Final Cut Pro Size?

Clicking on the Final Cut Pro HD application icon and going to "Get Info" shows that the icon file size is 43 GB !! Is this right? It's devouring over half of the disk space on my Powerbook. What size is it on yours? If mine is excessively large, what would cause it?
Thanks from Gina

This hasn't come up in a very long time, and I don't recall what the solution is.
Maybe at some point in time, perhaps even now, your Scratch Disk got set to the program file. Sounds silly, even impossible, but it's worth checking.
You can right-click on the program file and choose Show package contents, then nose around in all the folder. See if you see any Capture Scratch or Render Files folders.
(Scratches head.)

Similar Messages

  • Final Cut Pro Size Limitation

    Hello,
    I'm trying to work on a 4K (4096X2048) timeline and for some reaason anything after 4000 pixels crashes Final Cut Pro. Is there anyway of bypassing that, like we do in shake ?.
    Thanks,
    Manuel Gonzalez

    4k isn't supported I'm afraid. Might be some sort of hack you could do, but I'd not want to mess with the code involved myself.
    Jerry

  • Final Cut Pro size queries help please!

    Ok, so in the tech specs it states that 4GB is required to install FCP but it the says 55GB for contents files??
    What are these contents files, i know they are for the different parts of the suite but what do the contain and are they essential ?
    thanks

    The content files are loops/sound effects for Soundtrack Pro (about 22 GB worth), menu elements (e.g. button images, backgrounds) for the template menus that ship with DVDSP (about 4 GB worth) and different stuff for Motion (15 GB worth)
    If you're working on a machine (say a laptop) that doesn't have much hard drive space to spare, the content does not have to be installed (the programs will run without content), but it's nice to have them handy on an external drive that you can plug in as needed. When installing, you can set the installer to place the content on a different drive.
    And, in case it matters, the total needed for a 'complete' install is actually 46 GB (not 55). 4 GB for the actual programs and about 42 for the content.

  • Final Cut Pro 6 App says it's 495GB in size! Say what?

    I'm trying to clear out hard drive space to keep FCP 7 and FCPX running smooth. I was horrified to discover that under my directory Macintosh>Applications>Final Cut Pro 6 =495.27GB in size! In comparison to FCPX 10.1 which is 3.34GB in size.  How can this be? I'd imagine MAYBE with the entire Final Cut Studio suite would POSSIBLY be that large in size, but just the Final Cut 6 app????
    Can anyone else verify their size by right clicking and clicking "info" when the FCP6 application in the finder window. I never noticed this before and think something is wrong here. Thanks
    BTW, yes apple calls it FCP6, but in the program it says 7.

    Thanks a million Shane, this is indeed what happened. Apple felt like putting all of my render files inside the App for no provoked reason!  I always run my media on a 2nd dedicated internal hard drive for my media, so I never unplugged or unconnected my Media drive...but I suspect UPGRADING to Mavericks, or should I say, I was forced to upgrade to Mavericks in order to give FCPX a whirl. I assume this issue occured when I made the update to my system, I'm just now noticing it though since I've been using FCPX the last month exclusively.
    By the way Shane, since I've pretty much mastered FCP7 like a lot of older power users, how do you feel about FCPX? Are you currently using X? I like that its 64 bit but I HATE connected clips, and the way it handles audio editing. I always wished FCP7 was given a makeover and made 64 bit with updated graphics instead of changing over to this beast!  Thanks again Shane.

  • Title Font Size in Final Cut Pro 6 for exhibition on movie theater sized screen

    When editing a documentary and creating title cards (that play as part of the movie - text center of screen on black b.g.), lower thirds identifying speakers, and end credits (both single card and scrolling) are there some standard fonts and font sizes people use so the end result will not look too large when projected on a movie screen?
    The titles are all from Final Cut Pro (a few from the Boris plug-in for FCP6) and there are no titles that move or that are created in Motion.
    I will be able to make additional edits with the fonts sized for tv, streaming, DVD distribution etc. if I'm lucky enough to end up needing those as well.
    Thanks!

