How to produce these effects?

Hi! Can anyone tell me how to produce the effect in the demo "2D video photo monage" in FCP?
Please click the following link:
http://www.vki-party.com/samplewedding_video1.html
and choose "2D video photo monage"
I want to make the photos animate in a 3-D way like the 2nd and 6th photo in the demo.
thanks.

Those are fairly simple moves that you can do right in FCP, or Motion ... or After Effects. Also, there are MANY programs on the market that will automate the process for you.
-DH
also see: http://www.kenstone.net/cgi/discussions/general.cgi?read=84867#TOP

Similar Messages

  • Complete Novice-Need to know how to replicate these effects

    Hey,
    I am currently making some instructional videos for work where we help disabled students with computer software. I write all the scripts, get the audio done and create the videos but used to get another guy to produce them and add the finishing touches. He no longer works for us and I desperatly need to get more done but can't figure out how.
    It is the transitions and effects on the video etc. that I can't figure out. I have attached a sample of what I am talking about. It is the transition from the logo to the video that I need to know as well as how to get the logo in the bottom of the screen and the title of the video coming up then fading out. More than happy to pay for this knowledge as I have loads of these to do.
    Please have a look at the sample and let me know if you can help me. Much appreciated.

    It looks like a 'zoom blur' transition,
    but from the looks of it, my guess is that it was done inside a motion graphics program... probably After Effects.
    There is no default transition like this premier pro but there are 3rd party plugins that may offer this transition (as well as many others...)
    http://www.adobe.com/products/premiere/extend.displayTab4.html#ABSoft
    The last transition listed on FxFactory Pro is a 'Zoom dissolve' which looks exactly what your after ...but unfortunately they are only compatible with after effects at the moment
    http://www.noiseindustries.com/fxfactorypro/plugins/#transitions

  • How to create these effects? What is the most excellent effects resource on interwebs?

    I always stumble upon excellent arts with effects I have no idea how to create. I bet most effects are very elementary and easy to create, but I just don't know how.
    The most recent ones is this
    http://www.wiseidea.net/nightblack/images/2c.jpg
    How to create the "old" effect/stain? How about the fire glow+fire stain on paper?
    Besides that,
    What's the most excellent effects guides you've seen online with great application of effects to artwork?
    You don't need to answer all of them, any would be appreciated.
    Thanks!

    You may try and create overlays with raster images using opacity masks. Also try the blending modes.

  • How to: make these effects

    vimeo.com/3114617
    In this video (Link above) there are some sort of color explosion effects done on pedals of a flower which occur from 1:05 to about 2 minutes in the video. I am wondering if this was done with final cut and if not if it is possible to do in final cut. Thanks

    qoom wrote:
    …  sort of color explosion effects done on pedals of a flower … I am wondering if this was done with final cut and if not if it is possible to do in final cut.
    just read the description:
    …  It combines an innovative mix of … and live projection mapping techniques.
    as you can see obvously, the explosions are projected onto the flowers - you see, the 'mapping' is 3-dimensional, incl. depth of field ... so, no Motion, no editing - 'simple' mechanically optics, point your old Super8-projector onto a bunch of flowers 
    (many James Bond title sequences were accomplished with that technique in the 60ies, 70ies .... )

  • How to produce the effect of a date range inner join without actually doing one

