Pro Res/ HQ

Hi there,
Quick question folks, I'm importing footage from some AVCHD mini-cameras via log & transfer. I'm trying to import the footage as Pro Res HQ, and have set my capture preset accordingly. However, the first clip imports and it seems like it is a normal Pro Res file. Am I doing something wrong or missing a stage here?
Many thanks

Ah right, of course. I don't see any options within the Log & Transfer window to convert, it appeared to do it automatically to Pro Res. So is it impossible to do this then I take it?
Reason for question is I'm working with footage from multiple cameras and wanted to ensure they all match so as to edit with multi-cam and to generally make life easier. I have footage already that is in Pro Res HQ and I was advised to edit everything on a 1920 x1080 Pro Res HQ timeline.
Previously, I've really only worked with normal Pro Res 422, not had any experience really with HQ. I assume if the footage is mixed btw the two then I will not be able to make up a multi-cam as the codecs are different???

Similar Messages

Apple ProRes QuickTime Decoder - Both types say I have "a newer version installed", but I can't view Pro-Res files on either type of machine.

I'm trying to view a Pro-Res file from Final Cut Pro on machines that have Quicktime Pro, but having no luck. I've tried installing the "
Apple ProRes QuickTime Decoder " for both Windows and Mac (on the correct machines), but I keep getting "You already have a newer version of this installed" on each machine, and can't finish. Needless to say, the Pro-Res file will not play on either machine, and there seems to be no way to remove a "newer version" and install this one. Thanks for any suggestions.

Rob,
There is no quicktime folder there. And no quicktime program is installed when I try to install iTunes. The only reason I tried installing quicktime in standalone was because the itunes install was not actively going to the quicktime part of its installation.
I've tried removing everything and only installing iTunes. But even after deleting the physical files, using the WIndows Install cleanup tool, and cleaning up my registry, the quicktime portion of the iTunes install doesn't complete, and I keep getting "unknown" errors from the crash prevention program, and from what I can see it's because there's no physical Quicktime program installed.
As for other accounts, no I cannot start it up with other accounts, I keep getting the "Unknown" error and there is no physical files for quicktime anywhere.
And selective startup doesn't seem to work as there is NO qttask option when I run selective startup.
So, I seem to be out of options, and thing else I could try?
~Jay

New problems importing Pro-res files

Hi,
I am running CC14 on PC (HPz800 Windows 8) - and I have recently become unable to import Pro-res files into After Effects or Media Encoder. These files DO open in premiere
I have tried the following:
Restarted
Cleared my cache
Cleared all my appdata settings
uninstalled and reinstalled latest Quicktime
reverted back to a previous version of After effects (this is where i noticed the problem first and I had recently got a new update)
copying the file to a different location on my drive and importing it from there
Additionally:
I have had no problems with Pro-res in the past
The same file works fine on other computers in my office with the same versions of Ae/Encoder
The video file works in premiere
The video file plays fine in Quicktime
I get the following errors:
In Ae - "this '.mov' is damaged or unsupported"
In media encoder - "could not be imported. could not read from source. please check settings and try again"
In the meantime I have re-encoded a proxy using premiere - however this is not an adequate long-term solution
Not sure what to try next, don't really want to re-image my whole computer (i already did this on a month or so ago)
Any help is appreciated

troubleshooting QuickTime errors with After Effects
fixing permissions problem

*** Weird flickering in Pro-res sequence

I'm working in the latest version of FCP with a Pro-res 422 30p sequence. I'm working with 1080/30p footage from the Sony EX1 and the Canon 5D. I'm also working with high-resolution photographs.
When I look at the sequence in FCP it all looks great but when I export it as a full-quality Quicktime Movie I consistently get this weird flicker or pulsate just before a cut from video footage to a still image. It's as-if the someone snaps their finger and the same pic all of a sudden get either slightly darker or lighter for 2 or 3 frames.
I'm not sure why this is happening but I really need to figure it out. Should I convert the sequence to another preset? Maybe h.264 or XDCAM EX 1080/30p?
Thanks in advance!

What's the delivery to be? DVD? or?
Jerry

After burning a successful DVD in iDVD out of FCPX, how can I see the settings it used? So I finally burned a DVD out of a Apple Pro Res file into iDVD in PAL format. My question now is how can I find out what the exact burn properties were so that I ca

After burning a successful DVD in iDVD out of FCPX, how can I see the settings it used?
So I finally burned a DVD out of a Apple Pro Res file into iDVD in PAL format. My question now is how can I find out what the exact burn properties were so that I can apply the same burn properties to a project in Compressor 4?
Is it possible to see what iDVD did?

