Sequence settings for XH A1 24fps?

Just curious what sequence settings I should be using for 24fps. I had it set for Apple ProRes 422 (HQ) 1920x1080 60i, but it looked jumpy when I exported it to Quicktime. I'm not sure where the issue is, in the sequence settings or with how I exported it. Should it be 24p instead of 60i? Thank you.

Don't stay nervous for ever, you're missing out on a lot of good stuff.
1. Repair Permissions.
2. update to OS X 10.4.8
http://www.apple.com/support/downloads/
3. update QuickTime to 7.1.3
4. make sure you have Motion 2.1 already installed
5. update all your pro apps with Software Update
http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
http://discussions.apple.com/message.jspa?messageID=3213777
Still nervous?
I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
I would convert the HDV to DVC PRO HD 720p.
Editing in native HDV is a pain because of the frame structure.
You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

Similar Messages

  • Sequence settings for HD

    what are the exact sequence settings for cutting 1080i60 footage in FCP? From my understanding; it's 1920 X 1080 with 59.94fps. But what fields should render first; upper or lower? I also need to know this info for using After Effects; I need to know the specifications so I can render my animations.
    If there is anything else I should know, please let me know. thanks.

    Open your preset in FCP or check your sequence settings and all that information will be there.

  • Sequence settings for 16:9

    Hi,
    Just doing some PAL tests of 16:9 HD to 16:9 SD downconvert.
    What are the sequence settings for this?
    If I use the normal DV PAL 48khz, the VIEWER window shows a normal 16:0 ratio, but the CANVAS window shows a letterboxed 4:3 window. When I export this project, I get a letterboxed 4:3.
    If I need to give my European client a 16:9 SD project, what are the sequence settings.
    Thank you kindly!

    Thanks Michael,
    I still get images in FCP and QT exports that are letterboxed. Is that normal? I guess I assumed 16:9 FCP project windows and QT export movies would be all image and no letterbox within a 4:3 window.

  • Proper sequence settings for importing Canon Rebel T2i footage

    Greetings, all. I searched the forum and didn't find this question answered elsewhere, so I thought I'd ask.
    I'm using Adobe Premiere Pro CS4, version 4.2.1, and I'm trying to find the ideal sequence settings for the Canon Rebel T2i, which records in MPEG-4 AVC/H.264, with adjustable frame rate. I am running on Apple Mac OSX 10.8.2.
    I've been editing with this footage for over a year now, and it's always been a struggle because I have to render all footage before I can even play it in Premiere. When first imported, the render bar above the timeline is yellow.
    I'd like to see if I'm doing this incorrectly; to know if I have a simple sequence setting that's incorrect. What sequence settings should I use for my imported footage to start out green and not require a lengty render for video that isn't even edited yet?
    Thank you,
    -Matt

    >When first imported, the render bar above the timeline is yellow
    I think this is written for CS5, but the concept should be the same
    http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html

  • Sequence settings for HDV 720p 24 fps

    Okay, now that the French is gone I'm back on track, but still confused. I've captured my HDV 720p @ 24FPS footage using LumiereHD & it's separated & ready to go. What sequence settings/editing timebase should I use? I've noted people here saying DVCPro, but others said DVCPro is just problemic/not correct for HDV . . . and the Lumiere forum reccomends using the Apple Intermediate Codec, which I think people here said NOT to do . . . and there's a 720p24 option in Lumiere, but not in FCP . . . is it just like using 24p DV where you edit at regular 29.97? My head is turing into goo. Any sage advice, O sage ones? And I'm finishing on DVD, if that's usefull. Thank you!!!

    Don't stay nervous for ever, you're missing out on a lot of good stuff.
    1. Repair Permissions.
    2. update to OS X 10.4.8
    http://www.apple.com/support/downloads/
    3. update QuickTime to 7.1.3
    4. make sure you have Motion 2.1 already installed
    5. update all your pro apps with Software Update
    http://www.kenstone.net/fcphomepage/whats_new_5.1.2balis.html
    http://discussions.apple.com/message.jspa?messageID=3213777
    Still nervous?
    I can't tell you what setting in FCP 5.1 to use, because I no longer have 5.1.
    I would convert the HDV to DVC PRO HD 720p.
    Editing in native HDV is a pain because of the frame structure.
    You will end up with larger files with DVC PRO HD, but since it's all "I-frames" editing and compositing will be much, much faster.

  • Sequence settings for mixed 24f,30f

    I shot a friend's wedding on a HVX in 24p on tape (not cards) and a 2nd camera 30fps on a consumer DV camera. I want to edit these together; I do not know what the Sequence settings should be or what challenges are involved. My final output is a DVD. Any help is appreciated.

