Exported audio all jacked up!
My exported movie is all jacked up (audio missing parts and out of synch) but the preview in Motion 5 is spot on. What gives?
Quad-core iMac with only 4GB of ram
I'm going to miss my deadline because of this crap.
Please help!
Try exporting *just* the audio as an AIFF, bring that back in, and export with that single .aiff file.
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does the built-in DAC on my 2007 mid yr iMac support 96/24 audio as it supplies signal to the headphone jack? If so, is there a reason to export audio via optical jack then to an external DAC then to stereo?
My suggestion to work around this problem would be to hook up an Airport Express. The AE also has an optical out the same as your iMac. As long as your wireless connection is robust enough you should be able to stream from your iMac to your AE and then have the optical cable connect between your AE and your DAC, which then connects to your Integrated Amp/Receiver/Pre-Amp (depending on your system configuration).
I assume because you are using the optical out and connecting to an external DAC that you are looking for a high level of Audio quality ? -
CC 2014 trial. MPEG MOVIE clips flickering on my time line! after render, and after export. tried all kinds of sequence settings,taking out transitions and effects ,even the audio tracks.....still flickering. They play fine outa the project files!? HELLLLLPPPPP!!!!
We can not see your computer, your settings or even know what your source files are because we are not in the same room as you are!
We cant see what you are doing wrong ...so you will have to tell us a lot more and show us some screen grabs of your settings. -
"Export audio to movie" produces an all-white video or other problematic issue. Help.
The latest Logic X update seems to have broken the "export audio to movie" function. I need to re-import the movie file every time I want to export audio to movie or it results in an all-white video or a video that hangs up on a single frame. Does anyone know a good work-around or fix? I'm generally using video that is compressed in H264. I also need to deliver at that same codec. Not having to convert the original movie to a new format and then convert the version with music back to H264 again would be ideal.
Now Logic's gone racist, jeeze... what next?
Dang Clancy..... Now I have spilt coffee all over the floor! -
No Audio Out Of Headphone Or External Audio Output Jacks
We have a Rev. B Bondi iMac that I recently put in my wife's 4th grade classroom for her to use. When trying to hook up external speakers I discovered there is no audio output from the side audio output jack or the front two headphone jacks when listening to the CD player. (I also checked using headphones)
The internal speakers sound fine and normal. I do hear something very distorted and weak from the external audio output jacks but it is so distorted the only way I can tell it is coming from the CD player is by pausing its playing. I have been into OS X now for about 15 months and am starting to forget everything I knew of OS 8.6 which is in the Bondi.
I checked the sound portion of the Monitors and Sound Control panel and all seems set correctly. Is there some other setting that I have forgotten? Any ideas/suggestions will be greatly appreciated.
TIAHerb Mesler...
Other than exercising the jack-ports with a plug from a headphone, it may need some expensive repair. However I do have a trick for you to try first.
Here is my trick;
Computer must be off! Because there is some light voltage applied to the ports they can slightly arch, spoiling the trick. Arching is the root cause of electrical resistance thus not allowing for proper contact and sound will not pass through to the device.
Next take a plug "softly and full travel" through each port in the side and on the front. I repeat them about 5 times. (any proper spec/type of plug, like from a headphone can work. If it from something that is powered, like from speakers, do not use it)
Boot up the computer and test by avoiding the side ports, using only the front ports. Quite frankly I found the use of the side ports to be somewhat the cause of the problem. Mine has been taped off for about 6 years now and I never have had to repeat my trick to date.
Give it a try and post back if there is any questions. Also, I would like to hear your results.
...Ron -
Exporting Audio to Movie, doesn;t export the audio
When I try Option>Movie>Export Audio to movie It rendereds but doesn't actully put the music into the video. Worked in 7.1 doesn;t work in 7.2.1 any plans on fixing this?
Indeed, thats what I do, but the time saving and
simiplicity of the 'Export audio to movie..."
function puts it at the top of the 'features that
really should work' for us composers to picture!
Hopefully it will be fixed soon with an update.
It's not broken. To be sure I went and tried it myself
and it worked fine. I did not even have to set the
locators, which I thought I would have to. I just dropped
the movie on a project and went to the menu. It did bring
up some dialog box I had not seen before. Something about
adding the tracks to use. It only showed track 1 but since I
could not figure out how to add the tracks I just hit OK and
it rendered all of them. Hope you get yours back up. -
Exporting audio with markers button is greyed out.... ANY HELP MUCH APPRECIATED!
