Sequence of two different workflow

Hi,
I have two different workflow. WF1 and WF2.
They are attached to same Library.
Is it possible to decide the sequence of this work flow.
ie - WF2 = First
WF1 = Second
Regards,
Milind

I've never seen it possible to communicate between workflows, so I'd typically tackle this via the use of an additional field in the list/library. So, add a choice column called "KickOff" or somerthing similar. Set the default value to whatever
value will be needed for the first workflow. The idea here is that you use this reference within your start-up workflow step. You'll need to pay attention to the start conditions for this first one.
In this workflow logic, at the appropriate stage, add a step that changes the field to the "Workflow 2" Choice in the kick off column. This change won't kick off the second workflow unless the initiation steps are run under an impersonation
step.
Hope that helps
Steven Andrews
SharePoint Business Analyst: LiveNation Entertainment
Blog: baron72.wordpress.com
Twitter: Follow @backpackerd00d
My Wiki Articles:
CodePlex Corner Series
Please remember to mark your question as "answered" if this solves (or helps) your problem.

Similar Messages

How to edit footage in the same sequence from two different cameras: 1) Standard Def 4:3 aspect ratio, and 2) Standard Def shot 16:9, anamorphic?

What can I say. We blew the shoot. His high-end Sony camera - std def at 4:3 aspect ratio.
My camera - the little Panasonic DVX100, set to anamorphic, so 16:9 aspect ratio.
I have to edit this footage together in the same sequence. Obviously, I'm getting prompts to change the sequence settings every time I try to move footage onto the timeline.
Alternatively, would someone just thunk me in the head.
I'm sad about this. I can't believe it happened.

What is the ouput - standard 4:3 DV?
If so, put a clip of the 4:3 material into a timeline and accept the offer to conform the timeline to that material. Then, any of the 16:9 material will be part of that settings - however - you will want to go into the DISTORT settings in the Viewer to alter the material so that the image extends beyond the sides (aka a center cut). It has been a long time since I've done this but I remember the number is something like 33 (or -33).
x

Export a sequence with two different framerates

I have shot footage at both 24fps and 50fps and i want to export a short film that will use both 24fps for the "film" look and 50fps for the "video" look. How is that possible?

Not. It is either or.

Can we send the same message two different recievers with sequence

Hi,
i am sending the same message to two different receviers without using BPM.
now i require to send with sequence.is it possible without BPM?

Hey
There are two options for this
First one is to use Wait step in BPM as other experts suggested.
Second one is a dirty way around,what you can do is send the second message to a dummy receiver first(may be a file on your XI server),then design one bypass scenario which will pick up the file after a specified time interval(give the poling interval you want).
i would go for BPM coz its pretty straight forward,but in case you want to avoid BPM then u can use the second approach
for bypass scenario,have a look at the following
How to send any data (even binary) through XI, without using the Integration Repository

Will a sequence return same value for two different sessions?

Is there a possibility that a sequence will return same value to two different sessions when it is referred exactly at the same instance of time?

@Justin... Thanks for your insight; indeed, we too feel this shouldn't ever happen and never heard of it either, but there it is. (No, we haven't logged a TAR yet -- whatever that is -- partly because it didn't occur to us and partly because we only recently came across the issue and sensibly want to do some testing before we cry foul.)
However, the code is pretty straight-forward, much like this (inside a FOR EACH ROW trigger body):
SELECT <seqname>.NEXTVAL INTO <keyvar> FROM DUAL;
INSERT INTO <tblname> (<keyfield>, <... some other fields>)
VALUES(<keyvar>, <... some other values> );
(where <tblname> is NOT the table on which the trigger is fired). This is the only place where the sequence is ever accessed. The sequence state is way below its limits (either MAXVALUE or <keyfield>/<keyvar> datatype size).
In this setup, end users sometimes got an out-of-the-blue SQL error to the effect that uniqueness constraint has been violated -- as I said, we used to have a unique index on <keyfield> -- which leads us to assume that the sequence generated a duplicate key (only way for the constraint to be violated, AFAIK). We released the constraint and indeed, using a simple SELECT <keyfield>, COUNT(*) FROM <tblname> GROUP BY <keyfield> HAVING COUNT(*)>1 got us some results.
Unfortunately, the <tblname> table gets regularly purged by a consumer process so it's hard to trace; now we created a logger trigger, on <tblname> this time, which tracks cases of duplicate <keyfield> inserts... We'll see how it goes.
@Laurent... winks at the CYCLE thing Our sequence is (needless to say) declared as NOCYCLE and the datatype is large enough to hold MAXVALUE.

