to have the keywords included in the web gallery. Or am I wrong? Is it possible somehow?
My next way of attacking this problem was to use the xmp sidecar files. Since the keywords are stored in the sidecar xmp file, I thought that I would be able to retrieve the keywords from the xmp-file with the help of some scripts and XSLT. Yes, a little extra work involved of course, but still doable. Unfortunately, since I've got TIFF files and not RAW files, the xmp data is embedded in the TIFF file and not written in the sidecar xmp file. Is it possible to have the xmp data written to the sidecar file also for TIFF images?
Yes, it should be possible to extract the xmp data from the TIFF files, merge all this data into a big xml file and then process that with an XSLT script, but I would rather avoid poking inside the TIFF file, if at all possible.
If I can just get some sort of mapping between all images and the keywords, preferably in an xml format (html or plain text would also do) I should be able to build the web myself.
Any advice on how I can achieve this?

yes it is possible to do this, but it is a bit complicated. Under the share menu choose export media. In the dialog that appears you can choose audio only. There are options for AAC, AIFF etc. The problem is that it will export all of the audio from your project so if you want only audio from a particular clip to be exported you need to create a new project and then copy/paste the clip into the new project. You can then export that audio as described above. An alternative is to create a new empty compound clip in the browser and open it in a timeline and copy/paste your clip into it. You can then export audio only as above. Once you have edited the audio, import it into FCPX and add as attached clip to the original clip. You can either drag the volume of the original audio down so it is not audible or detach the original audio and delete it. Not as simple as in previous versions of FCP but do-able.

Exported Raw Conversion Image Resolution and Assigning a Color Profile, etc

In Aperture 1.1, although I set the exported Raw conversion image resolution to 300 dpi in the preferences, it continues to come out at 72 dpi which is something of an inconvenience. Also, is it possible to assign a color profile to the "exported version" so that it is congruent to my PS CS2 color workspace (if that is what its called). Is this program capable of carrying out a conversion as a background operation? Finally, can the layout windows be configured so that they remember how they have been used in the past? Thanks.

Iatrogenic huh! Cool!
Anyway, I'm not real clear on what it is you are trying to accomplish. Despite your obvious vocabulary skills, there seems to be some disconnect relative to what you are trying to accomplish. You are right that "exporting a version" in Aperture is roughly equivalent to what happens in ACR when you "Open" a RAW image into Photoshop. In both cases you have, hopefully, already done the adjusting of parameters you want prior to "exporting", or "opening". When you "open" or "export" you wind up with an "image" composed of pixels, whereas in the RAW adjustment phase you are just working with a temporary thumbnail and a set of mathematical instructions. Big difference, I suppose is that when you "open" and image from ACR into CS2, the resulting image is truly just pixels and has not had a "file type" applied to the file yet, until you "save" it, while in Aperture, if you "export" a file to CS2, or to the desktop, you end up with the file type already applied. Presuming you "export" a 16 bit TIFF or PSD, there is no operational difference.
I could be wrong, but with the new Bayer Demosaicing algorithms in Aperture 1.1, and the Camera RAW adjustments, you should be able to come up with an adjusted image that is VERY close if not identical to one done in ACR, with the possible exception of lens abberation adjustment. I was very critical of the RAW adjustments in 1.0.1, but I am very happy with the capabilites in 1.1. That said, I think there is still some room for improvement in user friendliness of some of the adjustments such as Levels.

Unable to save exported Aperture TIFFs as jegs when opened in Photoshop

I'm using the latest version of Aperture and need to do major retouching of the images I have edited using Aperture. When I "export versions" of the images, I normally choose "TIFF-50% of size" or "TIFF - fit within 1024x1024", but when I open them with Photoshop, after I worked on them I am unable to save them as a jpeg. The option just doesn't come up.
The only save options I am offered are - SAVE AS - Photoshop, Cineon, Dicom, FXG, IFF Format, Large Document Format, Photoshop PDF, Photoshop Raw, PNG, Portable Bit Map or TIFF.
Any idea why this is happening and how I can rectify? I need to use photoshop for my retouching and I don't want to have to export RAW files from Aperture, it's much simpler exporting a TIFF.

The tiff is a 16 bit file. Go to images/on the photoshop menu and convert to 8 bit. then the jpeg option will show up.
Cheers

Is the tiff image sequence in premiere pro cs4 lossless?

is the tiff image sequence export in premiere pro cs4 lossless or lossy?