    If the titling is properly composed for the frame size, it will look correct when projected. That is, if it looks font is legible and in decent proportion in your 1080 timeline, it's not important whether the display is 30 inches or 45 feet; the proportion will not change.
    In terms of font selection, medium or bold sans-serif fonts work well on all screens.  "Plain" fonts like Helvetica, Ariel, or Lucinda tend to work better than the more stylized fonts, but if style is part oif your message, be my guest...
    hope this helps

  • Final Cut Pro 7 Log and Capture Frame Sizes

    When importing from a Roland VR-5 mixer into Final Cut Pro 7, we get black border/bars on the left and right sides of the preview. We didn't think anything of it, that it might have just been the preview window. These bars are recorded though, it's as if we're not recording the full frame size coming out of our mixer. We went into the settings on the VR-5 and everything was configured to be 720x480, and that the settings in FCP matched. The image still gets cut off. Any ideas?

    Some background:
    720x480 is a non-square format. It can either be the equal of 640 x 480 (4:3) or 954 x 480 (16:9) depending on what you tell your editing software the incoming stream will be.
    If you told FCP the incoming stream is DV/NTSC 4:3 and you are getting a pillarboxed image, FCP is thinking you are sending it a 16:9 version and is filling the the sides to keep the aspect ratio correct.
    It would help to know a whole lot more about settings within FCP and what your mixer is putting out.
    x

  • Final Cut Pro X Exported Video Size

    I've recently bought Final Cut Pro X and use it for editing videos before uploading to YouTube.  I used to export my videos from iMovie as a .mov file to my hard drive to then manually upload to YouTube.  There doesn't seem to be this option in Final Cut, so I've taken to using the YouTube share feature but it never uploads so I just manually upload the .mov file that it saves somewhere in the Final Cut shared files folder.
    The problem I have is that I export a 720P file so assumed that the video size would be 1280 x 720, it always was with iMove.  I've found that Final Cut spits out the video at 1248 x 702 and this is quite annoying as it sometimes cuts off the top and bottom of a video.  Is there any reason why it does this or any way to get it to export at the correct display size?

    How can I change the size? Normally I export at 720P in iMovie and the video and format are both 1280 x 720.  I did a screencast using Quicktime and due to the change in display size it's chopped off the toolbar at the top and a small portion of the dock.  I've had to resize the clip in Final Cut to 95% of the original size to get it to fit in the 1248 x 702 size that it chooses to put it in.
    As this was only a screencast the file size tends to be this small, but normally I shoot at full HD on my camcorder and the video can be about 10 mins in length.  I used the export media function and the resulting file was about 8GB in size!  iMovie would typically give me a .mov file anywhere between 700MB - 1.5GB depedning on the length of the video and that suited me fine, but there doesn't seem to be any way to get it that small using the Export Media.  Not much of a problem really coz I'm fine using the YouTube share option to get what I want.

  • Maximum File SIze Final Cut Pro 10.0.7

    Does anyone know what the Maximum Number of Events/Clips/File Size/etc that final cut Pro can work with handle efficienly

    Try here:
    https://discussions.apple.com/thread/4688455?tstart=0
    Al

  • RAID block size for final cut pro x

    Just got one of the new late 2012 27" iMacs and a 6 TB LaCie Thunderbolt drive. Can finally edit the video I took last spring. I'll be using Final Cut Pro X, and doing a lot of multicam stuff with 4 or 5 views and a separate audio track. The LaCie came formatted as a mirrored RAID. I'm going to change that to 0 (Striped RAID set), but am wondering what block size to set. The default is 32k, but I have read that this ought to be increased to the max (256k) for video editing. I have also read it should NOT be increased. And the posts I have read have all been at least 3 years old. So let me ask you all--what block size would you recommend for my situation?
    Thanks in advance!