    24P on tape is still 30 fps. It's 24fps with a 3:2 pulldown added. Just set your sequence for NTSC 29.97 DV...
    Patrick

  • Sequence Settings for Canon 1Dc 4K Footage

    Has anyone tried editing the log file in Premiere?  I have not found a preset for this file type.  Any suggestions as to the sequence settings?

    Hi Kevin
    I would think so too, right?
    I did send in a bunch of system crash reports when it happened from my account (email address removed), perhaps you can pull those?
    The crashing was very erratic and happened while placing clips on a sequence, and also while attempting to press File>export.  The settings I was exporting were the following:
    4096 x 3112
    24fps
    80 mbps VBR
    profile: high
    level: 5.1
    That was with CC.  I also tried it in CS6 and was able to create a finished sequence, but both times I tried exporting the times were very slow and the eventually the Mac Pro was locked up and had to be manually restarted.
    Help!
    Dave
    (web address removed)
    Edited by Kevin Monahan. Personal info removed.

  • Best sequence settings for editing HD video material from Nikon D3S

    Hello there,
    My quesstion is, what are the best settings in FCP for editing material from the Nikon D3S?
    At this point I had a sequence (automatically generated from FCP) with settings
    Frame Size: 1440X1080 Aspect Ratio (1440X1080) (16:9)
    Pixel Aspect Ratio: HD 1440 X 1080
    Field Dominance Upper (Odd)
    Editing Timebase: 25
    QuickTime Video Settings
    Compressor: HDV 1080i50
    Now, when I place a video clip form the D3S into the timeline, in the preview screen it does not fill the frame. I have to grab the corners and pull it to fill the gaps.
    I opened the same video clip in QT to check on the inspector and this is what is telling me:
    Apple OpenDML JPEG, 1280 X 720
    FPS: 24
    Normal size: 1280X 720
    Current size: 1280 X 720 (Actual)
    What do I need to do, so that the sequence settings are very similar to my AVI files? Or to make the same? I assume that if I pull the corners to fill the frame, I am loosing quality? Is that the case?
    Since I need to deliver this today I will continue working on the sequence as with the former settings, but I am wondering that if I have to change the settings, will this affect my already edited material? Do I then need to start a new sequence from scratch?
    Sorry, I guess too many questions, but they all lead to the same thing
    Thanks a lot!
    Emil

    I have a D3s. I'm using FCP7, it's been awhile since I used version 5 so all I can do is let you know my workflow with ver.7 If you convert to ProRes 422 1080x720 24fps, it works very well, change the audio from 44 to 48kHz and set the frame rate to 24 instead of 23.98
    Here's what I do.
    1. Copy the CF card to the HD of the computer
    2. Open Compressor, in these next steps we'll make a custom Droplet.
    a. In the Settings tab, select Formats > Quick Time > Apple ProRes 422
    b. Drag this to "Drag Settings & Destinations Here" and click it
    c. In the Inspector, select Encoder
    d. Select Video Enabled, then hit Settings. Frame rate 24 > OK
    e. Select Audio Enabled, then hit Settings. Choose 48 kHz
    f. Save As. Name it. It will be in > Settings tab > Custom
    g. Click your new Cutom setting
    h. File > Create Droplet
    i. select your new custom setting
    j. save it to the desktop, leave destination as source.
    3. open the Droplet,
    4. drag all you D3s clips in, change destination to a new folder
    Now you have all your original .DVI and the converted ProRes clips
    5. Open FCP, select Final Cut Pro > Audio/Video Settings
    6. in the Sequence Setting tab select Apple ProRes 422 1280x720 48kHz
    7. Clip Duplicate and give it a new name
    8. change the Editing Timebase to 24 > OK
    9. select the summary tab click Create Easy Setup
    10. name it, give it a description > Create
    11. the next time your open FCP use this Easy Setup
    12. your D3s clip should not need rendered now.
    13. When your done editing use Send to Compressor
    14. Vimeo will accept a wide varity of formats
    15. I use Quicktime H.264 with settings set to best
    16. For Blu-ray I use Export to QT Movie and use Sony DVD Architect to author the BD at 35 mbps, but that's another story.

  • What Should my sequence settings for H264, 1280x720/30fps be.  Pro Res422?