Hi,
Yeah, that IS an interesting question...When I looked into the quality exported individual frames I stuck it into photoshop and looked at the mode and image size to see what I was getting ...
I was kinda ( am still very ) impressed with the quality of the individual images Premiere exports in it's sequences.. and I suppose you could say it is lossless but in part that would be referenced to , " Lossless compared to what ? "
If I put TIFF images into the timeline to begin with and then got them out again, then it would probably be lossy depending on ppi going in. It's like 72 coming out.
But anyway, the quality is pretty darn good, I have to say...when you export TIFs...
Rod

Tiff images not display properly

After installing iPhoto 6, none of the 1600 files in .tiff format imported via a Lexmark scanner are showing up correctly. (They worked perfectly well in iPhoto 5)
I get a blurred scribbled squashed image a little like a TV channel that hasn't been set correctly.
If I go back and click on the files in the Finder, they open beautifully in Preview.
This lead me to believe there was an issue with the tiff-format and I promptly converted a copy of the files to jpegs.
Unfortunately this left me with a new problem as three white lines now appear thru all the pictures in jpeg format.
Luckily I never deleted or moved the .tiff files, so I am still hoping to use those.
Will there be an Apple update which fixes this or will I have to re-scan and date/title- another (sigh) 1600 pictures? (please, someone tell me no)
Best wishes,
N

I think I found the fix.
As I mentioned in my previous post, I have also been having trouble with TIFF images and iPhoto 6.
Today I downloaded the new iPhoto 6.01 update. But, that didn't fix the problem either. So much for Apple fixing it.
Anyway, I have been experimenting, and finally found a difference between images that worked and those that didn't.
The images that worked, have an ICC profile embedded in them from the device that created the image (in my case my scanner).
So, I set out to find out if simply removing the ICC profile would fix the problem.
And, through my experimenting, I found that if I opened the image in another program, and then exported it as either a TIFF (the same format) or a JPEG that the resulting image would open in iPhoto 6 just fine.
Further examination demonstrated that the ICC information was removed from the exported file.
As I understand it, ICC is basically an image color correction / calibration tag. It enables different devices to properly display and print the image with the proper colors.
Basically, each device has a color profile (scanner, monitor, printer, camera, etc.). This is to make sure that when you see something on the screen that it looks the same as when you print it out. Likewise, you want the image on the screen to match what the scanner and digital camera saw.
So, these are essentially conversion tables to make sure that each device properly displays or prints the image as the original source "saw" it.
Anyway, not wanting to manually strip this information from each file, I looked on the Internet for an automated solution. And, fortunately I found one.
http://www.colormanagement.com/technicalresources/files_targets_and_utilities/mac_os_xscripts/
The file you are looking for is "Mac Os X ColorSync Toolbar Script: Remove ICC profile". Click on the title just mentioned to download the script.
It is a Macintosh Script that you simply download to your desktop (or anywhere else you would prefer). It is in a Stuffit Archive, so you'll need Stuffit Expander to decompress it (basically the Mac equivalent of a ZIP file).
Once decompressed, you should see a "script" icon that is labeled "Remove Profile".
Simply "drag" your original files and drop them onto this icon / script. The script will then remove the embedded ICC information from the image file.
Once you have removed the ICC information from your image's file, try importing it into iPhoto 6 again. Then, see if it works
It is important that you perform this on a backup / duplicate copy of your original files. You don't want to damage your only copy if something goes wrong.
Now, one further note: If you do this, you may see the image looks different. In my case, the image is truer to the way it really looked when I scanned it in. The paper texture looks right now.
If you want to do this while keeping the image's appearance the same as it looks now, then here's another way:
Open the file in Apple's "Preview" program. This is usually the default image view.
Then, do a "Save As" or "Export" to create a new copy of the image. If you perform an Export, be sure to set the image quality high or you may inadvertently reduce your pictures detail (especially if you export to JPEG).
This essentially does the same thing. But, it will take more work if you have multiple images.
Using the previously mentioned script, you should be able to drag and drop multiple files in a group.
Anyway, I hope this helps the rest of you out.
Let me know if it fixes the problem for you as well.

File Out Tiff Image Sequence

Hello! Can anyone recommend/explain the correct settings in the File Out node to output a TIFF Image Sequence?
Thanks!