Premiere Pro CS5 Not exportting to tape on TWO different Computers!!! HELP

I had a prior post in january with a new desktop having problems exporting to tape. when it would export a blue screen would come up at random times breaking up the recording. almost like the camera was losing signal with the computer.
Im capturing and exporting using a Canon XHG1 HDV camera.
Both the Laptop (sony vpcf11x) and Desktop (custom with intel sandybridge motherboard) can CAPTURE tapes fine. but export causes problems on BOTH machines.
Both of my computers (a laptop and desktop use the Intel i7 chipset.
I have a Third desktop (gateway something or other) that ive been using Sony Vegas to Export to tape and it WORKS EVERYTIME! with the same Camera and Firewire Cable.
Itried installing Sony Vegas onto the new Desktop to export and I get the SAME problem that I get with Exporting with Premiere.
has anyone else heard of these problems? it is really starting to irritate me. with everything ive done, it has to be something with Adobe. how can i have the same problem on two different computers?

Here are more specific information with my system and settings for you to see. I also included a video of my workflow and showing you what exactly is happening on export.
Project Settings:
Capture Format DV
Video Rendering and Playback: Mercury Playback Engine Software only
Sequence Settings:
DV NTSC
29.97 fps
720x480
Aspect Ratio 16:9
30fps Drop-Frame Timecode
Playback Settings:
Desktop Video Display during playback checked box
External Device: DV_29.97 720x480i
Aspect Ration Conversion: Hardware Only
External Device Audio
Export: external device DV: 29.97 720x480i
Disable video output when in the background is not checked
Export to tape settings:
Activate recording device is checked
assemble timecode, delay movie start, and preroll _ frames (none are checked)
abort after _ dropped frames (not checked)
report dropped frames (not checked)
render audio before video (is checked)
I render out the video to one file (on my desktop).
then import the clip into a new sequence with the above settings.
file>export>tape>
then it begins recording and drops out like the camera loses signal.
this is really frusterating.

Uprezzing film timeline which uses two different codecs

So I have my final film edit in FCP 6 which uses two different codecs...DVCPROHD 720p60 at 23.98fps and HDV 1080p24 at 23.98fps. There are only about 15 clips which are the HDV codec. My next step is to color correct in apple Color. So I did a quick test where I sent a couple clips of each codec, on the same timeline, into Color and back out into FCP, which seemed to roundtrip without any hitches...the only difference is that the DVCPRO clips came back as ProRes 422HQ 1280x720 and the HDV clips came back as 1920x1080...which is all fine. However, I do want 1080p (1920x1080) as my final output...for Bluray as well as DCP if my film gets picked up by a festival. So what I plan to do for my final output is export my completed Colored timeline to compressor and use ProRes 422 HQ at 1080p. My question is...since there isn't a specific 1080p ProRes HQ codec (like there is for DVCPROHD) but simply the "Geometry" tab in Compressor where you can change the 'Dimensions' to 1920x1080...is this how I "Uprez" my DVCPRO 720p clips to match my HDV 1080p clips?
I just want to make sure NOW, that my workflow will be good all the way up to finishing, before I start sending sections of my timeline to Color...
Thanks!
David