    Hi Eddie...
    This depends on what kind of source footage you are editing....
    For compressed Video, Audio and Uncompressed audio 128k
    I have only had BAD results with 256k. 64 is also weird. Whereas 32 is fine.
    All my RAIDs have 128k for audio/video editing
    you can go further if you editing Image Sequences.. but according to my own findings and I have been dealing with raid since years.... 128k does the job the best.
    Rule of thumb.... The smaller the file sizes you are putting the RAID the smaller the block size. And vice versa.
    I.e. You would cripple the raid performance if storing a database on it, having a block size of 256. In case of servers and OS 32k would be a good choice, perhaps even 16k if supported.

  • Problem when HD movie (Final Cut Pro edited) viewed at smaller sizes on youtube

    Does anyone else get occasional lines during motion (not interlacing) and motion jerks with their HD video when it is viewed in anything other than Full Size HD?
    I am having this problem and it's driving me crazy trying to figure out where the problem is. Original footage was shot on an HD JVC Camera 1920 x 1080/50p AVCHD. Final Cut Pro converts it to 29.97 Apple ProRes 422 with Field Dominance: Upper (Odd).
    Please refer to the attached file to see the compression settings I used in MPEG Streamclip. I found that I saw a lot of jumpyness before seting the data rate at 15000 kbps. There is still slight "lag" on panning shots, but watching the converted file on my computer and in Full HD on youtube (at full size) it is acceptable.
    Is this a problem with youtube or with my conversion process? I have heard that AVCHD cameras have caused similar problems for others. Has anyone found a solution?
    Thanks,
    Spark

    Here's an example of a file (.MTS) converted to H264 for youtube then uploaded with horrible panning problems:
    http://youtu.be/hD8UnT_fv1s
    And here's the piece I made which works perfectly fine when fully loaded and played full size in HD mode, but has glitches at any other size/ quality when played:
    http://www.youtube.com/watch?v=4VHByjcs-n8&list=UUSCZm618F5deYQzcZLiw-vg&index=1 &feature=plcp
    At around 0.51m, 1.20m and 2.08m motion lines/ glitches are most noticeable. Seems to happen mostly during panning/ movement shots.

  • Importing SWF into Final Cut Pro with no Background

    Hi Everyone:
    I've created an animated macromedia .swf file and imported
    into Final Cut Pro successfully just as an .swf file. I can see the
    .swf file animate in Final Cut Pro, the only problem is there is a
    white background along with my animation. I've seen many slighly
    related threads to this problem, but no end solution or work
    around. any help? here's what i've seen in posts and other forums:
    - create another layer below your object and place a
    tranparent color swatch box the size of your stage size
    - export the flash file as .mov with an alpha channel
    transparency
    - export the flash file as a .mov with an alpha channel, then
    open in quicktime pro, then re export again as a quicktime movie
    with the "Millions +" option.
    - i've also heard something about having the right codecs, or
    purchasing some other 3rd part software.
    none of these approaches have worked for me. My Dream would
    be to just import the .swf file straight into Final Cut Pro. I've
    been exporting my flash movies as a png sequence and importing
    every image into FCP for the time being. I'm also thinking about
    just making the background bright green, because i think i just
    chroma key it out, but i'm not sure how clean this will be.
    here's the related thread:
    http://www.kirupa.com/forum/showthread.php?t=242444
    Thanks for any help.

    You need one of these: http://desktop.thomsongrassvalley.com/products/videoconversion.php to do it properly. The ADVC 300 is the best option for the money.

  • Export through Final Cut Pro of .mov file results in non-viewable file...

    Hello,
    I recently worked on a film and had asked for a .mov version of the movie so I could get an uncompressed HD version in case I wished to use it for my demo reel (video for actors).
    I was present when the director exported it and he exported it from Final Cut Pro (the latest version) and he exported it as a .mov file.
    Well, I just tried opening the video and it does not work. In Quicktime, the error message:
    "The movie "movie.mov" can't be opened.
    You may need to install additional software to open this type of file.
    I'm thinking it might be a codec issue.
    Do you have any suggestions as to how the movie should be exported so that I avoid this type of error message?
    I tried opening the file in iTunes and I got the audio, but the video was black. Another clue that it's a codec issue.
    I just need a high quality (as uncompressed as possible) file that I can then add to an editing program and insert into my demo reel. I need the high definition format to be retained.
    As for the frame-rate, etc. I'm not sure. It was done with high quality and expensive video equipment and didn't use tape. I know it was high definition and widescreen as well.