    I have a T-SQL inner date range join that has done the job, but now that I am starting to learn about query optimization (as in just starting), I'm scratching my head on how to make it better. I see the non-equi join as being the issue because the optimizer
    scans through the entire table.  As you will see from the DDL code pasted below, there are no possible equi-joins. The enrollment history table has about 6000 rows so far, whereas the calendar table has only 10 so far, but is subject to change, which
    is why I have it as a table join.
    Another way to describe this is in the necessary outcome, which you see in the "Is_FAY" column in the Select statement. For each row in the Enrollment History table, I use the Case statement to determine whether the pair of Entry and Exit dates
    are within the Calendar date ranges (and if so, which row the match is found). There are no nulls in either table by design.
    At first, I thought of adding a non-clustered index, but the credible resources and blogs are mixed. Some sources say to use them, others say not to use them, and the remainder are on the fence. That and the
    fact that I drop and recreate the table every 24 hours (there are many updates to the Black Box) makes me very leery about having indices other than the primary key.
    I have pasted DDL language below with sample data.  Change the "Use Learning_Curve" statement to whatever database you want to use -- the rest will run as written.
    Now that I've given you some background and what I hope to accomplish, I hope that someone has encountered this issue before and can suggest an avenue of further inquiry, because I am out of usable research sources and ideas. 
    Thank you
    USE Learning_Curve;
    GO
    IF OBJECT_ID('dbo.Enrollment_History', 'U') IS NOT NULL
    DROP TABLE dbo.Enrollment_History;
    CREATE TABLE dbo.Enrollment_History
    (ID INT NOT NULL identity(1, 1) PRIMARY KEY,
    Campus_ID INT NOT NULL,
    Student_ID INT NOT NULL,
    Entry_Date DATE NOT NULL,
    Exit_Date DATE NOT NULL);
    INSERT INTO dbo.Enrollment_History
    VALUES (1, 103934, '2014-08-11', '2015-01-10'),
    (1, 102912, '2014-09-10', '2015-05-10'),
    (1, 199234, '2014-08-07', '2015-05-01');
    IF OBJECT_ID('dbo.Calendar_FAY_Dates', 'U') IS NOT NULL
    DROP TABLE dbo.Calendar_FAY_Dates;
    CREATE TABLE dbo.Calendar_FAY_Dates
    (ID INT NOT NULL identity(1, 1) PRIMARY KEY,
    FY VARCHAR(4) NOT NULL,
    Start_B DATE NOT NULL,
    Start_E DATE NOT NULL,
    End_B DATE NOT NULL,
    End_E DATE NOT NULL);
    INSERT INTO dbo.Calendar_FAY_Dates
    VALUES ('FY14', '2013-08-05', '2013-08-29', '2014-04-30', '2014-05-15'),
    ('FY15', '2014-08-07', '2014-08-28', '2015-04-30', '2015-05-15');
    SELECT eh.ID,
    eh.Campus_ID,
    eh.Student_ID,
    eh.Entry_Date,
    eh.Exit_Date,
    cfd.FY,
    case
    when eh.Entry_Date >= cfd.Start_B
    and eh.Entry_Date <= cfd.Start_E
    and eh.Exit_Date >=cfd.End_B
    and eh.Exit_Date <= cfd.End_E
    then 1 else 0 end as Is_FAY
    FROM dbo.Enrollment_History eh
    inner join dbo.Calendar_FAY_Dates cfd
    on eh.Entry_Date >= cfd.Start_B
    and eh.Exit_Date <= cfd.End_E

    This definitely a case where an indexes on the two tables will speed things up significantly. 
    It's also one of those strange cases where you can't really rely on the numbers you see in the execution plan. To really get an idea the impact to need to actually time the query...
    For example. Running your final query with out any additional indexes took ~4,000 microseconds...
    Adding the following index, dropped that time down to ~3,000 microseconds...
    CREATE NONCLUSTERED INDEX ix_Enrollment_History_EntryDates ON dbo.Enrollment_History (
    Entry_Date,
    Exit_Date)
    INCLUDE (
    ID,
    Campus_ID,
    Student_ID)
    WITH (DATA_COMPRESSION = PAGE)
    Adding the following index (and keeping the 1st) dropped it again, down to ~2,000 microseconds
    CREATE NONCLUSTERED INDEX ix_CalendarFAYDates_Detes ON dbo.Calendar_FAY_Dates (
    Start_B,
    End_E)
    INCLUDE (
    Start_E,
    End_B,
    ID,
    FY)
    WITH (DATA_COMPRESSION = PAGE)
    Keep in mind that 5 rows of data doesn't even begin to provide an accurate representation of read execution times against actual production data (the smallest changes in background processes on my computer caused the time to vary pretty drastically between
    executions).
    Anyway, the following is a quick & dirty way to test execution times when you're query tuning or checking the impact of different indexes on a query.
    DECLARE @b DATETIME2(7) = SYSDATETIME()
    SELECT eh.ID,
    eh.Campus_ID,
    eh.Student_ID,
    eh.Entry_Date,
    eh.Exit_Date,
    cfd.FY,
    case
    when eh.Entry_Date >= cfd.Start_B
    and eh.Entry_Date <= cfd.Start_E
    and eh.Exit_Date >=cfd.End_B
    and eh.Exit_Date <= cfd.End_E
    then 1 else 0 end as Is_FAY
    FROM dbo.Enrollment_History eh
    inner join dbo.Calendar_FAY_Dates cfd
    on eh.Entry_Date >= cfd.Start_B
    and eh.Exit_Date <= cfd.End_E
    SELECT DATEDIFF(mcs, @b, SYSDATETIME())
    HTH,
    Jason
    Jason Long

  • How to do these effects in this video

    Hi, I've been trying to emulate some of the effects found in this video using final cut pro and after effects. Many of them though are difficult to accomplish. I was wondering if anyone had any tips.
    http://www.youtube.com/watch?v=EjOJ22sxERQ&feature=fvst
    Pretty much I'm working with lots of still images and trying to make an interesting video. Any help would be appreciated!