OK...you wanted a 1080p final, right? So why shrink the HDV down to 720p, and then blow it back up to 1080p? That's the point of doing both formats separately, and upscaling only the 720p...keeping the HDV at full size. How noticeable will it be? Test to find out. Personally, I'd do it my way.
And yes, upscale AFTER you color correct. As for re-color correcting down the line...why? Color correcting is the final process...do it until it's right...why would you go back? And if you did adjust a couple shots, then just render those back out, and only upscale those and put into that final sequence again. It's a small patch.
>why is it better to send the DVCPRO 720p stuff for upscale BEFORE marrying it with the HDV 1080p stuff.
because the HDV is already 1080. Scaling it down to 720, then back up will be TWO generation losses. Why do that?
>my method of upscaling the 720p with the 1080p stuff at the same time seemed logical to me (the 720p is upscaled while the 1080p stays the same)
But it doesn't...you first will be shrinking it to 720p...then blowing up to 1080p. And HDV is a GOP format without real frames, so the compression really pops when you upscale.
>just want to know WHY your method is better??
Because I tested this out..mixing 720p DVCPRO HD and HDV...and my method gave the best results. Call it "experience."

How can I Generate two different reports from single execution of Test cases in NI teststand

Hi,
My requirement is to generate two different reports from NI teststand. One for the Logging of error descriptions and the other report is by default generated by the Teststand. How can i generate a txt file that contains error descriptions other than that mentioned in the default report?
Solved!
Go to Solution.

Do you need to do that just for these two sequences but not for other sequences? I don't see a problem to use SequenceFilePostStepRuntimeError. Create this callback in both sequence files and configure them to log into the same file. SequenceFilePostStepRuntimeError callback is called after each step of the sequence file if it has runtime error. You can access the calling step error information via RunState.Caller.Step.Result.Error property. Take a look to attached example.
The "other way" is useful if you need to log errors not for every step of the sequence file, but for some of them. This is more complex, because you need to create a custom step types for these steps. For the custom step you can create substeps (post-step in your case) which will be executed every time after step of this type executed. Then, this is you job to determine if error happened in the step, acces to step's error information is via Step.Result.Error property.
Also, be aware that step's post-expression is not executed in case of error in the step.
Sergey Kolbunov
CLA, CTD
Attachments:
SequenceFilePostStepRuntimeError_Demo.seq ‏7 KB

Two different audio settings

I have finally managed to import tapes that were filmed on two different cameras. One had it's audio set at 16bit and the other at 12bit. Is it possible to convert the captured 12bit footage to 16bit, or can I use them both in a project without effecting audio sync?

You do not want to mix clips with audio bit depths in a sequence.
Export the audio from the 12 bit clip, resample it in Soundtrack Pro, Peak or even Quicktime Pro to 16bit/48khz and bring it back into FCP. Life will be good.
cheers,
x

One app, two different Apple Dev accounts ... Will it work?

Building a standalone/single-issue viewer app for a client. We've asked to be invited to join their Apple Dev team, but the client proposes this workflow instead:
Scenario 1
• We use OUR iOS Provisioning Portal/Apple Dev account to generate all the certificates, provisioning profiles and the app ID needed to bake out the app.
• We deliver the final binary (.zip file) to the client.
• Client uses ITS iTunes Connect/Apple Dev account to deliver the binary to Apple, so that the client will be the publisher of record in iTunes.
WOULD THIS EVEN WORK? Can you really create an app using one Apple Dev account, then publish/manage it w/ iTunes Connect using another Apple Dev account?
We've also heard this scenario:
Scenario 2
• Using our Apple Dev account, we generate: Development Certificate (.p12) and Development Provisioning Profile
• Using, their Apple Dev account, the client generates: Distribution Certificate (.p12) and Distribution Provisioning Profile
THEN …
1.) … WHO generates the App ID, considering that our dev and their dist provisioning profiles need to be tethered to the same App ID?
2.) If it's the client, how do we tether OUR dev provisioning profile to THEIR App ID?
Big thanks in advance.