Hello
so, background to the story. Now peak pro is defunkt on OSX I am trying to use Audition to create cdmasters. The idea being I will compile the album in audition, export wav files of each track including gaps and compile DDPi master in Sonoris DDP creator. Should be fine but quite a few limitations I've found already in audition.
1)Main question is this. Exporting tracks. I have compiled and added all the markers in to a 30+ track cd. I've exported whole thing to a single mixdown that includes marker but the 'EXPORT AUDIO OF SELECTED RANGE MARKERS TO SEPERATE FILES IS GREYED OUT' even if i select everything....
2)In multitrack mode, if you want to move one clip in the middle of the sequence, is there any way to select all the clips in all the following clips so that they all slip back together. I know you can zoom out and select everything but that is very boring especially when you have loads of tracks and if some are only a couple of second long soundbytes. In SAdie and Peak Pro it was very easy to set this function.
3)Moving markers. if I am moving a number of tracks is there a way of selecting and moving the relevant markers as well ? At the moment it seems like I'd have to select all clips in the boring zoom out method and then move each marker individually? Surely not...
2) & 3) are very annoying when you only want to move one clip by a few frames or seconds.
Any ideas folks ? Like i say uestion 1 is most pressing!
Thanks in advancethanks guys, all makes sense, really appreciate it.
I will try the merging out. I was in a hurry to get a CDREF out so ended up just exporting the compiled album out as one wav from audition and adding PQ points in Sonoris. Not ideal especially as running order etc is bound to change.
I can't recomened Sonoris DDP creator enough, fantastic program and very reasnably priced. I have Soundblade LE as well but find it too clunky to bother learning, its one of the least intuitive audio programs I've ever come across.
Maybe Audition and Sonoris should team up, if you could add PQ points into audition it could become the best OSX option for compiling cd masters.
Did you have any thoughts on questions 2)&3)
2)In multitrack mode, if you want to move one clip in the middle of the sequence, is there any way to select all the clips in all the following clips so that they all slip back together. I know you can zoom out and select everything but that is very boring especially when you have loads of tracks and if some are only a couple of second long soundbytes. In SAdie and Peak Pro it was very easy to set this function.
3)Moving markers. if I am moving a number of tracks is there a way of selecting and moving the relevant markers as well ? At the moment it seems like I'd have to select all clips in the boring zoom out method and then move each marker individually? Surely not...
Thanks
Dan -
Hey all, so I'm using Final Cut Pro 5.0.3, I can export video no problem, but when it comes to exporting audio, FCP will export the whole track (approx. 35 min.) but there will only be about 1 min of the audio at the begining, after that its 34 min of blank track. I'm trying to export to .aiff. Can anyone help me out?
Thanks. JCV
Dual 2GHz Powermac G5 Mac OS X (10.4.3) 2 GB RAMThe only thing i can think of is make sure you have no 'in' & 'out' points marked on the timeline... if you do, FCP will only export audio between those points...
clear markers with option(alt)+X -
Logic 10.1.1 exporting audio to movie...
There are two boring troubles:
1. Sometimes after exporting audio to a piece of movie (using locators) I hear my sounds but I see only a white screen!!!!
2. Sometimes after trying to make a short piece from the whole movie (using locators) I got the whole movie in (instead of a short piece) and my sounds start from time-code 00:00:00...
What am I supposed to do with those???
Thank you!I have the exact same issue. I'm running Mavericks. My friend that has Mountain Lion has no issues.
Although I thought all it was doing was cutting off 4 frames in the front. But it sounds like you're saying it shifts the whole track by 4 frames, which is even worse!
Apple, fix this, please! -
I have one big wav file of segued tracks as a mixdown and inserted CD markers where I want marked tracks. "Export audio of selected range markers to separate files" icon is grayed out in Markers window. Tracks show start times but no end times, yet duration is calculated. Why can't I export these marked portions as separate files?
the markers durations need to be configured, there is an easy way to do this using your existing markers. click the start time of marker 2, this should change to edit mode to type in a new number, just copy the numbers cmd/ctrl+c. then click the end time of marker 1 and paste, cmd/ctrl+v. now repeat for the rest of the markers, and on the last one enter a value for the end time or click and drag on the duration to manually extend it. once all the markers have a duration, the button should be active to export.
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Premiere Pro CS5 not exporting audio
Hi all,
I've already searched Google and these forums extensively but can't seem to solve this problem even with all the solutions I've seen. I've never had any trouble in the past with exporting and/or audio, but the project I'm working on won't export properly.