    I don't know the guy but the promo had the feel of a canned set of effects. Lots of event and wedding photographers buy canned transitions. Try google for "Effects for Apple Motion." There are many suppliers. Of course, he may have been using any of several image assembly platforms that cater to that niche like Vegas or Casablanca.
    bogiesan

  • How to do the effects used in this video?

    Hi,
    I'm curious as to how to do these effects in this video:
    Childish Gambino Type Beat - Inhale Ft. Drake - YouTube
    Mainly I'm looking for the colors, but knowing how to do the scratches would be nice too.
    Any information is greatly appreciated

    Typical film damage effects. You can purchase footage to overlay or you can fake it with blurred shape layers and blend modes.
    Scratches are also just film damage effects. There are a ton of tutorials and a bunch of stock film damage clips you can purchase.
    http://www.shutterstock.com/video/search/film-damage-effect/
    film damage effects
    Not all tutorials on YouTube present good info so you'll have to sort out the good from bad by trying to guess which folks have some experience.

  • How to do these multiple frames effects in Pr ?

    I would like to learn how to do some effects like in this video http://www.youtube.com/watch?v=r4NYRv54ZVM , frames with color/bw mixed, multiple videos in the same monitor.. can someone teach me how to do it?
    Thanks

    For the color flashes: some are from a plugin ( dont which one) but you could have a go at the 4-color-gradient.
    BW is done with the BW filter or turn down the saturation.
    Multiple video's can be done several ways: (garbage) mattes, crop, scale.
    http://help.adobe.com/en_US/premierepro/cs/using/WSDEC927DC-DD5B-4a7f-AE0F-33710ED23653a.h tml
    http://help.adobe.com/en_US/premierepro/cs/using/WSE1CA490C-D34D-40d2-8DC7-2098B49769A6.ht ml
    http://premiere.digitalmedianet.com/articles/viewarticle.jsp?id=193167

  • How to use track effects with new version of GarageBand

    In the version of GarageBand before this one, you could access different effects that you could manage and apply to the different tracks.  Each track had an area containing its set of effects that were either activated or deactivated.  With this removed, i am not sure how to add those same kind of effects.  I am aware of the new nobs that are provided in order to mix and edit trebles, bass, mid, etc., but i want to be able to add different effects such as voice transformer, flanger, chorus, speech enhancer, bit crusher, bass amp, track echo, track reverb, amplifier, etc.  I desperately need help finding out how to do this, as this was a major part of my mixing and producing with GarageBand, and without these given effects, i do not feel as comfortable using GarageBand.

    zachseiden wrote:
    How to use track effects with new version of GarageBand
    this may help:
    http://www.bulletsandbones.com/GB/GBFAQ.html#replacemissingtrackeffectsgbv10
    This FAQ entry offers a Minute GarageBand video tutorial
    (Let the page FULLY load. The link to your answer is at the top of your screen)

  • How to Produce the highest quality picture onto DVD or Blu-Ray

    I have recently started looking at new video cameras and software. I will soon purchase FCS. One thing that I cant get a clear answer on is how to produce a high quality DVD / Blu-Ray Disc.
    I stumbled upon a cinematographer by the name of Ray Roman. He is producing the kind of wedding videos that I want to produce in the near future. I see that he answered one of his followers by saying he shot the wedding with Cannon 7D DSLR cameras.
    Here is a link to the video I am speaking about.
    Ps. You need to scroll down a little to see the video.
    http://rayromanblog.com/2009/10/stephanie-tims-wedding-in-big-canoe-georgia/
    Can anyone tell me if they believe that was shot with a DSLR type camera, and if so what steps do you believe were took to create such a high quality final product.
    1. What type of software is needed to produce this?
    2. Does it have to be a Blu-Ray disc to hold that clarity?
    3. Does FCS support Blu-Ray?
    4. If FCS does not support Blu-Ray can I Export the project to Roxio 10 Pro to make the Blu-Ray disc?
    If I am totally off in left field Please Please Please let me know your opinion as to the best methods you have found to end up with a high quality product like that.
    What I really need to know is
    1. What camera will capture the correct info to start with
    2. What software will edit it and encode it without losing all that high quality data
    3. What way to burn the project to disc to again retain all the clarity, brightness, sharpness etc...
    Thanks for you help Ron...

