Green Screen in Motion – export to fcp? Send to from FCP?

Hi I have footage from two different cameras with way different lighting on each subject (interview style). I did not shoot this, only trying to fix it.
I am editing them in FCP and would like to know the best way to get them to and from Motion... There are jump cuts between each person speaking so each camera has to be keyed independently.
Should I highlight clips from the same camera and export as a QT movie? Should I highlight and send to Motion?
Also, when I was doing this before the clips were not transparent... Is there some setting in Motion that I am choosing incorrectly?
Thank you for your help...

Don't export out of FCP at all then. Just open the color corrected-rendered-exported-as-native clips in Motion. Apply your keying and matting. You will export the processed clips out of Motion using ProRes4444, RGB+alpha.
There is no tangible gain trying to process individual, trimmed shots. If you apply the color correction to each scene, you will have a long clip that can be edited-cut-trimmed just like the raw clip, just be sure to keep the audio unless you're confident in marrying the tracks. That's just my preferred method.
If you have already trimmed your scenes (the clips that go from start to stop) into individual shots, you can assemble them into a sequence, maybe add some black between them, nest the sequence, and apply one color correction to the whole sequence. This, of course, is useless if you're already locked into or tied to timecoded edits.
All of this advice is based on my theory that complicating anything in FCP unnecessarily is not just asking for trouble, it practically assures disaster.
bogiesan

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