I don't know any way you can interrogate iDVD to reveal settings to the extent that you can in a Compressor project. What you could do is open up the show's VOB in MPEG STreamclip, go to File and Reveal Stream Information; that will at least give you some rudimentary info like average bit rate. Perhaps someone, with more iDVD experience, can chime in here.
The broader question is why use Compressor at all if your current workflow is doing the job to your satisfaction?
The value of Compressor is that it gives you control over the many parameters that affect size quality. and playability. The Compressor presets can give you a starting point for DVD delivery, Web, etc. From those presets, people typically experiment by adjusting the parameters until they get the desired results for their specific show. It's a little bit science and a little bit art. After experimenting, you may be able to get slightly better quality for the project you've successfully burned in iDVD by using Compressor and something likeToast…or maybe not.
Good luck.
Russ

Issue with Pro Res sources when encoding in Media Encoder.

There seems to be a big issue with Pro Res sources in Media Encoder. I've noticed that when exporting using the 'software only' mode my graphics and titles look horrible, they are pixelated around the edges and the compression looks bad. This issue only happens when it's being made from a Pro Res source, if I make the exact same file Uncompressed this issue is resolved. If I use the 'Cuda' option (which I already know is the better option) this issue is resolved. The thing is, in a work environment not all of our systems are Cuda enabled and I would like to use Media Encoder as a exporting option overall. I love Media Encoder, it's fast and easy to use but this Pro Res issue is huge because the majority of the time we are working in Pro Res. I also did a test out of Avid Media Composer to Media Encoder, I sent a reference file referencing the Avid MXF material and the issue is gone, this seems to my knowledge to be a Pro Res only issue. The settings I am exporting to is 960 x 540 h.264 and also .mp4. This is coming from a 1080p source and yes I do have the 'maximum render quality' checked for best scaling. I understand that Software only vs Cuda and Open CL use different algorithms when scaling but this seems crazy to me that it would look this much worse.
Anyways if somebody can please look into this that would be great, this seems to be an issue where I can't continue at this moment to use Media Encoder. Making my source files Uncompressed every time to do an export is just not a real workflow I want to do.
On a side note I've also recently noticed on a clip that had text over a grey background that there are lines going all down the screen evenly when exporting to even a non scaled 1080p .mp4. Once again, this issue goes away with any format but Pro Res. The weird part is this happens even with Cuda enabled. This is why I am thinking Media Encoder is having some sort of issue with the Pro Res codec.
I am on a current new 27'' fully loaded iMac with the latest Adobe CC updates.
Has anyone else experienced this?
thank you

No, it is why advance users do not use the wizard.
Have a look at OpenOffice.org and its form creation. Once you add your fields in OpenOffice.org, just export to PDF and the form fields will be named just like you named in them in OpenOffice.org and the drop down values carry over.

Pro Res in Final cut express How do i get a good quality SD DVD

I recently bought final cut express and have suffered getting a good quality SD DVD out through the workflow from my cannon XHA1.
On screen its fine but when i author through imovie to DVD the quality is poor.
So reading the various threads it would seem that i need to use Pro res and the ingress codec... But cant find this option in express ?
Question is. Is pro res codec available in express and if not can someone suggest the optimum set up for HD capture to SD DVD output
Many thanks

Use either of these techniques to get good quality DVDs from AIC.
1. Edit your HDV/AIC in the timeline. Then create a new DV-PAL (NTSC) Anamorphic sequence. Copy your edited HDV/AIC to the new sequence. Do not alter anything. Render the sequence ..... this will take a long time - up to twice the length of the project. Then File>Export>QuickTime Movie (Not Self-contained).
However, if you use the QT Movie in iDVD you will get a squashed 4:3 movie, so first of all you must make QT stretch it out to its proper 16:9 dimensions like this:-
+a. Open the exported movie file in the QT Pro player.+
+b. Go to Window>Show Movie Properties.+
+c. Select the "Video Track" and in the "Visual Settings" panel uncheck "Preserve Aspect Ratio".+
+d. In the "Scaled Size" box set the width to 1024 pixels for PAL.+
+e. The "Video Track" will have turned grey, so click it to make it blue again.+
+f. The opened movie file will jump to 16:9.+
+g. Close it with the red button and click Save.+
2. This method is fast. Set your camera to "Locked DV" which means that FCE/FCP will capture it as anamorphic DV and edit it as standard definition anamorphic DV. (Use Easy Setup ... DV-PAL (NTSC) Anamorphic).
You can then Export>QuickTime Movie to be used in iDVD and use the stretching technique mentioned above.

