How DOES AT&T get away with ROBBING PEOPLE?

i REALLY WOULD LIKE TO KNOW HOW THEY GET AWAY WITH FRAUD? IF ANYONE KNOWS OF ANY CORPORATE EMAILS PLEASE LET ME KNOW

If you are having problems with your service I would PM(private message) ATT Uverse Care
As for the credit at $4 a day = 4 x 30 = $120 not sure what you are paying monthly as you didn't say what service(s) you have.

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How does one stop getting email about other peoples problems

How does one stop getting messages about other peoples problems like 10 - 12 a day

Click here for the instructions on stopping the emails.
(100882)

I am picking up my new ipad this morning and turning over my ipa 2 to my wife. how do i get all my info apps, etc to my new ipad and wipe pout all on my existing and then how does she log in register with my old ipad?

i am picking up my new ipad this morning and turning over my ipa 2 to my wife. how do i get all my info apps, etc to my new ipad and wipe pout all on my existing and then how does she log in register with my old ipad?

Restore your new iPad from your most recent backup of your iPad2 in iTunes when you set it up, and then set up your wife's iPad2 as new device in iTunes by clicking on 'restore' on the main summary screen.
Alternatively, you can just go to 'Settings>Reset>Erase all Contents and Settings'.

To save time, could I get away with just using ProRes Proxy?

Might be a dumb question. But please play along with me...
I've been battling with FCP-X since it first came out. Beach balls, crashes, failed auto saves, you name it. Sluggishness is my middle name. But I think it might be because I'm trying to force too much quality through my older, less powerful machines and my little firewire 400 hard drive. All three of my Mac are 3-4 years old, all are from the old "Core 2 Duo" era (not quad core processors), and are all maxed out at 4GB of RAM. While I've read that many people are having performance problems with FCP-X even on brand spankin' new suped-up Mac Pros with lots more horsepower than I'm running, I've long thought that my machines and their lack of power by today's standards may be at the heart of my sluggishness problem, especially given that most of the material I work with is shot in 1080 HD. (I've never actually tested it in FCP-X, but I'm assuming that things would speed along more like I've been used to in the past if I would just do everything in Standard Definition 480, but that ain't gonna happen.)
Like many, I shoot most everything in 1080 HD (usually 24p, sometimes 30), unless I'm occasionally shooting 720 HD at 60i for later slowing down to slo-mo.
Here's my question: Most everything I edit is for web delivery, and 99 percent of it is for my own use (not clients). Mostly podcast-like stuff, although occasionally I'll create something for my business website. Most of what I do is talking head type stuff, not a lot of motion (except for the 720/60i slo-mo stuff, which usually has some motion, which is why I shoot it at 60i for slowing down). Most of what I shoot is green screen talking heads, intended to be keyed in front of some innocuous background like some of the generators in FCP-X. I want it to look good. Even great. But given the limitations of power on my machines, I also don't want to invest an eternity in rendering and processing time. The work I'm doing with video just isn't that important. It's mostly for grins.
Until last night, I had been working exclusively in ProRes422 (aka "Optimized"). But last night I shot some footage and imported it into FCP-X, encoding it ONLY in ProRes Proxy. And frankly, I couldn't discern any difference. It looked every bit as good as the 422 stuff I'd shot before. There was absolutely no difference to my naked eye. That said, the footage I shot last night to test this out was not shot in front of the green screen (I'll test that out today or tonight), so maybe the Proxy footage won't key as well. (I've been stunned at how good the keyer is in FCP-X, but up to this point I've only been keying ProRes422 footage, not Proxy.) But really, based on just eyeballing the footage, I couldn't tell the difference between the Proxy footage and all the other footage I'd shot previously that had been imported and converted to "Optimized" ProRes422.
I'm not looking to deliver anything for broadcast television (if I were, I'd for sure use 422). I'm not doing any feature film type stuff. My video work consists mainly of stuff just for me, for my own personal amusement (and for the amusement of anyone who might watch it on the web). It's intended for YouTube, Vimeo, or occasionally (in smaller dimensions than 1920x1080) for deployment on my company website. Mostly, it's just me doing podcast-type stuff. Occasionally I'll shoot and edit something for church, or for friends. I like to think the production values of my stuff tend to be higher than, say, the footage Aunt Delores shot at Uncle Ralph's birthday party (okay, A LOT higher than that!). But my stuff isn't going to air on "Good Morning Flatbush" either (unless, on the off chance it should happen to go viral).
So let me make my question as clear as possible: Could I not get away with just using ProRes Proxy throughout my entire work flow, end to end, never switching over to ProRes 422 even when exporting? Honestly, it has taken hours just to render the keyed green screen footage on a 15 minute video, and just the other night, it took the better part of 4 hours (after it was already rendered) to export a 15 minute ProRes422 sequence to YouTube (and then the darn thing timed out, essentially wasting all my time). I'd rather just stay in Proxy the whole way through if doing so would streamline my workflow without compromising too much quality in the "look" of the video. Based on my very limited use of Proxy (just testing it out last night for the first time), I couldn't tell the difference. Maybe for web deployment, Proxy is all I really need.
Have any of you just stayed in Proxy the whole way through, never switching to 422 even when exporting? Might this be an acceptable work flow for some of us, especially those of us on older, less powerful machines? Is this a viable solution? Do any of you work this way? What's your level of satisfaction?
Thoughts?