    Nope, I don't have Final Cut Pro on my system.
    I clicked on Get Info and nothing about the codec appears.
    "Kind: QuickTime movie"
    "Size: 1.99 GB on disc" (it is about 6 minutes long; that I remember)
    "Title: movie.mov"
    "Last Opened" is the next and last thing that appears.
    I tried opening it using VLC and the movie just stops and starts throughout. It plays for just a second and then stops and I have to keep clicking the "Play" button to get it to keep playing.
    Actually, just now I tried it again in VLC and it just kept stuttering.
    From VLC, I chose Media Information and under Codec Details, the following appeared:
    Stream 0:
    Type: Video
    Codec: MPEG-1/2 Video (xdvd)
    Language: English
    Resolution: 1920x1080
    Frame rate: 23.976000
    Stream 1:
    Type: Audio
    Codec: PCM S16 LE (sowt)
    Language: English
    Channels: Stereo
    Sample Rate: 48000 Hz
    Bits per sample: 16
    Should I ask that the movie be re-exported using the ProRes codec???

  • A Case Study Question in the Use of Stills with Final Cut Pro

    Believe it or not, for the last week I have been reading endlessly about pixels, resolution, aspect ratio, Photoshop resizing, the bloody battle over the usefulness of the term "dpi" in video discussions, and generally about what one should do in order to use still images in a film edited in Final Cut Pro. And yet, though I have a PhD from an Ivy League university, and can understand a lot of things, I am sorry to say I am still at a loss.
    Much of the discussions of photos on forums like this one are either quite technical or broadly philosophical. But my questions are completely practical and specific. I am not a photographer or a printer, nor am I an experienced editor. I am just a fairly smart person trying to use photos in his film. So I am going to ask some specific questions and hope for specific answers, without any philosophical waffling or technical mumbo jumbo.
    I have one of those HP all in one printer/fax/scanner machines. I am told this device, while not fancy, is perfectly adequate to the task. Some of my photos I scan with this device from prints. Some of them I get from other people. (I have stopped downloading photos from the web, as the quality is nearly always poor.) I have Photoshop Essentials (not Photoshop). I am making a 90-minute HDV documentary, 16x9. The doc is mostly HDV footage with a still here and there. I want to be able to move on the photos (zoom, pan, etc.). I want, obviously, for them to look good. My sense is that the work flow is: (a) scan the photo (or obtain from some source as a digital file); alter the photo in some way in Photoshop; and (b) import the photo into your FCP project.
    Question #1: If I have a 6x8 print, what settings should I scan it in with -- is it possible there really is no difference between scanning in it at 72dpi and 300dpi? Is it really all about the dimensions of the image? Isn't a photo whose dimensions are enlarged in Photoshop to make it available for panning and zooming in my sequence going to look fuzzier and more pixelated if it was originally scanned at 72dpi than at 300dpi? Also: Does it matter if I save it as a jpeg or tiff? Bottom line: What settings do I use in my scanning software when I scan a photo for this purpose?
    Question #2: Once I have the image file on my hard drive, I suppose I now have to load it into Photoshop Elements and do something to it. What is it exactly I am using this program for? I'm going to take a wild guess. I use PS Elements to (1) crop the photo so that it has a 16x9 aspect ratio, and (2) resize it so that I can do pans and other Ken Burnsy moves on it in FCP. Bottom line: What exactly do I do in PSE to the photo and what settings do I use to both (a) make it available for moves and (b) not injure the quality of the photo by increasing its dimensions?
    (In passing, I will say that I have done experiments that show that if I increase a photo's dimensions to, say, 4000 pixels by 2000 pixels, the photo's quality definitely and obviously suffers. I don't understand how a picture can be increased in size without losing sharpness. So, what am I doing wrong? Is this a function of it having been scanned in improperly to begin with?)
    Question #3: If I am obtaining a photo from an outside source -- say, a professional photographer -- what are the specifications I ask for in both a hard print and a photo file? If the former, what dimensions do I ask for? If the latter, do I specify resolution and dimensions and file type?
    These are my questions. At this point, I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."
    Thank you very much.