Vixia HF200-apple pro res?

I've searched online and throughout the apple forum, but I can't find any info that discusses the best sequence and project settings to use with a Canon Vixia HF200 camera. I bought ten of the Vixia HF200's for our school to use with Final Cut Pro 6.06 running on Quad Core and a few 8 core Intel Macs. We can ingest perfectly. No issue. And I am probably using the wrong settings, but I set the sequence preset to Apple Pro Res HQ 1920x1080 24p. Our cameras are all set to cinema mode24p. For easy setup we have been using Format:HD, Rate:all and Use at DVCPro HD-1080pA24. Our sequence settings are 1920x1080 Custom 16:9, Pixel Aspect=1440x1080, timebase=23.98 and compressor apple Pro res HQ. I've played with other settings and editing is fine and the video looks fine. However, on most of these settings we are seeing some weird by product. All exported 1920x1080 video has flash frames throughout the video. You can watch the video on an NTSC monitor or on the computer monitor and there are no flash frames. But once you export using Quicktime Movie Apple Pro Res HQ 1920x1080, then that exported file shows multiple flash frames. Again, I'm sure I have all the wrong settings. Can someone respond with the optimal settings for editing AVCHD @ 24MB from a Canon Vixia HF200 within FCP 6.06?

Did it work before?
If so, what did you change?
If not, have you tried installing the latest ProRes Codecs?
x

FCP Pro Res Super 16mm -- Compressor -- DVD Studio Pro (Nightmare Workflow Critique)

Hello,
I figured I post here rather than the DVD Studio Pro forum; I've posted on Creative Cow as well but haven't gotten any responses yet.
Before I mention my problem, I'd like to mention that I've tried several types of compression methods and bitrates and unfortunately, my disk still freezes in my player, generally around the same area.
(I have two, minute long clips with Smoothcam there).
I'll try to be as specific about my work-flow as I can and I've posted the photos of my FCP and Compressor settings below.
30 Minutes. Super 16mm.
2K DPX Scans -- > Graded In Color --> Pro Res 4444 23.976 --> Sent To Compressor --> Mpeg 2 + AC3 --> Build & Format With DVD Studio Pro
I set blue compression markers at the start of each Smoothcam clip.
I've recompressed my footage without Smoothcam as well - with the same end result.
I've sent my timeline to Compressor and used both the 5.5-7 VBR setting and the 6.5 CBR settings (with everything under Frame Controls set to the highest quality).
(I've also used the 6.2-7.7 built in settings with the ninety-minute high quality preset).
I am using Sony DVD-R disks. 16X/1X. When I play them in my PS3, the film freezes at different points in the first two-three minutes - then skips ahead exactly to the same point in my film - about halfway.
I've set Chapter markers and it skips to the halfway one; from there it plays fine.
1. I wanted to ask if I should maybe export my entire sequence first through FCP (an .mov file) and try Compressing that?
(I've done this and the result is still the same)
2. Should I set it to Pro Res 422 HQ first?
(I've done this and the result is still the same)
3. Perhaps I should just try to Compressor with the 90Min-HQ setting without changing anything?
(I've done this and the result is still the same)
4. Should I remove the Smoothcam?
I'm currently compressing the entire sequence void of all Smoothcam.
When I bring the files into DVD Studio Pro, I see under preferences that Studio Pro also has VBR settings. Do those have any effect on my DVD encode? There is no CBR there - only VBR set from 5.5-7.
5. Is there anything I'm doing wrong with regards to my workflow? There are several options that may be causing this; I'm not sure if its the progressive footage to interlaced standard definition disk, or modifying field dominance, gop structure, etc.
Any help would be greatly (that's greatly) appreciated.
Thanks!
-Boris