My only experience with publishing is to create both the dev and distribution apps, so I haven't tested that workflow yet. But I've heard of publishers who need to do what you're proposing. As I understand it, you would basically create the required cert files from two different Apple accounts. With your Apple account, you would create a dummy App ID (such as com.publisher.publication.test), and create the dev .p12 cert, the dev mobileprovision file, and the dev push cert. Your client would create the real App ID (such as com.publisher.publication) along with the distribution .p12 cert, dist mobileprovision, and dist push cert. Once you get these certs, you use Viewer Builder to create the app using the cert files from the combined Apple accounts. You would publish and test the development ipa file. If it all works properly, your client would sign in to Viewer Builder, download the distribution .zip file and submit it to Apple.
As I said, I haven't tested this workflow yet, but we're currently setting up a similar split environment.

Create bid invit. from template in two different ways has different consequ

Hi everybody
"Create bid invit. from template in two different ways has different consequuences"
When I create a bid invitation from a previous template, from the template search results (Icon_create SAPLBBP_BID_INV 1010) my bid is published but then stay in the model search and the status is wating for approval. But no workflow started in BBP_PD.
If I use the same template for creating a new bid from the detail using the create bid invitation button, the bid invitation is created correctly.
I have configured the two events for the BUS2200 object and both of them have an initial condition.
It seems that the two actions trigger different events or something like that
Does anybody why it is occurring this and how I could link the workflow without approval for this case.
Thanks

Hi
What SRM version are you using ?
<b>Please see these SAP OSS notes / links, which might help -></b>
<u>Note 976752 - Bidding Worklfows are not triggered correctly
Note 941417 - Creating a bid invitation from template in the background
Note 971752 - Incorrect approval preview in bid approval
Note 741372 - Separating template search from bid invitation search
Note 764028 - New bid invitation items not visible in bid
Note 996907 No approval preview for bid after note 976752
Note 765771 Workflow error when creating a purchase order from bid
Note 790930 No warning message in case of jump from bid</u>
Regards
- Atul

Customs duty commming two time with two different price

Dear All,
I facing the issue while creating the PO the condition Customs duty Conditions (Z005 )commming two time with two different price
Can you please tell me where can check
Regards
Murugan
Edited by: murugan jayaraman on Jan 9, 2011 3:19 PM

In the PO go to the conditions tab, select the condition type and click on analysis, then check where the conedition type is coming from.
Repeat this for both the Z005 conditions.
In M/06 t.code see if there is also a access sequence and condition contrl says Manual entry has priority. If this is the case sometimes system allows same condition twice.
One time it comes from Mek1 and the other one is manually entered.

Wether can invoice have with two different VAT rates, 16%

Dear SDN team,
I have a requirement like a invoice should have two different VAT rates.
Situation is below:
A rebate agreement is created and it was settled partially and final settlement is also carried out.
Rebate agreement nº XXXXXXXX, with a validity period between the 01.05.2010 until 31.07.2010. This rebate agreement created the credit memo XXXXXXXXX with the VAT rate of 18%.
Mean time the VAT rate was changed from 1st July from 16% to 18%.
There are invoice created in the first half and others belonging to the second half. Invoice created during the First Half it was created the VAT value with 16% (Before July)and the Invoice created with the Second Half it was created with 18% (After July1st).
But customer request is to have an invoice with two different VAT rates, 16% and 18%. However, the invoice only takes into account the 18%.
And i have suggested the below resolution - But user still needs to have two different VAT rates in one invoice for the line item this is for the have a legal precept which force me to have a different VAT rates depending on the original invoice date
Please let me advice how to resolve this issue.
Looking forward for your favorable reply.
Thanks and Regards,
Jana
Suggested Solution:
But having two different VAT rates in one single invoice or credit note is not possible at all.
Further if you would liked to have different VAT rates for the two separate ivoices - This can be done by doing the Rebate agreement with partial settlement for the First half that is before 30.06.2010 and final settlement after 01.07.2010. By doing this rebate agreement will have two different invoices created with two different VAT rates. But now this is not possible for the RA where it is done with final settlement.
So, You can not have two different VAT rate in one single invoice.