A lot of what I'm shooting is being shot on a Canon XA-10. Some (and certainly all of the 720 footage, but some of the 1080) is shot on a 7D. And still more is shot on either an iPhone 4S, or even on a Flip Ultra (720p, 30fps).
Most is shot on the XA-10.
What I'm trying to avoid is the excessive render times (doesn't the ProRes 422 footage have to render as well?), and the ridiculously long times it takes to export. Would all that not be reduced significantly by sticking to Proxy the whole way? And what would the trade-off be? I mean, I honestly can't see any discernible difference. Maybe I will when I try to pull a decent key. (Haven't gotten that far yet in my Proxy experimentation.)
Of course, editing in Proxy and outputting using 422 requires that FCP-X encode to BOTH when importing, right? Doesn't that add yet another bit of time to the overall process?
I'm trying to streamline, and to reduce the overall amount of time I'm spending doing this stuff.

Is it possible to have your whole family on one apple id or is it better to have each person have there own? If each has their own does each id have to buy their own music and apps? How does find my iphone work with one apple id or two?

Is it possible to have your whole family on one apple id or is it better to have each person have there own? If each has their own does each id have to buy their own music and apps? How does find my iphone work with one apple id or two? also I am going to be going off to college soon should I make an itunes id for my self and how will I get all the music from the old id?

Is it possible to have your whole family on one apple id or is it better to have each person have there own?
Yes, it is possible. 1 apple ID can be associated with up to 10 devices.
If each has their own does each id have to buy their own music and apps?
Yes, all purchases are non-transferable.
How does find my iphone work with one apple id or two?
Every device associated with one apple ID through Find my iPhone is tied to that Apple ID; Find my iPhone will work in the same way with up to ten devices associated with one apple ID. You cannot enable Find my iPhone for one device across two apple IDs
I am going to be going off to college soon should I make an itunes id for my self and how will I get all the music from the old id?
If you have authorized a computer with the old apple ID, you can transfer old media purchased through the old to other devices via iTunes. This doesn't mean the media purchases through the old apple ID it transferred to the new account. If you plan to make future purchases and don't wish to share them with others, make your own apple ID.

What kind of video intro can I get away with?

I would like to have a video of about the size and quality of this apple Final Cut Studio NAB video.
http://www.apple.com/finalcutstudio/action/?movie=nab
Only not nearly as long. Well under a minute for sure! Can I get away with this in iweb with autoload setup for the initial splash screen of my website. I'll be using a .mac account.
Is there a way to make it have some type of loading indicator and a skip past intro thing? Will it take 3 days to load? Advise? Thanks!