My first impression is you're trying to make this too hard...
You have a high quality timeline which is downconverted to 1080, no problem. Once rendered, SmoothCam
should not represent a problem. If anything, SmoothCam will reduce the sudden movement that can cause problems. Any scenes where you have a high rate of change per frame (like in an explosion or a background of leaves flapping in the wind) should be marked with compression markers.
Export as a QT movie using sequence settings (include markers for DVDSP) so you have a completed source file for compression. I'm not aware of anything that will improve the quality beyond what is in the timeline, so current sequence settings are fine. Test this for playback issues.
If you are having playback problems with the sequence after export and compression, the most probable cause is excessively high bandwidth requirements. Try using the DVD: Best Quality 90 minutes preset. It generally produces a very good quality product. Any attempt to increase the quality will likely increase the bandwidth requirements that are the probable cause of the skipping.
While Sony is a big name, their DVD substrate is only mediocre. If you think the substrate is a problem, switch to Verbatim or JVC/Taiyo-Yuden.
If you are dissatisfied with the quality of the Compressor output, look into the Cinema Craft encoding products.
Hope this helps.

FCP 7.0.3 XDCAM media in Pro Res sequence-implications?

We have 1.5TB of XDCAM [email protected] Post facility suggested offlining at DV NTSC but it was decided to cut native (before my time). I've inherited XDCAM 422 sequences. Using a 4 TB G Raid enclosure with both FW800 & eSATA/HD Link card & 12 core 2.66 Ghz MacPro w/6GB RAM. Intermittent crashes, 9 today, but then it will play back fine for a few hours before resuming the crashes. It will crash both on sections with FX or more than 1 stream as well as single stream sections. I thought it was the FW800 choking but the eSATA is worse. Digital Rebellion Crash Analyser attributes crashes to Mpeg media, which apparently I'm stuck with as the transcode time implication is 'too high'
What if I switch the sequence codec to Pro Res HQ & re render, will this be helpful in any way? It seems to playback ok with very little rendering on Safe RT.
BTW have installed Pro Applications Update 2010-02.

thank you for your responses-I tried transcoding everything to xdcam in a fresh project-no difference, crashing at the same rate, despite changing storage to fibre channel raid. so MM'd to Prores LT (no obvious difference to prores HQ on the cinema display) and all good.
David, the project was inherited with a whole load of identically named clips in different subfolders (!!!) although I doubt this caused the crashes. AFAIK they were editing w/o cards in the field.

Audio and Video out of Sync after Pro Res export

I´m getting an audio/video sync issue when I´m exporting to Pro Res.
I started off in a HDV1080i50 sequence. Audio sampling rate is 48khz. (16 bit depth)
The sequence is less than 20 minutes long. It plays correctly on the timeline.
When I export the sequence for DVD and view it on a set top it plays absolutely fine.
When I export the video to ProRes (422 HQ - I used Export using Quicktime Conversion) and the audio to AIFF, they quickly go out of sync. This was brought to my attention first by the guys who were making the DigiBeta master, and when I view the exported material in a Pro Res sequence I can see it for myself.
The audio and video clips are of the exact same duration.
Possible issues...
Some of the narration was recorded at 44.1 khz. I didn´t resample it (I´m still a learning novice..).. but if that is the issue should it not have affected the DVD as well? All the other audio in the project is 48khz.
Most of the material is HDV1080i50..but one clip used was originally an NTSC clip and therefore a different frame rate. However I converted it to a 25fps clip and this is reflected in the vid rate column in the browser where it says 25fps.
Final point, the exported AIFF files..when I import them back into the HDV1080i50 sequence and play back, it is perfectly in sync.
Any help would be greatly appreciated.

First, yes resample the narration to 48k 16 bit. You will probably be able to reconnect to the resampled files. Usually works for me. That's a simple fix and will probably solve the problem. If it doesn't, you can try to change the codec (compressor) in the sequence settings to prores 422HQ, fully render and see if that solves the problem.
Wait, just reread your original post. Export from fcp using file: export: quicktime movie NOT quicktime conversion with current settings. If that works without synch issues, use compressor to convert to prores.