    I'm at work so I can't see the video, but I can answer some workflow questions for you. If you see lots of shallow depth of field shots it was probably shot on an HDSLR. That's about the only thing they have going for them video wise.
    1) Without watching it I'm willing to guess it could all be done in Final Cut Studio or seeing CS4 in your signature, Adobe Creative Suite 4 Production Premium/Master Collection (Premiere/After Effects).
    2) DVDs only show SD video. You can do anamorphic video to get widescreen video on a DVD, but anything 720p and up will require more than a DVD disc. You can also letterbox your video to get faux widescreen on a DVD.
    3) FCS doesn't really support blu-ray. Apple in general does not support blu-ray. You can export to a codec that is blu-ray friendly but there is no blu-ray authoring software, nor can any Mac be purchased with a blu-ray drive to my knowledge.
    4) There are lots and lots of ways to export from Final Cut Studio. I'm sure you can find several wrapper and codec combinations that Roxio will accept. The level of compatibility is a different issue..do you need subtitles, chapter markers, etc. If you need more than a video clip you'll probably hit some hurdles.
    1) I'd avoid an HDSLR to get started out. They are a pain in terms of workflow. You have to transcode (convert) all the video from the nasty H.264/PhotoJPEG codecs they record in (H.264 for the Canon cameras, PhotoJPEG for the Nikons) if you want them to be friendly in Apple's Final Cut or Adobe's Premiere.
    It is important to understand video comes in a few types of formats, acquisition formats, editing formats, and delivery formats. A .mov file is a wrapper can be contain perhaps hundreds of different codecs (only one at a time), AIC, ProRes422, ProRes4444, Animation, the list goes on and on, it is the codec used that is important. H.264 is a compressed, lossy video codec developed for delivery and now used for acquisition in consumer devices. Editing software wants something simpler to edit with, like Apple ProRes422 or AIC for Final Cut. Transcode it and you won't have to render out every frame (let the computer build a preview video in an editing codec so it can play it back smoothly), then re-render when you do so little as add a cross dissolve.
    That also doesn't even begin to look into the audio issue. Using an HDSLR for video capture basically says you need a separate device (and likely another operator) for audio acquisition. These will have to be synced up in post.
    I'd say do yourself a favour and get a video camera if you want to shoot video. When you've got a feel for the workflow and a better understanding of what you're up against an HDSLR can liven up your shooting with some shallow depth of field effects.
    2) Final Cut Studio and Creative Suite 4 will both work with 7D video, but the 7D doesn't shoot "high quality data." The video it shoots is H.264, or compressed. Think of it as though every frame has gone through Photoshop and been saved as a JPG with the quality setting at 3 or so. It looks pretty good if you blow the background out of focus, but it has inherent issues that make it not the best for every situation.
    3) The best way to retain image quality is good workflow from beginning to end.

  • How to avoid Moire Effects (jiggered still pictures) using iM and iDVD.