Hello John,
The biggest factor on whether people will watch your movie intro is dependent on their connection speed. If all your viewers have cable/dsl then it probably isn't a problem, if you are getting lots of low speed visitors then they won't take the time to let it load—probably.
If you don't already have Statcounter ( http://www.statcounter.com/ ) and or Goggle Analytics ( http://www.google.com/analytics/ ) you should get both. This will allow you to monitor your visitor demographic, giving you the ability to design your site to the needs of the majority.... plus it is fun to see hits come in from across the country and around the world.
Any how, I degress. Even if all your users have fast connection speeds you will probably have better luck with a flash movie which yields a higher quality to lower size ratio then the Quicktime format. Plus, more people have flash installed on their computers then Quicktime. If you don't have a flash converter you can get a resonably priced conveter at http://www.verticalmoon.com/products/video2swf/video2swf.htm
The only problem with using flash (I currently still use Quicktime) is that you will have to add your movies in post publish. Hope that helps.
Kind Regards,
—Eric
Ash Films
http://web.mac.com/ekashley
G4 Mac OS X (10.4.9)

How does the GR get into SUS---MM-SUS Sceanario

Hi all,
How does the GR get into SUS---MM-SUS Sceanario. Can anyone explain??
Thanks in Advance..
Regards,
Jagan

Hi,
In SUS - MM scenario
The supplier ships the goods and sends an ASN based on PO or an Scheduling Agreement to the purchaser. If ASN is based on PO then PO Response has to be accepted by the purchaser. When the ASN is sent from the SUS system, an inbound delivery is created automatically in SAP MM.
Now Create GR with reference to ASN or PO based on your requirement in R/3 - MM. The GR notification is then sent to the SUS system, where the supplier can display it.
Please reward points for helpful answers

How does the attribute gets the data from R/3 field?

Hi Experts,
It could be silly Q. IO has attributes x, y, z....... When we map r/3 field to IO, and it is added to the cube and when we create a report, how does the attribute gets data? I've been working in BW and suddenly I got confused. Someone please provide me some info
Thanks,
Radha

X,Y,Z being attributes of an info object A.
When A gets loaded it will be loaded with X,Y,Z.
If A is a cube and if you wish you can bring X,Y,Z also in the cube in one or more dimensions.
If you keep X,Y,Z as vag attributes rather than in te cube as dimensions, then , the system will generate SIDs for them.
Ravi Thothadri

Purchased ExportPDF for one of our end using depts. It is under my account I manage for our institution. How does the dept get the application to download.

Purchased ExportPDF for one of our end using depts. It is under my account I manage for our institution. How does the dept get the application to download.

Hi Cassi,
If you are ordering subscriptions for various people in your office, it would be best to sign up under their Adobe IDs, so they can log in and use the subscription with their own credentials. As for moving the current subscription, the easiest route is to cancel the current subscription (see Cancel your membership or subscription | Acrobat, Acrobat.com online services--or I can help), and then reorder as necessary.
Best,
Sara

HT204053 How does my spouse get the benefits of using my iCloud for contacts and calanders but not messages, etc?

How does my spouse get the benefits of using my iCloud for contacts and calanders but not messages, etc?

iCloud is designed for personal use and not for managing multiple access. If you gives your password to someone else, this person can benefit everything including access to purchase with your account, email, etc.
You should rather consider having each one an iCloud account and then, create and share a calendar. As for contact, you can send them to your spouse to be save in her account but they cannot be shared nor synced.

HT5244 How does Flashback Malware get into a Mac?

How does Flashback Malware get into a Mac?