Wow, I just figured out the Shake problem. First off you are right, my "black background" is an alpha mask. But why is it there?!? It is a "bug" in Shake:
FileOut - Quicktime Movie - Animation - Options - Compression Settings - "MillionsofColors" - Okay
Now, when I reopen the FileOut node to double check my Compression Settings, it has defaulted BACK to "MillionsofColors+" So yeah, "MillionsofColors" should result in an alpha-free export BUT SHAKE WILL NOT RETAIN A SELECTION OF ANYTHING OTHER THAN "MillionsofColors+" I tried setting it to "Black and White," "ThousandsofColors" - same issue - the export still has an alpha because Shake took the Compression Setting back to "MillionsofColors+"
So thanks for all your help on this, I'm glad your system is not operating with this quirk.
I'm pretty sure I hate Shake.

16 Bit Tiff Images Display Bug?

Question 1:
Is there a problem with Aperture 2.0 displaying 100 + mb 16 bit tiff images generated by a film scanner (nikon coolscan 4000 ed)? I am having trouble with my library that I migrated from Aperture 1.5. All of my images were working fine in Aperture 1.5 (and previously in iPhoto as far back as 2003). In Aperture 2.0 I am getting scrambled images and some images that read unsupported file format. The problem is sporadic. It effects some images and not others. Sometime images display correctly and sometime they become scrambled and unsupported, and then back again.
There is no trouble with the images themselves. I export them to CS3 with no distortion or trouble. The problem seems to be in Aperture 2.0.
I have re-built the library, tried migrating images, changed the color profile.... I think I have exhausted every trick I can manage from a user vantage point. The images work fine when converted to 8 bit files. This is not the solution for me - I need to keep these images 16 bit.
Question: Is this this just my version (I purchased downloaded upgrade), that is having trouble, or is this a wider problem that Apple aware of and is looking into?
Please advise. I have 1000's of scanned pictures that I have been working with for years that were fine and now are not. I purchased a new Mac Pro 2.8 so as to work more productively with these large images - and now it seems that the very software I rely on has failed me.
I have not been able to find any comments from Apple regarding this issue.

I've had this problem with images saved as 8-bit scans.
Are you using any compression in the TIFs? I scanned using Nikon Scan 4, cleaned up a bit in Photoshop 7, reduced the bit depth to 8-bit, and saved at TIFs with embedded colour profile using ZIP compression, Macintosh byte order.
This used to work with Aperture 1.5.6, but with Aperture 2.0 I see a kind of offset pattern, so a vertical line looks like this:
If export the master TIF, open it in Photoshop (where it looks normal) and save it with no compression Aperture displays it properly.
(I'm still using Tiger, so I don't think this is an OS issue.)

Aperture - Export the edited images with changes

Hello
I recently purchased Aperture and have a SLR camera (Pentax K-X) and a GPS logger (Holux M-241). I record my images in DNG format (Adobe RAW format).
I've tried to import my images into Aperture, where I've added commentary and edited my pictures. Now I would like to export my photos (originals), where I can either save images as "Include IPTC" or "Create IPTC4XMP sidecar file". I might have saved my comments, but the changes I've made the pictures are not appearing when I imported the images again from the folder where I have exported my edited images (related to exports, I have chosen "Create IPTC4XMP sidecar file "). Why can not I see my edited photos?
Is it not possible to save the XMP sidecar file as embedded in your DNG files, which I know you can do with Adobe Photoshop?

What you want to do is a contradiction in itself - in Aperture you either export the originals or the versions. The originals will give you exactly the original images that you imported, optionally with IPTC added annotions, but without edits.
If you want to export the edited image, you will have to render the edited version and to export a version, not an original. You have many presets for the format of the edited version to choose from, but not a raw format. The closest you can get will be exporting as tiff or psd original size.
Regards
Léonie

How to Render a TIFF image sequence with After Effects or Premiere

So I shot a timelapse in RAW using my D5200. Developed the images, imported into after effects to make a composition at 1080p 24fps, the clip is 15 seconds long. Then I rendered the clips a few ways and none of them are what I want:
I used the H.264 first, its just pixelated and blocky, doesn't retain a smooth resolution. H.264 output an MP4 that was 6.5 MB.
Then I tried lossless and it output an AVI which is awesome resolution but the file is 2 gigs! Not even VLC media player will play it smoothly without buffering.
Last I tried H.264 BluRay which output an M4V file which is 45 MB and I can't get it to play.
So now I'm here asking you all what the way to go is. When I download films, I will aim for a 1-2 gig 720p or 1080p file on roughly 2hr films. The resolution is great, the audio is great and the file like I said is only 1.5gigs average. So what are the rendering settings I should be using to get a file like this? Should I be importing it into Premiere Pro first or what?
-Thanks
Bruno
For Reference, here was my workflow:
I generally followed an Adorama Rich Harrington Time-Lapse youtube video on workflow which was:
Developed the Raw files in Camera Raw
Used the Image Processor to create the Tif files
Imported into After Effects as a TIF sequence
Interpreted the sequence as 24fps
Changed the Composition settings to 1080p 24fps
Then did the rendering as detailed above