    This is a discussion going on forever and forever in this forum. I had the problem of bad looking slideshows myself, and I am hearing the same tips over and over again that just don't work. This is what I found out on how to avoid moire effects in your still images, when you want to edit a slideshow using iMovie - and I personally think, this explanation makes a lot of sense.
    Try it on your own and you will have had the last bad looking still image slidehow on the TV screen ever!! Here we go:
    Like everybody here I am talking about the process of creating a slideshow incuding movie strips in iMovie to get as a final result a DVD with menus and such using iDVD.
    And the common problem with stills and iMovie 5.02 are the so called jiggered pictures iMovie creates. Call it a moire effect, if you'd like.
    Whenever full resolution still images are importet from iPhoto into iMovie, the quality that iMovie will spit out in the end is disgusting. Period. Just disgusting.
    It has nothing to do with that iMovie does not display it properly on the Monitor or we are just in preview mode - the results are bad there and will be bad (maybe even worse) on the TV screen.
    There is no SIGNIFICANT difference between wether the pictures are imported with KB on or off, whether they are imported as still frames or as video clips using iMovie "import" function. iMovie can treat the color fairly bad, overprocesses the pictures and - worst of all, the moiree effects you will see in the endresult are just very very bad. It is worse when the pictures are panning a lot (KB).. This is true for every picture containing a lot of detail (Trees, Forests, horizontol lines (stairs) etc.) - not so bad for closeup face shots, unless that person is really old
    There is no SIGNIFICANT difference on the result by how the iMovie project is fed into iDVD. When the movie is sent to iDVD using the iM command "send to..." the quality is worse (and you let iM render when it asks) than if the movie is dragged into the iDVD window - but again, the difference is not significant. The result will suck. The DVD will also look bad, when the iMovie is exported has high res quicktime first, before imported into iDVD. Again, its slightly better that way, but not significant.
    Whenever a slideshow is created in iPhoto and than exported to iDVD (or via being a quicktime movie through iMovie into iDVD) the result will be however stunning. But that totally defeats the purpose of iMovie and the degree of freedom of designing slidehows in a very appealing manner.....
    The problem I think lies in how iMovie processes still images. And this is not a bug, but more of a mathematical/programmatical problem. iMovie has to REDUCE THE RESOLUTION of your still. A 2000x3000 pixel image @ 300 dpi(roughly the dimensions of a 6 MP image) has to be downsized to a TV image (NTSC or PAL, whichever) which has a resolution of approximately 480x640. HD is accordingly higher. The amount of pixels has to be reduced. iMovie can do that. NOT GOOD. But it can. The problem starts when the picture is panning around (KB). iMovie makes a let us say 5 second movie @ 30 fps out of one still image. Almost every frame will be slightly different from the previous one due to the used KB effect. So, the routine of iMovie does this downsize calculation for each single frame - and it removes each time different pixels from the still image, due to a slightly different source still image. Got it?
    Now, when you look on how moiree effects occur (which is some weired math in it's own) than it makes sense, that we see all this jiggereing in horizontol lines of high res. patterns.
    I found that if I reduce the size of each image in Photoshop (or Photoshop Elements) prior to importing it into iMovie, the quality of the final product that iMovie and subsequently iDVD spits out in the end is AMAZING (reduce the dpi to approx. 72, so the image resolution is roughly 480x640). This is not a difficult process, because both programms (PS and PSE) handle BATCH PROCESSING. Just let the Mac work for a couple of hours or so.... its WORTH IT (and don't forget to make copies of the high res originals beforehand... :D).
    (before you resize, find out about how to properly resize and rescale an image!!!!)
    I am slightly annoyed that I found that out after producing a long long long long and really good slightshow, that is watchable but looks REALLY cheasy and cheap).
    I hope this helps out.
    Waenni
    Mini G4   Mac OS X (10.4.8)  

    I agree that iMovie's still image quality is embarassingly bad and has many bugs.
    Even with no Ken Burns, the sharp images tend to flicker on a TV because iMovie doesn't blur them properly.
    And as you very well described, iMovie's Ken Burns produces uneasy zooms/pans because the subpixel rendering is, uh, suboptimal.
    iMovie's immortal rendering bug when exporting non-Ken Burns'ed images to iDVD/tape doesn't make things any better.
    Yes, bicubically downsampling the input images to 640x480 or adding gaussian blur to the megapixel input images takes care of the flicker and uneasy zooms/pans, but as a side-effect the maximal zoom-ins are then TOO blurry.
    The best workaround is to use Photo To Movie's higher quality export setting. It has the best quality rendering engine (I recently compared it to Still Life and FotoMagico). Disclaimer: I'm just a satisfied customer of Photo To Movie.
    See also:
    http://www.sjoki.uta.fi/~shmhav/SVCDon_aMacintosh.html#slideshow

  • How to get same effects as I get in Photoshop?

    Hi! I am trying to code a psd to html. My psd has vectors masks, Drop shadow and outer glow effect with few of the text and colured layers. How can I produce same effect in dreamivewer? Also I was unable to set opacity for my div in dreamviewer? If anyone can explain brieft then this would be great

    Hi
    Look up css3, as this will do some of the effects you mention. However if you are not proficient in coding html and specifically css then you will find doing what you wish difficult, (web design is not graphic design).
    Try following a few of the tutorials at -
    http://www.adobe.com/devnet/dreamweaver.html
    http://www.w3schools.com/
    PZ
    www.pziecina.com

  • How to migrate my effects custom presets from Premiere Pro CC to Premiere Pro CC 2014?

    I have recently created a whole bunch of custom made presets for all the effects I use on a regular daily bases on Premiere Pro CC.
    Today I installed the new CC 2014 and all my custom bins and effects presets are gone and to create them all again will literally take me a couple of days and you know all know time is money and I need this migration to happen straight away if possible.
    Any ideas on how to migrate these custom made effects presets?
    Thanks very much,
    Marcelo

    Have you tried syncing your preferences and presets to your cloud account?  If not, go into the previous version of PP where you have your presets, under the "Premiere Pro" menu on a Mac (not sure where on Windows), the third menu item down (should be your Adobe CC account if you're logged in) allows you to sync all of your settings with the Cloud.  Perform this sync, close PP and open PP2014.  Sync your settings again and they should all appear in PP CC 2014.