I'm exporting a ~4 minute video with a mix of camera (Canon 60D) audio, audio from my Rode mic, and an mp3 as background music. The audio plays fine in the timeline, but I can't seem to get the export settings right. I've tried H.264, Vimeo HD, and exporting JUST the audio to no avail. The audio is AAC, which I've tried 48 and 44.1 kHz.
The video exports perfectly in 1920 x 1080 but has absolutely no audio.
Can anyone help me with this? The render time is super long on my old Macbook so I've just been exporting sections at a time.
Thanks! Let me know if I should provide any additional information.
Edit: I've also tried exporting through Media Encoder CS5; same result.Hi, I'm having pretty much the same problem but after trying several of these solutions i'm still stuck,
I've completed a 30 minute film using 3 different types of digital cameras.
When i try to export it my system crashes and i have to open it again.
the project file is 35GB and i have over 100GB space on my external usb hard drive, so i know there is enough space, i also deleted temp files and unused files too.
I contacted an experienced film maker and took my hard drive to him so he could export it on his system and that also crashed, but he was able to export the entire video of the sequence but unticking the export audio, so i have a 30 minute film with no sound and i've put it down to an audio issue.
I had the same problem when trying to export the film when it was just 20 minutes long, i then cleared the media cache and deleted a lot of unwanted files etc, and then i was able to export the film. now it's 10 minutes longer and the issue seems impossible to solve.
the only solution i can think of is to delete the last 10 minutes of audio (which isn't really an option) or somehow record the audio into a seperate file and import it into the project
I'm not entirely sure of the exact details you would need from me but if there is any please ask
Using windows 7
4.00GB of RAM
Dual processor
Thanks for reading!
James -
Trying to export audio for editing in Logic...
I'm having an issue properly exporting audio from some video I shot... I was able to export the audio as an AIFF file, but when I import it into Logic (to enhance the audio), it plays back at a different pitch and tempo (although when I open the exported file in Quicktime player it works fine...)
Maybe it's an issue with Logic? Or should I change some setting for exporting the audio as an AIFF file?yes it is possible to do this, but it is a bit complicated. Under the share menu choose export media. In the dialog that appears you can choose audio only. There are options for AAC, AIFF etc. The problem is that it will export all of the audio from your project so if you want only audio from a particular clip to be exported you need to create a new project and then copy/paste the clip into the new project. You can then export that audio as described above. An alternative is to create a new empty compound clip in the browser and open it in a timeline and copy/paste your clip into it. You can then export audio only as above. Once you have edited the audio, import it into FCPX and add as attached clip to the original clip. You can either drag the volume of the original audio down so it is not audible or detach the original audio and delete it. Not as simple as in previous versions of FCP but do-able.
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Export Audio to QT Movie -- Expected Behavior and Other Questions
In the past I've reported that the Export Audio to QT Movie function didn't work correctly in LP 7.1.1. Well, it still doesn't seem to work correctly, but this time around I'm at least getting some kind of result. It would be kinda cool if I could get it to work according to play.
I'd like to get comments on this procedure, i.e., what kind of behavior should I expect; am I doing something wrong, etc.
• The movie (25 minutes long) starts with a 19-second slug (no timecode burn) followed by first picture with timecode burn starting at 00:00:19:00
• Movie Start Time = 00:00:00:00.01 (the extra bit is to work around a bug)
• SMPTE time for bar 1 1 1 1 = 00:00:19:00
• L & R locators set to the position & length of audio I want to export to the movie (L = bar 1 and R = bar 14)
• Cycle = ON
• Selected a single region of audio (track 1, outputs 1/2)
When I invoked the export function, I was presented with a dialog:
Immediately I notice that there is no 24-bit option (comments?)
Then I encountered this message:
The file listed there is the dialog track for the movie. No problem there. Now, keeping in mind that my file is only 13 measures long (at a fairly fast tempo),
Logic then performed a very long "bounce" procedure, followed by a long "converting" procedure, followed by a "saving" procedure (in which it was writing the new QT movie file).
In the resulting movie (which BTW was the full length of the film) the audio was waaaaaaay out of sync. But aside from that, is it normal to expect that the full-length of the film will be exported? I was expecting that perhaps only the first 13-measures-worth of movie would be exported. (comments?)
So I tried again. This time I moved the song end marker to bar 14 and invoked the export function. I got all of the same dialogs as above, but the "bounce" procedure took no time at all. Neither did the "converting" procedure. I expected this, as now Logic was set to think that the song was only 14 measures long. But the "saving" procedure took as long as last time.
