Exporting OMF: Preserve Audio Levels?

Hi everyone,
I have an OMF question that I can't find an answer for. I apologize if this question is more fitting
in a ProTools Forum.
I have exported an OMF from FCP v.5. Upon opening it in Pro Tools LE 7.3.1, I have discovered
that none of the levels of clips and tracks have been preserved. Just wanted to see if anyone
else had this experience and weather there was a way around this.
Or perhaps this is just how it goes.
I saw on the Apple site a write-up about OMF's and FCP v.6. It says that for OMF Files it
DOES preserve levels. That's quite the bummer if I missed that ability by one version of FCP!

I've heard that the automatic duck plug ins will allow you to export with the levels preserved. http://www.automaticduck.com/ . I haven't used them myself, but our sound sweetening guy says a lot of his FCP clients use this when they export to him. It will also make AAF files as well.

Similar Messages

Exporting OMF with Volume Levels

My movie's done, I'm trying to export the audio as OMF files for my post guy to use on his machines at work.
Problem is that I can't figure out a way to export and leave my volume levels intact. We've done a lot of the mixing already, but according to Mr. Audio the OMF files I burned for him have all volume levels at 0, no deviation.
Can I export OMF with the volume controls using only Final Cut 5 or Soundtrack?
Next question is about Automatic Duck, a Final Cut plug-in that is supposed to solve my problem. I tried installing it and it seems to not want to work without a copy of After Effects on the same machine. Is there a way to load that plug in for just Final Cut and have it work?
Thanks

hey Mike
welcome to the FCP forum.
FCP5 does not to my knowledge export clip based audio gain or pan adjustment data in its OMF export ... you'll need something like Automaic Duck's Pro Export plug-in for that
if you already own Automatic Duck's fabulous plug-in then you should have no problem exporting your timline with (almost) all dissolves, keyframes and effects intact.
if you are having a problem then I can only guess you've bought the wrong plug-in ... you need the FCP Pro Export plug-in.
you'll be glad to know that Wes Plate, from Automatic Duck is a regular contributor to the forum so you can be sure you'll get the advice you need.

Export with different audio levels

I need, very often, to export the same clip with different audio levels.
Is it possible to make presets with altered audio levels, let's say one for -12db and one for -8db.
Until now, i alter the audio level in Premiere, then I make one export, then I go back to Premiere, change again the audio level, I make the second export etc. It works, but it is very time consuming.
Thanx in advance.

It is currently not possible. However, feel free to log a feature request:
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

Preserving audio level settings on Gigaworks S750

I noticed that when the Standby mode is enabled on the Control Pod of the S750 amplifier, all the level settings are preserved when power is reenabled.
However, when the main power rocker switch on the subwoofer/amp is turned off, those settings are lost. Too bad those settings aren't stored internally.
Not sure about others, but I think it is a good idea to be able to power-down the entire system and have those settings preserved.
BTW, exactly what does the Standby mode do? Presumably it conserves power but are there any other benefits?

Yup, this has been noted a number of times by users.Another "would be nice" feature is a way to manually override the master level adjustment in the case where the control pod fails.Not sure about others, and I imagine this is a basic safety issue, but I find that when powered off, and than back on, the level settings are rather low.

Exporting to OMF for audio and After effect + delay in performance question

Hello
I have two questions.
First I have a problem with performance of FCP 5 I'm using a 500 GB firewire 800 external drive (not . Every time I hit the play button there is a delay of 2 seconds before playing my sequence I'm not sure why this is happening, I have a very basic sequence with one layer.
Second question - I'm trying to make FCP popular in my country but it is very hard since we work with OMF both in Protools and in After Effects. In Avid we exported media embedded OMF and also with audio. I know that there is an option to export OMF with audio but Protools has a hard time opening it. As for Video there is no choice, what can we do?
Thank you

Anyone?

Export OMF with levels

Hi there,
I am trying to export an omf in FCP 7.0.3 with levels, but the audio guy doesn't see the levels. He is using a pyramix system.
I have heard that automatic duck has a plug in where you can export to aaf with levels, but this is an expensive program.
Is there an other way to do this?
regards, Micha

Dear Nick,
I know how to export an OMF, but my problem is that the de audio editor doesn't see the levels. The manaul says that this should work, but it doesn't. He does see the cross fades, but not the levels.
I am now trying a workaround by media managing a copy of the sequence without video and make a XML file, but the problem there is that the although I removed all the video, the media manager still includes the video in the export.
The audio editor can read the xml file with the levels and the cross fades, but the export is now very big (it is a 50 minutes sequence) because the video is still included.