Dear,
In order to solve this issue with wrong VAt rates I propose you to proceed as follow:
1) Cancel the CN (Credit Note)
2) In the CMR (Credit Memo Request) set the tax classification of the materials with wrong VAT % to 0 (inside the CMR in item-billing document).
3) Maintain for the access sequence of MWST a higher access than the normal one for tax classification 0 with the old tax percentage (E.g.: 16% in your case)
4) Determine a new pricing for the CMR (via menu path: Edit > New pricing document)
At this stage your items will have some 18% and some 16% of VAT. When you create the CN those percentages will be kept.
If you are satisfied with the result it is now a matter of making sure the program that prints your invoice is mentioning the different VAT rates of the items. As you didn't specify anything about this point, I seize the opportunity to advice you about. No matter of the type of print program you are using (SAP script, PDF or Smartforms), you need TO BE SURE that when the CN is created (with two different types of VAT %) also your PRINTOUT is properly created mentioning the two different rates and relative values.
If not printed correctly because you did not foresee to have different percentages it is easy to solve it with a programmer.
In case of questions or doubts do not hesitate to post back your answer.
Regards,

Two different clip settings on one timeline

Hello All,
I am combining clips shot with two different cameras on one timeline.
For best quality results of the image, what sequence settings and then export choice should I use? It is a 4 min film that I would like to export as QT or MPEG-4 movie file.
In FCP, both clips look crisp and sharp. I tried various export formats in compressor, but the output always returns the clips from camera 2 de-interlaced (the edges of objects are not smooth but zygzagy).
Clip settings from camera 1:
frame size: 1920 x 1080
video rate: 23.98 and some in 29.97
compressor: Apple ProRes 422
Pixel Aspect ratio: square
Field dominance: None and some have Upper (Odd)
Clip settings from camera 2:
Frame size: 720 X 480
Video Rate: 29.97
Compressor: DV/DVC PRO- NTSC
Pixel Aspect: NTSC- CCIR60
Field dominance: Lower (Even)
Thank you for any suggestions,
Izabela

hazel - if you're making a DVD, then you're going to be using NTSC SD settings - so that's the "send to" compressor - and in compressor you will choose a DVD format, etc.
But if you are creating a digital file to play from a laptop to a projector, I am suggesting you set your frame size to the most common pixel width of most projectors; 1024 x 576 precisely so you do not have to make any adjustments on the projector. You are basically running VGA out (or DVI) into the PC input of the projector and running a quicktime or wmv file and the projector will not have to re-map the image. All of my editing takes place on a mac, and quicktime is my fav but in the corporate world I often have to produce PC friendly files that they take and project with conference type LCD projectors. I do it all the time - this is a good way to go if you are in a similar position.
On larger scale productions, we stay mac based and use high-end projectors and switchers, etc. But when you are handing your edits off to normal corporate meeting attendees they often try to embed them into powerpoint or at least run them in windows media players. If this is the case for you, then I am saying create custom frame of 1024 x 576 if your content is 16:9.

Send PO to two different external adress

Hi
I need to send my PO to two different external mail adress, is that possible?
now i can send the PO to a sap USE, and i need to add another message to the vendor.
I've tried to set two message record ZMAIL(vendor) and ZUSE(user), but only sap user can receive the PO.
Can you help please
Thanks

Hi,
You may Please check the vendor address view at the field mailing address.Howmany mail ids are provided there?
Take the Extensiom icon there and keep the two mail id's there and provide the sequence there.and fill all the fields there.
Now pl check the ouput type for its driver programe wheather it can fetch the mail id's.
If possible maintain the condition for this combination and select the time as save immediately and try saving the po and check the sost t code.
Please try the same and let me know the comments.
Regards,

Sequence of two different workflow

Similar Messages

Maybe you are looking for