    Studio X is absolutely correct; while DPI has no meaning in the video world, it often has significant meaning in scanning (and, of course, printing). If your scanning program only allows image size adjustments in DPI, then you'll have to adapt to that ... keeping in mind that the scanner's DPI setting directly relates to pixel resolution. And it is pixel resolution (not DPI) that will make all the difference in the world for images used in video. You can test this yourself by scanning an image at 1000 x 1200 @ 72 DPI and again at 1000 x 1200 at 300 DPI. They will look identical on TV or projection as long as the pixel resolution remains the same.
    As an example, my Epson scanning software allows me to adjust image size by DPI or pixel resolution. Wanting to maintain the correct aspect ratio for the image area that I'm scanning, I adjust the DPI setting which in turn adjusts the pixel resolution automatically. But it doesn't work the other way around; if I adjust the pixel resolution settings manually, the DPI setting does not change. Your software may vary.
    As Jim Cookman suggested, a scan setting of 300 DPI works well for most images ranging from 3 x 5 to 4 x 6 (typical snapshot size) in a DV Sequence. I may scan smaller images at 400 or 600 DPI and larger images (8 x 10 and up) at 150 DPI. Other size images fall in between those numbers. But I'm constantly watching the pixel resolution numbers to make sure I'm getting what I'll need to support the animation I intend to apply to the images once in FCP. Also bear in mind that I don't always scan the entire image. I only scan the area of an image that I intend to use in my program.
    So the answer is that it all depends on your scanner's software and how far you plan to push into an image once in FCP. Do a few experiments ... you're a bright fellow so it shouldn't take long for you to find the formula that suits your purposes.
    I haven't edited an HD Sequence using images yet, so I cannot offer definitive pixel resolutions for you there.
    On to your specific questions:
    1. See above. There is no one correct answer It all depends on what you intend to do with the image once it's in FCP. If you only plan to push in about 10%, you won't need much higher resolution than the equivalent of your FCP Sequence resolution. If you plan to push in further, you'll need a higher resolution to support that move.
    2. I've been doing these for many years (SD Sequences only) and I've never loaded them into Photoshop first. I import the entire folder into FCP and drop it on the Timeline so I can see what the images look like on TV; unless your program is for CD-ROM or web delivery, that's where it counts. When you place them on the Timeline, FCP will automatically scale to your Sequence settings and pixel aspect ratio. If I see that some of them need adjustment using an external editor such as Photoshop, then and only then do I use that program. And by the way, if you have a vertical image and a 16 x 9 aspect ratio in FCP, how do you propose to crop it to fit? Perhaps you meant another term instead of "crop."
    3. If it's a print, it won't matter what size they supply because you'll control the image size when scanning. If it's a file ... once again, the size (pixel resolution) depends on what you intend to do with the image once in FCP.
    I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."<<</div>
    With that attitude, how did you ever earn a PhD from an Ivy League university? But if that is truly all you want, you might consider hiring an experienced editor to do it for you.
    -DH

  • Is my issue with Final Cut Pro or my Macbook pro?