7.2 Bug? Audio Levels Normalized to Max on Export - Blown Out Audio

Is anyone else experience an audio level shift upon export from Premiere Pro/Media Encoder CC 7.2? Since updating audio or video files I export (AIFF, WAV, h264, etc.) have the audio levels automatically increased, it appears maybe they are being automatically normalized to 0db. But, the increase results in blown out audio.
Pretty major issue if this is a bug. If it's a 'feature' anyone know how to turn it off?
I'm on a PC using Windows 7 64bit.
Update: The audio levels are not being normalized. The problem has to do with stereo audio tracks that have been imported as mono. I was able to resolve the issue by changing my import audio preferences to import Stereo Media 'Use File' and reimporting my audio files - exporting then worked as expected.
However, exporting from stereo tracks imported to mono tracks the audio is somehow being duplicated on export resulting in levels that are too high. Not sure if this is a bug or just something to do with the conversion of my old project files...
Message was edited by: JesseB

Nick,
Maybe not very useful info here, but an advice...
Being a native user of æ, ø and å when it comes to talking and writing, I have learned long time ago that using such (æ. ø, å) in file names (or in anything purely computer related) is something that causes hick-ups now and then.
PS! "Half" when it comes to sound is -3 or -6 dB (dependent on sound power or sound level)
Dag

Audio levels in exported video [Premiere Pro CS6]

The audio level is just what I want in the actual track. However, when I export the video the exported audio is too loud. So I went back and lowered the clip by 3dB...the volume level of exported video still didn't change--it sounds like people are shouting.
This is a new problem...is there a setting in the export dialog box I have accidentally changed?
Thanks in advance.

I have found this to be a problem in CC at one of the places I work.
Export at 16bit perfect levels with a tone ident...bring it back it into the project and now -3db.
I tried exporting 32bit float and it comes out 3db higher!
Only method I have found is to export audio separately to a 32bit file then in a new final video sequence, replace the audio timeline with this file and adjust levels. The new export seems to come out at the right levels
May have something to do with a bug in the pan law but you can't adjust settings like in Audition.
Many bugs in this program causing me nightmares....
....Can't save track preset effects and have to copy complicated track EQ and compression settings by hand
....Track effect settings adjustments that revert as soon as you click away or hit play
....Very slow with crashes and freezes in sequences with nested sequences.
Leave plenty of time for your final exports...you will need it

Audio Levels when exporting are too low

so i tried searching the forums to find an answer, but couldn't really find one. Everytime i export a project from FCP (as WMV, Flash, Quicktime, whatever) the audio levels are extremely, extremely low...to the point that I have to bump them up to +12 and duplicate the audio layers several times. I have to imagine there's an easier way to doing this.. any ideas?
thanks
Paul

I didn't know you could export to WMV in Final Cut. Must be a new feature since the Apple/Microsoft merge....
As far as the audio, how are you monitoring it in FCP? You might have your speakers (or headphones) turned up really loud, so you think the levels are fine until you export. Also, look at the audio meter. You should judge the overall volume by that, not by your speakers. It's kind of like a waveform scope for audio.
Check on those two things and report back.
jesse.
ps. just kidding on the merge. that'll start some rumors.

Audio levels before / after export???

hi,
i'm using a background audio track in one of my adventure videos and when i am in PProCS5, the audio is at a good level BUT after i export the video, the audio seems to have gone up a few notches.
any ideas?
i only edit the audio levels in PProCS5 down in the audio section of the timeline. i add keyframes and then drag the audio level up and down. is that the right way to do it? is it possible to increase / decrease the audio level by more than the allowable 6dB?
am i missing a setting when i export the audio?
i mean, it should all sound the same, in PPro and when i play it in VLC or on my TV?
thanks!