1. You don't need to export your TIFF sequence so as to import it into After Effects, you can import RAW image sequence into After Effects directly. Camera RAW will start automatically on importing. What is more, you will be able to change your Camera RAW settings at any time you want inside your AE project: in Project panel select your RAW image sequence, right-click, choose Interpret Footage -> Main... In the dialog box click More Options... button (at bottom left), and Camera RAW opens.
2. Do NOT export to H.264 out of After Effects directly. If you need to export your composition to H.264, export it out of Adobe Media Encoder. Start from HDTV preset. If your goal is to upload your media file on e.g. YouTube, done. If you want to play it back on your computer, but your mediaplayer can't playback it in real time, start to decrease bitrate settings. Keep in mind that modern AVCHD cameras shoot with 28 Mbps, first AVCHD camcorders were shooting with 17 Mbps, YouTube preset in Adobe Media Encoder sets bitrate to 10 Mbps, Vimeo preset - to 8 Mbps.
Choose VBR, 2 Pass so as to benefit from better quality out of smaller file size.
See this The Video Road blogpost on Understanding Colour Processing and benefits of Render at Maximum Depth option.
3. If you're planning to use your After Effects composition in Premiere Pro project, you can use Adobe Dynamic Link. If your After Effects composition is quite complex, render a Digital Intermediate out of After Effects and import it into Premiere Pro. See this discissuon in AE Forum on some production codecs comparison.
P.S. See also this FAQ: What are the best export settings? entry.

TIFF Images Rendering

I imported a TIFF image into an FCE project. The image has text in it (as in drawings of texts). Using the Motion tab, I have the image moving in a of scrolling manner. However, even when this project is rendered and exported to decent quality, the text in the image is very jittery like and not smooth at all. I don't have the scrolling really moving all that fast at all.
I used TIFF because it is Apple native. Should there be another image type I use? When I made the TIFF image I saved it with no compression and the layers of the image project were 'merged' rather than 'flattened'.
Anyone else experience this issue or know the solution.
Thanks

Why don't you use Title Crawl in FCE?
Please give exact details of the image, its size, resolution, color space, also the contents, colors, fonts, sizes, anything else. Maybe a screen shot of possible.

Batch process to Tiff Image

I have several hundreds of psd documents every now and then and I need to print them out to black&white TIFF format. Is there a way that I can do an automation in FW CS4? I know how to get them into greyscale from Bridge but I am looking for Black&White Tiff image. is there a script that I can use? I haven't got to scripting experience yet. Can you help? I really appreciate your helps.

Just so we're clear, Fireworks is a screen graphics application and it may not be particularly efficient if you try to batch process a huge number of high resolution images.
That said, you can probably create a custom command to do what you want, and it doesn't require programming knowledge. FW already has batch commands for resizing, renaming and exporting files, so the only piece you need to add to the puzzle is sharpening.
Open a file in Fireworks. Using ONLY key commands, apply the unsharp mask filter. TAB through the input fields rather than using your mouse. Fireworks records keyboard commands, but not options selected with the mouse.
When you have the sharpening you want, tab to the OK button and press enter on the keyboard.
Open the History panel (Window > History)
Select the Filter Image step and click on the disc icon at the bottom right of the panel. This lets you save the shrapening as a custom command. It will appear at the bottom of your Commands menu in FW.
Now go back to Bridge
Select your images
Choose Tools > FIreworks > Batch Process
Your images will appear in included files window at the bottom of the Batch wizard
Click next
From the Batch options pane, add the processes you want:Scale, Export and fromthe Commands section choose Convert to Greyscale and your unsharp mask custom command.
From the Include in Batch pane, set the order of the process to Convert to Greyscale, Scale, Unsharp Mask and export. Select the Scale command and change the settings as desired at the the bottom of the wizard window,
Select the Export command, choose custom from the settings area and then click the edit button so you can choose TIFF. When you've adjusted the settings to your liking, click OK (You willnot see an image preview when you alter these settings).
Click Next and choose to export the files to a custom location, so you do not overwrite your existing files.
If you like, choose the Save Script button to save the entire process as a custom batch command.
Click the Batch button, and go have lunch. ;-)
HTH

Export rotated tiff images

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