    I'm going to try to be as thorough as possible in explaining my situation because I can't figure this problem out and it's exhausting me. I have an early 2011 macbook pro with the 2.2 ghz processor. I upgraded to 16gb of ram almost a year ago. I've been using Final Cut Pro 7 on this computer for several years now without issue and have made no setting changes that would prompt my problems. A few months ago my battery decided to stop holding a charge and now just registers 0%. Around the same time, while editing a short video my computer began behaving like it was overheating. It would crash, restart, crash and then restart again. After I did a disk and permissions repair it began to work normally again and I haven't had any more crashing issues. Around this period of time I began noticing that when my computer turns on it doesn't register the correct time and date. Given a few moments it corrects itself, but for some strange reason it was doing that every time.
    Anyway, around that time I tried to upgrade to Mavericks and experienced an issue during installation because my hard drive was apparently damaged in some way and the installation couldn't be completed. I restored my previous OS and tried to carry on as I was with the damaged hard drive for as long as I could. I was still able to do everything I needed on the computer. I could still edit videos with Final Cut. I could still browse the internet. I could still stream Netflix.
    About a month ago Final Cut stopped working. I could open the program, start a new project and import media files, but when I dragged them into the timeline, they just stuttered (audio would play but video would lag and then jump several frames then lag and jump frames). At the time I assumed this was because my hard drive finally gave up, but I was still able to do other functions like browse the internet and stream basketball games with nba league pass (granted they weren't crisp hd - on a side note, netflix was also behaving oddly. when I would browse through my list, it wouldn't stop scrolling when I moved the mouse away.) so I assumed the hard drive was my issue.
    I just replaced my hard drive with an ssd (crucial m500) and upgraded to mavericks (10.9.1) and now I am having the same issues. Netflix behaves fine. Basketball games stream fine. My battery is still dead (obviously that wasn't going to change). I get the wrong date and time for a minute, but I'm thinking that's battery related now. But Final Cut still lags to the point where I can't use it. Video clips also won't render. I thought this might be an issue with the Final Cut program so I uninstalled it and reinstalled it, but it still did the same thing. Assuming I hadn't correctly/completely uninstalled it, I downloaded HitFilm 2 (an editing program that had a free download promotion at the time), figuring using a different program, if i could edit video with it, then my issue is with Final Cut and not my computer. Unfortunaely, I'm having the same lagging issues with HitFilm as I was with Final Cut.
    I'm at a loss as to what the problem is. Sorry if this was a rambling post, but I wanted to get as much of the background out there as possible, should it provides anyone with a clue as to what is the issue here. Does anyone have any idea what could be at fault here? I'm stumped.