In PrPro, there are at least 3 ways to adjust the Levels/Volume of the Audio:
At the Clip-level, one can Rt-click and adjust the Audio Gain. This is often the least desirable method, but can be used.
At the Clip-level, one can use the fixed Effect>Volume, and easily Keyframe this Effect. This can be done on the Timeline, or via the Effects Control Panel, and this is the most common method. Remember, this is at the Clip-level, so those Keyframes will follow that Clip, should it be moved.
At the Audio Track-level, one can use the Audio Mixer to automate the Sends, and set Track Keyframes to control the Levels. This will apply Track Keyframes, which will remain on that Track, even if one replaces the Clips on that Track. The frequency of these Track Keyframes can be adjusted in Edit>Preferences. Remember, these are Track Keyframes, unlike the Clip Keyframes above.
The display of either Clip, or Track Volume Keyframes can be toggled in the Track Header.
There are several other Levels/Volume Effects, like Normalize, but they are really something a bit different.
I agree with Jim's suggestion on doing a DVD (I use RW discs to test - no more coasters), and test the Levels on my reference audio system.
Good luck,
Hunt

Audio levels won't export when doing a "share."

Audio levels set with the bar at the bottom, won't work when "shared."
Also audio volume levels set by clicking on the clip volume line and making dots to drag won't work either. They sound fine in the project but when shared, they all go to regular volume.
It has nothing to do with "extracting audio." Because I've tried setting the levels in the video track. I've also tried unchecking the audio on the far right toggle for the video track, after extracting the audio and setting volumes in the audio track: it works in the project but not in the production of a Quicktime video via a "share."
It has nothing to do with transitions or titles as there aren't any.
I'm working with mpeg 4 clips.

Hi,
You don't say how you got the MPEG-4 clips into iMovie - though it was great that you mentioned that they started life as MPEG-4 - nor which version of QuickTime you're using (..sorry to be so pedantic!..)
iMovie expects to be working with the embedded audio within DV clips, or with .AIFF audio clips, though it can handle other audio formats ..but not so reliably.
The problem is probably with the type of audio file you've ended up with in iMovie. iMovie writes audio volume levels as a set of 'instructions' within a text file, to tell itself, and other programs, where and how to set those levels for clips. If the audio format can't be properly regulated by iMovie (..e.g; it's in the form of embedded MPEG-1 level 2 audio or MP3 audio, rather than .AIFF..) then iMovie may try to tell QuickTime - while 'Sharing' - "set the audio level at this point to 25%", but QT may be unable to adjust that type of audio file correctly, even though it's correctly reading the instructions.
See if you can export ('Share') the whole thing as DV, then re-import it - in which case the audio will be in the correct format - and then you should be able to satisfactorily set the audio levels again for a successful 'Share' to QuickTime.
Others may suggest a simpler or faster way to handle the problem, but that's the first thing which comes to my mind..

Random Audio Levels Change Exporting STP to Aiff Master

I've been mixing a feature film scene by scene (STP can't seem to handle a full feature mix at once due to memory problems) and generally pleased. However, I've noticed on two out of 10 scenes mixed so far, when I exported the aiff file as a master mix, audio levels on various clips (not all) drop considerably in the mixed file. Even clips in the same track lose audio level in places in the mix, seemingly randomly. It's very weird. Then, when I listen again in STP the levels have been mysteriously dropped as well. NOT the volume slider bar. It stays the same. No change in gain. All LOOKS as it was before exporting but the drops are there. It's as if the exporting process has done something to the STP timeline levels without visually changing anything. If I change the layout screens or play around with the submix locations, all returns to normal in STP. But after I tried exporting again, the same problem happens.
I couldn't find any other forum help with this. Some people suggested 'Render to Action' or 'Flatten Audible Actions' for a similar problem someone else posted, but those options are ghosted out on my multi-track project.
I tried deleting all .plist files related to audio, soundtrack and final cut studio (not easy to find, may have missed something). And this problem doesn't exist on some other scenes using the same process which worked fine.... so it's extremely odd.
I am using minimum filtration, just a limiter with -4.5db and 3db of gain on one track. All dialogue going to a submix and all fx to another. There are only 4 tracks of audio in the mix in question.
I 'analysed' and 'fixed' all phase issues in clips. No change.
The original recordings are .wav files from a Zoom H4N set at 44.1 hz, but that's the same in all scenes, so not sure why only two would make a problem. (the project itself is set to 48hz)
I'm fairly experienced in FCP Studio but getting a bit loony over this one, so hope you can offer some help. Please don't suggest using other software like Pro Tools for this mix. It has been working fine and I'm happy with 8 scenes. There must be something simple going on with the 2 odd ones.
Thanks, Ken STP 3.0.1 Snow Leopard, Intel Quad MacPro
'It's not a question of becoming. It's a question of uncovering what you really are, of letting everything that is not yourself fall away'. - Journey to Ladakh
I think this applies to editing as well....
Ken Barnes, Producer, Director, Editor
www.blissmonkeyfilms.com