In the resulting movie (which was again the full length of the film), the audio was again out of sync, though not by much. Still unusable tho. Again, should I expect that only a short clip of the movie would be exported? Or, should I expect the full length movie to be saved? (comments?)
-=iS=-
P.S. BTW, the reason my movie start time is set to 00 and not 19 seconds is because... well, that's the subject of another thread, but save to say that the above settings were the only way I could get first picture to line up with bar 1 of my song.Thanks for your reply George.
I normally use QT Pro to embed audio into picture also. Thought I'd try this route one more time tho.
Regarding my movie start time, I'm finding that if I set my movie start time to 19 seconds (where the burn-in first becomes visible, and which is indeed 19 seconds into the film), my SMPTE offset has to be 38 seconds. This means that Logic's t/c counter doesn't jibe with the film. So to make it so I have to enable the SMPTE view offset in the synchronization pane. But enabling it there doesn't automatically switch it on for the Giant SMPTE counter transport display.
Anyway, back to the subject at hand. I'll try the settings you suggested and see if that makes a difference.
Bouncing a chunk of movie always works perfectly here <<</div>
Can you clarify something? I know you said that you end up with a null file when you try the export thing, but in your above statement, did you mean that when you've tried this that it did in fact export a chunk of the movie, but without audio?
Cheers!
-=iS=- -
Export audio function in logic..can it be done in real time?
hey,
does anyone know if the export audio option can be done in real time as oppose to an offline bounce. there is a sonic difference between exporting files offline and actually bouncing them individually. Enough to actually make me consider going back to the old school way of bouning each track one by one. i obviously don't wnat to do that but and very dissapointed the hear the sonic difference between the two. If i do decide to do that wouald lla to the virtual inst be sample accurate? I know the exs 24 would be but what about spectrasonics stuff or other 3rd party virtual inst. does logic ahve and interanl engine that mkaes them sample accurate?
thanks in advance,
ejhey justin
i'm not sure i i get what you mean. if you are saying that i could lets say take 16 outs of logic and digitally record them in the pt then that is true...however logic drifts when locked to timecode which becomes obvious when you have to do mulitple passes (i guess all daws do to so extent). also let say that if i did a stereo track bounce of the music and then imported that bounce into pt for the purposes of recording vox. if i then decide to import the tracks via analog or digital, the track will be out of time with the original trak and require me to start shifting vox to compensate...not fun.
the thing that i like about exporting and bounce is that i don't have to worry about timing issues that way..it's just that bouncing sounds way better that exporting.
if i could export in real time then that would solve my problem. I guess i now see why digi has ignored requests foe offline bouncing,
any thoughts would be appreciated
ej -
HELP! : No "Export Audio To Movie" option
Hi
I've just finished a sync project and need to 'export' to movie. When I go to the file menu or right click on the movie track, the "Export Audio to Movie" function is not there.
PLEASE can anybody help. I have to deliver the pitch tonight. I'm running 9.1.3 64bit.
Many thanks
JulesMike is right. The reason why Logic9 doesn't have the Export Audio To Movie feature is the current state of Quicktime. Remember that the basic video capabilities of Logic are not written into the Logic code but outsourced to the Quicktime components in OSX (Don't invent the wheel twice). Based on a statement by Steve Jobs, the new Final Cut version should arrive in 2011 and you might think it will be 64bit, dragging QuickTime along with it, followed by a quick Logic update - maybe.
If this helps, here is my current workaround:
I work in 64bit with a separate project file for each music cue on a video based project. When I'm done, I bounce the audio.
Now I have also one master project, that also uses the current video and has the exact (important) sync settings. I use that project to import each previously bounced audio cue. If your sync settings are the same with all the individual projects and the master projects then you can import one or many audio files and with one command "Move to original recording position" all the audio files line up perfectly in sync.
_The advantages of that master project_:
1) You run that project in 32bit mode and therefore are able to use "Export audio to movie"
2) You can make rough mixes of your video (audio against dialog) for approvals or your own reference. Having these little videos with you at the dubbing stage can take prove very easy if the music editor messed up your cue.
3) You can export videos of individual cues, sections or the whole video (at least reels, if the movie is broken down in separate reels)
4) Easy handling/mixing of separate cues that overlap
5) Quick comparison of different versions of a cue which of course are all imported into the master project6)- Quick timing references for Cue Sheet preperation
7) In case of a picture edit, this the master project is also an amazing tool to figure out how messed up your music will be with the new picture cut. Im
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