Apple pro res 422 file consuming more space than usual

hi everyone!
I've been working with FCP 7 since 2008 and at the same time I started working with Canon T2 from 2 years ago and I haven't had any problems with my FCP workflow files, editing and output used to be H. 264 based files until I started to have problems with my hd DSRL projects. Recently when editing the audio went out of sync and I was suggested to change the Quicktime video settings from FCP 7 to imovie (which is th application I commonly use to create chapters and share to iDVD) this worked perfectly. It was the first time I which I had to change the Quictime Settings to Apple Pro Res 422 The Out of sync problem was resolved but the space consumed by the file was enourmosly ncreased instead. ie. A 5 min project usually would take like a 500 mbs quicktime file and now using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs!! And also the exporting process is taking forever!! For instance I'm working with a 30 min project and the Quicktime conversion never ends. It's taking about 12 hrs and is not taking more than the 20% of the process. Is there something I'm doing wrong? I need help in a extremely urgent way! Thank you all guys! And best regards from Mexico!!
Mac Pro early 2008
Processor 2.8 GHz Quad-Core Intel Xeon
Memory 10 GB 800 MHz DDR2 FB-DIMM
Graphics ATI Radeon HD 2600 XT 256 MB
Software OS X 10.8.4 (12E55)

>using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs
That's about right for a ProRes 422 file. High quality video takes a lot of space. It's sufficient to use the lighter ProRes LT for the footage from your T2 by the way. Your MacPro can also have up to 4 hard drives for plenty of storage.
Why are you using QuickTime Conversion?
Exporting to QuickTime with current settings and self contained is the better way. Then you use Compressor to make your delivery format from that master. Compressor is faster because it can take advantage of multiple cores - FCP doesn't. It will also give you far more control and choice over the encoding.

Pro Res 4444 to Pro Res 422

I have Pro Res 4444 footage that I want to edit in FCS for the web. My understanding is that it would be better to work in Pro Res 422 (easier to work with etc). Would it make sense to import the Pro Res 4444 in FC and used compressor to export it to a Pro Res 422 format? Or is there a better way?
Thanks in advance for your help.

Take the footage directly into Compressor and convert to 422. No reason to go to FCP first. OR...better yet. With the footage in FCP, use the media Manager to RECOMPRESS to PR422.

Pro Res and FCP X

Will encoding my clips to Pro Res and then importing them into FCP X speed things up instead of importing the clips straight from my camera to FCP X?

Sorry, this is footage taken from a Canon 7D. 24fps 1920x1080. FCP gets bogged down sometimes. I have a dual quad core Mac Pro with 16 gigs of ram.
Thanks,
Shawn

Converting 7D camera footage to Apple Pro Res 422 HQ

I shot footage with the Canon 7D. I brought the footage to Compressor (latest version as part of Final Cut Studio). I am transcoding the footage to Apple Pro Res 422 HQ for editing in Final Cut Pro 7.
A few clips have been transcoded. I open up the original file and the Pro Res HQ file and compare them side by side on my Mac Book Pro. I would like to attach the screenshot but don't think I can do it that here. Anyway, the Pro Res clip is slightly smaller when opened with Quicktime 7 and 10. Also, the colors seem to be darker and the clip a lot muddier than before.
Has anyone had any experience with this? Thanks.

My clips do experience a slight color shift but nothing nominal. However, I have no problems converting my files using the preset and opening them up in FCP 7. When I open them in QTX they appear the same size as their original. Have you checked the inspector pane on your MBP? I have had issues where QTX will not open a video full size due to screen resolution limitations and would always downsize instead. That could be your issue since the MBP cannot display a 1080p file at full resolution.

MACBOOK PRO and PRO RES

Hello all!
I am researching buying a 15" middle tier, macbook pro for video editing. I understand you need an HD video card to capture the HD video to convert into Pro Res. But once its in the pro res format, can you use a macbook pro to edit it?
And if you can, is it extremely slow that's it's not really worth it?
Or do you that AJA I/O to edit the pro res video with the mbp?
Also, I looked into the eSata external drives to use the mbp, but when I checked out the specs on G-tech, the pdf comparison for speeds between esata and firewire 800 was miniscule. Isn't esata supposed to be much faster than firewire?

You can most definately edit ProRes on a MacBook Pro. FW800 RAIDED drive would be required for this, like the G-Raid, FirewireVR, LaCie D2. However, eSATA is faster and MUCH better. I don't know where you got your numbers for FW800-eSATA comparison, but if they are single drives, eSATA is 20MB-40MB/s faster. Get Raided drives and it is VASTLY different. 75MB/s for FW800 Raid 0 hardware raided drives (G-Raid) vs 140MB/s eSATA (S2VR Duo).
I can edit ProRes with my Powerbook G4 laptop...I just can't capture it.
And with the I/O HD, you have the perfect remote ProRes setup...and because it is a Firewire capture device, you must have an eSATA drive...well, you can get a firewire card, but eSATA is much better.
Shane

Pro Res/ HQ

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