I may have found a clue, but still don't know how to fix it. The file from FCP to STP was a stereo file with mic A on left and mic B on right (used a Zoom H4N). I split the file in STP into two mono files and separated the tracks. So actor A is on track 1 and Actor B on 2. All levels fine. I checkerboarded the tracks so there wasn't a lot of overlap. So far so good. Somehow, STP seems to be reading only Track 1 when it does the export; the level drop I'm hearing seems to be Actor B appearing on Actor A's lavalier, even though that data has (supposedly?) been chopped for the checkerboarding. Is this clear? IOW, even though the timeline shows clearly distinct and clearly audible separate mono tracks 1 and 2, the export mix isn't reading it that way and ignores my separation of stereo to 2 mono tracks, preferring to read from only one of the stereo tracks (or possibly only Track 1, but not throughout the track, only where the checkerboarding has occured). And then it somehow 'remembers' the export when it re-opens the project until I make almost any adjustment in STP and it magically returns to normal. Help!!

Audio levels go wacky when I export to AIF file?

I am working on a 13 minute multitrack project in Soundtrack Pro. I went through and set all the levels, then I export it to an AIF file and put it back into my Final Cut Pro project. Once I export, there are three scenes in which the audio levels go completely wacky - some places are at a lower level than what I set and other places are at a higher level than I set. I then go back into STP and when I listen back at those scenes these new wacky levels show up in STP. I then close STP and reopen and lo and behold the levels I orginally set (that I was very happy with) are back in place like nothing ever happned.
Some notes on what it might have to do with: All three of these scenes were shot using 2 Lav mics. These were each set into it's own channel on the Handy recorder. In STP, each lav channel is in it's own track. The audio level settings that I like for these two channels are very different (one actor was much quieter than the other). It almost seems as if in the export STP wants to put Channel 2 at the same level I have Channel 1 - which I don't want.
I have been spinning my wheels for hours trying to fix this. Anybody out there have any ideas or solutions or workarounds?
Much obliged for any help!
Michelle

This problem has also been plaguing me today. Here are my specifics and how I solved it (Expanding on what Quentin Holmes mentioned)
CONFIRMED WORK AROUND! The .m4v file gets created while encoding, but Adobe Media Encoder does not re-pack it back into the .mp4 unless you select the "Export Audio" in Adobe Premier export prior to queuing. If you don't want audio, mute the individual tracks and still export audio.
My details:
Just bought a GH4, shooting 4k 25fps MOV, trying to simply trim a few clips and export them as H.264 .mp4 with no audio. (By the way it would be nice if we could export 4k .MOV files from the camera back into .MOV once finished editing, but in premier that frame resolution is not supported)
Specs: Mac Mini, Quad Core i7, 16GB Ram, OSX 10.9.4, Adobe Premier Pro CS6 6.0.5, Adobe Media Encoder 6.0.2.81
Hope that helps anyone with the same prob

Exporting & Audio Levels

When I share (export) back to my Panasonic mini Dv deck my audio levels change. For example...I have imported music and set the audio level low as a person is being interviewed so the music is in the backround behind the interview. When i export, the music takes over the entire project and you can't hear the person being interviewed. The audio level actually increases and drowns out everything else. Has anyone else had this experience? Solutions! Thanks!
Tom

Hi Tom,
Yes, I have the exact same problem, but with a "share" that makes a QT movie on my hard drive. See
flailing, "audio levels won't export when doing a "share."", 10:25pm Nov 1, 2005 CDT

Exporting OMF to Protools from FCP5

I am running FCP 5.1.4 and cutting an HD pix, shot on an F900, downconverted to a DVC PRO 100 hd for editing. I want to export an OMF for a pro tools session. From what I hear, FCP 5 will not export OMF with the pan and volume levels. The sound editor will basically have to remix all the sound. Is this true?

I never use the keyframes for audio.
Because indeed the audio-guy will not receive that info from the omf.
What I always do is add transitions to the audio. sometimes need to scirror the audio. adjust the level on the second part and the ad a transition.
This way your audio-guy will know he needs to do 'something' on that point in the mix. he will not get the level information, but he'll see you made a transition there. together with your scratch mix (see danny boy's post) he'll figure out...
Rienk

Exporting OMF: Preserve Audio Levels?

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