  • Need tutorial on how to produce video

    I can't find this anywhere. I need to find a tutorial of some kind that will teach me how to produce video using still images and vector art among other non-video things.
    It needs to be from the ground up as I've really only been poking around in it (and Premiere and Soundbooth) for about a week.
    Windows XP
    CS3 Master Collection
    computer designed and built for the software

    Man, I was hoping you wouldn't say CIB. I have the Flash one and while it's a little informative, I can't say I'm impressed with it. However, it may give me the foundation I'm looking for here.
    I'm already fairly well versed in Illy; will just need to learn how to take that knowledge and apply it to video resolutions (this aspect ratio thing of 0.9 and 1.2 has got me spinning when I can't figure out how to properly view a finished product as it will be seen on something other than a computer screen).
    Six weeks may be a bit too long. What I need first is basically something a tad better than a decent Powerpoint presentation for DV. I don't need to produce something right off the bat that we'll use for TV commercials; I just need to show the higher-ups that the money they invested in this software (that we were on schedule to buy last September instead purchased last month) was worth it.
    I have no doubt that experience is a major factor here. But I'm barely treading water here. If I don't find a surfboard soon, I'll drown. However, based on what's been done for us by "professionals" in the past, the bar isn't set very high for me.
    I haven't bothered with any of the GTA games. They don't make that for PCs, do they? I'm not a gaming console guy.
    Dropping stuff in the project window I have down no problem; it's knowing what needs to be done beforehand to the files I'll drop there and how to accurately preview them that's raising my blood pressure.
    Knowing I won't knock anything out of the park any time soon, I've started small: a 2.5 second "signature" to be placed at the end of a commercial or segment. Black screen, PS-treated background element with a minor scaling effect, and logo with a short wave file. I thought I had that relatively simple thing figured out, but I can't seem to find a way to view it as it would appear on a widescreen TV. It's just stretched and I can't tell if it just looks like that on my computer screen because of how that displays aspect ratio and it will look fine on our widescreens in the stores or not.
    If I can figure out that 2.5 spot, I may just have a chance at figuring out how to create the rest of it.
    Thanks for the good luck... I know I'll need it.

  • What All Should I Learn To Achieve These Effects?

    Hi,
    I would like to know what all I would need to learn and which extra plugins I would need to buy to achieve these effects (Looking mainly to do the text effects and all the in video transitions)
    I already have After effects Cs4.
    http://youtu.be/tIPLTiKAQTo
    The reason why I am asking this in particular is because I will be doing only these kind of effects and nothing more. So I neednt waste time learning things I will probably never use.
    Thank you.

    Unless there's a specific reason for reducing the frame size of the original footage I always work at maximum resolution. IOW, Don't resize your 550D footage unless you can come up with a really good reason to do so.
    My content is 100% for the web. I will be creating just one or two videos in 720P (For streaming via amazon S3 and cloudfront) and the rest in 480P (For youtube).
    Unfortunately, there is no one size fits all solution to the problem.
    I understand. My case is pure youtube and web videos. So I guess I should follow the below scenario
    --> Shoot in Full HD.
    -->Import the full HD to some video editing program and perform trimming as required
    --> Import trimmed full HD to AE.
    --> Apply the required effects (similar to the ones I showed in the video in my first post).
    --> Import it in Adobe Media Encoder and Resize it to 480p or 720p as per the requirement and render.
    --> Follow the above 4 procedures for the opener video (I have spotted a very good opener AE template for videohive.net)
    --> Take the output videos and then stitch them together using a software like sony vegas or some video editing software and join them
    --> Render the output video
    Does the above procedure seem good?
    A preset is something everyone using AE should know how to use and to create.
    I tried some text animation presets. Worked out fine. Going to learn some more on this.
    There you go.
    Thanks a lot for your help.
    If you like wasting a lot of time, effort and storage space you should use the workflow you propose.  If you want to be more efficient, you should edit your footage BEFORE you do AE work.
    How about the work flow I mentioned above?
    There are all kinds of editing applications availble,  Adobe makes one: Premiere Pro.
    I took a look at it. It seems too costly. I think I will go with Sony Vegas

Maybe you are looking for