The ‘Flashback Trojan’:
A version of an existing Trojan Horse posing as a legitimate Flash Player installer (named “Flashback.A” by a security firm) is designed to disable updates to the default Mac OS X anti-malware protection system, potentially leaving the system open to the manual installation of other malware without any system warnings. The most recent versions bypass any user action and automatically installs itself after an affected website is visited.
http://www.appleinsider.com/articles/11/10/19/fake_adobe_flash_malware_seeks_to_ disable_mac_os_x_anti_malware_protection.html
(Adobe is aware of malware posing as its Flash Player and warns users to ignore any updates that didn't originate on its own servers. "Do not download Flash Player from a site other than adobe.com," said David Lenoe, Adobe's product security program manager, in an entry on Adobe Product Security Incident Response Team's PSIRT blog. "This goes for any piece of software (Reader, Windows Media Player, QuickTime, etc). If you get a notice to update, it's not a bad idea to go directly to the site of the software vendor and download the update directly from the source. If the download is from an unfamiliar URL or an IP address, you should be suspicious.")
Flashback Trojan - Prevention of infection:
In order to prevent a potential infection with “Flashback” Trojans, Mac users should always obtain their copy of Adobe Flash Player directly from Adobe’s official website and to disable the "Open 'safe' files after downloading" option in Safari Preferences/General to avoid automatically running files downloaded from the Internet. Also, do not turn on Java in Safari Preferences/Security. Few websites use Java. Javascript is something entirely different and should be left active.
The Flashback Trojan does not affect PPC (non-Intel) Macs, nor has it been noted to affect users running Tiger OS 10.4.11 or Leopard OS 10.5.8.
Last, but by no means least, using Open DNS is the simplest way of preventing infection in the first place. Open DNS also protects against phishing attacks, re-directs, speeds up your internet connection, and works for all users of OS X from Tiger upwards:
http://blog.opendns.com/2012/04/09/worried-about-mac-malware-just-set-up-opendns /
How to get it:
https://store.opendns.com/get/home-free
Flashback Trojan - Detection and Removal
Users with Intel Macs running Snow Leopard OS 10.6 or Lion OS 10.7 should ensure that they have downloaded all the recent Java updates from Apple, which are designed to prevent infection and also remove any infection already present.
New Macs running Lion do not have either Flash Player nor Java installed. If you running Lion and have not already downloaded and installed Java, you should download the ‘Flashback malware removal tool’ from Apple: http://support.apple.com/kb/HT5246 (356KB) which includes the same code as the Java update that plugged a security hole which allowed the malware to automatically install itself without admin authorization.
You can also use this to check whether you have been infected (for Intel Macs only) and remove it if required:
http://www.macupdate.com/app/mac/42571/anti-flashback-trojan
Flashback Trojan - Detection, and how to remove (with caution) if you are running other browsers than Safari:
http://www.f-secure.com/v-descs/trojan-downloader_osx_flashback_i.shtml

How does the newest Iphone work with Ford Sync?

How does the new Iphone work with Ford Sync? I was thinking of purchasing the 4s but may go elsewhere if there is a better phone for the equipment in my vehicle.

That would be a NO.. I should have done my homework before I switched to IPhone because the Bluetooth just does not want to sync with my Ford Truck. Its such an inconvience. But I see from other posts that Ford isn't the only car experiencing problems. So Hopefully Apple fixes this problem QUICKLY!

How does a workflow get triggered when we create a Shopping cart

Hi all,
In SRm how does a workflow gets triggered when we create a Shopping cart...what i mean is that in r/3 we use changedocument object or function modules etc..likewise in srm how the wf gets triggere...can anyone help me.
Thanks&Regards,
Hari

Hi martin,
yes i accept that in SRM also workflows are all started by event...what i mean is in R/3 we go for Change document object(swec) or some other method for event creation...like that in SRM what is there?Just whenwe create a Shopping cart How the workflow is trigerred...suppose if it is trigerred using fm swe_event_create where they might have called the function module.
Thanks&Regards,
Hari

Can I get away with 150ppi?

Hi,
Im designing a poster (A3). As I know 300ppi is the acceptable standard for high quality printing but Its not a simple task to find materials in that resolution. What you think…can I get away with 150 ppi instead? This poster is for educational proposes only.
Thank
S

150 ppi will not hold < 12 pt type very well. Of course a raster doc won't hold it well at all if you're printing to a low linescreen.
All answers depend on your exact printing process.
But if you can keep the elements in your design that should be vector (traditionally logos and type) as vector, then cheating to 150 ppi will be OK.
I would create your document at the highest image resolution and upsample files. No sense in throwing away info on the files that have it. Of course I don't have to upsample much as I never steal from the internet and retch high-quality images. So someone else might be able to speak to the advantage/disadvantage of this.
J

How does premiere pro CC work with nvidia GT 630M (2GB) vega???!

how does premiere pro CC work with nvidia GT 630M (2GB) vega????!

That will work. I would just not expect major performance with a heavier load on playback.
Eric
ADK

How DOES AT&T get away with ROBBING PEOPLE?

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