    Hardware Information:
              MacBook Pro (15-inch, Early 2011)
              MacBook Pro - model: MacBookPro8,2
              1 2.2 GHz Intel Core i7 CPU: 4 cores
              16 GB RAM
    Video Information:
              Intel HD Graphics 3000 - VRAM: 512 MB
              AMD Radeon HD 6750M - VRAM: 1024 MB
    System Software:
              OS X 10.9.1 (13B42) - Uptime: 5 days 3:30:18
    Disk Information:
              Crucial_CT480M500SSD1 disk0 : (480.1 GB)
                        EFI (disk0s1) <not mounted>: 209.7 MB
                        SSD (disk0s2) /: 479.11 GB (235.88 GB free)
                        Recovery HD (disk0s3) <not mounted>: 784.2 MB
              MATSHITADVD-R   UJ-898 
    USB Information:
              Apple Computer, Inc. IR Receiver
              Apple Inc. FaceTime HD Camera (Built-in)
              Apple Inc. Apple Internal Keyboard / Trackpad
              Apple Inc. BRCM2070 Hub
                        Apple Inc. Bluetooth USB Host Controller
    FireWire Information:
    Thunderbolt Information:
              Apple Inc. thunderbolt_bus
    Kernel Extensions:
    Problem System Launch Daemons:
    Problem System Launch Agents:
    Launch Daemons:
              [System] com.adobe.fpsaud.plist 3rd-Party support link
              [System] com.bombich.ccc.plist 3rd-Party support link
    Launch Agents:
    User Launch Agents:
              [not loaded] com.divx.agent.postinstall.plist 3rd-Party support link
    User Login Items:
              iTunesHelper
              Dropbox
              WDQuickView
    Internet Plug-ins:
              FlashPlayer-10.6: Version: 12.0.0.44 - SDK 10.6 3rd-Party support link
              OVSHelper: Version: 1.1 3rd-Party support link
              Flash Player: Version: 12.0.0.44 - SDK 10.6 3rd-Party support link
              QuickTime Plugin: Version: 7.7.3
              DivXBrowserPlugin: Version: 2.2 3rd-Party support link
              Default Browser: Version: 537 - SDK 10.9
              Silverlight: Version: 5.1.10411.0 - SDK 10.6 3rd-Party support link
              iPhotoPhotocast: Version: 7.0 - SDK 10.8
    Audio Plug-ins:
              BluetoothAudioPlugIn: Version: 1.0 - SDK 10.9
              AirPlay: Version: 1.9 - SDK 10.9
              AppleAVBAudio: Version: 2.0.0 - SDK 10.9
              iSightAudio: Version: 7.7.3 - SDK 10.9
    3rd Party Preference Panes:
              DivX  3rd-Party support link
              Flash Player  3rd-Party support link
    Bad Fonts:
              None
    Old Applications:
              SLLauncher:          Version: 1.0 - SDK 10.5 3rd-Party support link
                        /Library/Application Support/Microsoft/Silverlight/OutOfBrowser/SLLauncher.app
              WFTPairing:          Version:  - SDK 10.4 3rd-Party support link
                        /Applications/Canon Utilities/EOS Utility/WFTPairing.app
              Nisus Thesaurus:          Version: 1.1 - SDK 10.4 3rd-Party support link
    Time Machine:
              Skip System Files: NO
              Auto backup: YES
              Volumes being backed up:
              Destinations:
                        Time Machine Backups [Local] (Last used)
                        Total size: 931.16 GB
                        Total number of backups: 2
                        Oldest backup: 2013-04-15 00:34:39 +0000
                        Last backup: 2014-01-22 03:55:49 +0000
                        Size of backup disk: Excellent
                                  Backup size 931.16 GB > (Disk size 0 B X 3)
              Time Machine details may not be accurate.
              All volumes being backed up may not be listed.
    Top Processes by CPU:
                   4%          WindowServer
                   3%          EtreCheck
                   0%          ps
                   0%          aosnotifyd
    Top Processes by Memory:
              180 MB          Safari
              164 MB          Finder
              164 MB          com.apple.IconServicesAgent
              115 MB          PluginProcess
              105 MB          com.apple.WebKit.WebContent
    Virtual Memory Information:
              11.22 GB          Free RAM
              2.77 GB          Active RAM
              296 MB          Inactive RAM
              1.71 GB          Wired RAM
              782 MB          Page-ins
              0 B          Page-outs

  • Final Cut Pro issues in Lab environment

    Ok so this one has me completely buggered.
    I manage about 6 Mac Pros in a small TV Studio/Editing lab at a university. The Mac Pros are managed with an Xserve running server 10.6.2, using Open Directory for account management. All network accounts use a network Home folder, so any machine can use the same account and settings. The same server also manages a 25 machine iMac lab environment.
    Each semester, we wipe the Mac Pros clean an reinstall the OS and Final Cut Studio. Last semester, the Mac Pros were upgraded to 10.6, and Studio 3 and we had no issues. This semester, a fresh installation of 10.6 was installed, as well as fresh Studio 3.
    Now this is the problem we are having. Final Cut Pro 7 will not correctly create .fcp project files when users are logged in with their network server accounts. If you save the project to the desktop, or anywhere else in the Home folder, it creates a .fcp file, seemingly normal. But after the project is closed, the .fcp will not open again. Further more, a quick file size check shows the .fcp files are zero KB. Opening with Textedit shows an empty document, not even a single bit of data shows up.
    But, Final Cut Pro 7 will create .fcp files perfectly fine on the local disk, or firewire drives. Local accounts also work fine. This problem only happens on network homes.
    This is severely hampering the workflow for students using these editing stations, as they can't use their network home folders to save any data in Final Cut.
    The strangest part, is it worked fine last semester. The same machines were running 10.6 and Studio 3, and the server has not been changed at all.
    Any clues?

    No problem Tom!
    I didn't checked before but i solved thanks to your post... for some strange reason, the French language that i don't use, appeared in my language preference pane. I just added the English, and moved/deleted the French after it and FCP became English again!

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