    I have a job coming up and an fully aware of the nightmare of editing H.264.  The footage I've got was shot on a flip camera.  H.264, 1280x720 at 30fps.  The deliverable is DVD.  Am I right in choosing ProRes 422 for the sequence settings?  I notice when comparing the clip in the browser window to the same clip in the viewer window, the clip in the viewer window looks a tad wider.  Is this a pixel aspect thing. 
    My sequence settings are as follows;
    Under the General Tab;
    Frame Size: 1280x720
    Aspect ratio: HDTV 720p (16:9)
    Pixel Aspect Ratio:  Square  (Anamorphic 16:9 is unchecked0
    Field Dominance: Lower (even)
    Editing Timebase: 29.97
    QuickTime Video Settings:
    Compressor: Apple ProRes 422
    Quality: 100
    Audio: 44.1

    Shane, thank you for your reply.   I want to be sure I understand you correctly.  Convert the footage before bringing it in to FCP (compressor), or can I just render in the time line as I build the sequence?  I plan on exporting a same as file for use in DVD studio Pro for a deliverable.

  • FCP 7 crashes when choosing "yes" to changing of sequence settings for Flip

    I've been doing quite a bit of work with the Flip HD video camera recently. I grew tired of rendering everything, so decided it was time to finally upgrade from FCP 5 to FCP 7.
    However, FCP 7 crashes every time I try to lay down video files from the Flip camera onto a timeline.
    Upon laying the files down onto the timeline, I am prompted with the message asking if I want to change the sequence settings to match the video. I click yes and immediately get "General Error" and FCP crashes.
    I tried trashing the preferences. same result.
    I tried updating FCP 7 to FCP 7.0.1. same result.
    I even tried updating fixes for iMovie as if that would have anything to do with it. same result.
    I'm currently rendering it out the same way I had been in FCP 5.
    Any advice or ideas?

    AVC is h.264, which is not a work-able editing format, it's a delivery format (and a consumer video camera acquisition format suitable for holiday videos going straight to YouTube), that's why you've been having to render all the time in FCP 5.
    Now you're in FCP 7 and it's asking if you want to change the sequence settings to match the video, but there is no sequence setting to match AVC/h.264 so it's freaking your computer out. Still, it shouldn't crash, but that's the problem i believe.
    You need to correct your work-flow by transcoding your media into something usable like ProRes, or you can choose not to change your sequence settings, and render the timeline as you have been doing in the past.

  • Sequence settings for importing DVD material

    Hi there!
    I am about to start a new project that will be shown at a convention on a big screen via projector.
    Basically, I have recieved DVD's from around the world that I am supposed to edit into a montage. So far I have been opening them using MPEG streamclip and converting them into Quicktime Files.
    Can anyone recommend the best possible Sequence settings to use as well as what Frame Size and Compressor to use when exporting from MPEg streamclip to FCP?
    Thanks

    use the sequence easy set-up for dv-pal (sweden is pal, yes?)
    export your clips from streamclip using dv-pal as the type for PAL dvds.
    for ntsc dvds, you need to pull the clips off as ntsc dv/dvcpro then using the advanced section of compressor, convert them to dv-pal.
    mix by stirring lightly, put into a greased pan and place in a 350 degree oven for 30 minutes or until golden brown.
    x

  • Sequence Settings for Computer-targeted Projects

    Hello,
    It seems to me -based on a scan of the forum's topics- that there are many people who would like to use FCP for creating computer-targeted output, that use still images as the source material. That is, projects not destined for tape or broadcast, that were not shot on video. I realize there are 3rd party apps that do this sort of thing, but the reality is there's no need to spend more money. Creating Ken Burns type effects for example, is very easy to do in the Motion Tab. It's the related sequence settings and render settings that cause the real problems IMO.
    For those who do this kind of work successfully on a regular basis, it would be good to create a list of settings that work well, so others can avoid the painful process of trial and error. Sadly the manual (great as it is) isn't much help on topics relating to still image projects. They mention things like square pixels or image size in passing, but they do not give examples of how to start this type of project from scratch.
    So post away; let others know what settings work for you. If you can post the project type, source type, and then the settings, so much the better. Something like:
    Type: Web Slideshow
    Source: TIF, PSD
    Frame Size:
    Field Dominance:
    Timebase:
    Video settings:
    etc

    Bogie: if some of the sequence settings listed are dependant on the imported material (think that's what you're saying), why are we even able to change them? I guess this is an Apple design issue but seems strange if they "are not part of the creation process", that they should be in the same panel as the other items that are, etc.< </div>
    Umm, no.
    The question here asked about export settings, they did not ask about project or sequence settings. If you meant to ask about sequence settings, that's an entirely different thread and, frankly, it's all covered in the manuals.
    To repeat what Zeb has said, because we can't quite seem to get us all speaking the same language here, use conventional, known formats for your production and creation of effects; DV is a great place to star because it's flexible and it's built into FCP (h264 is not a production format, Animation isn't either, nor is MPEG2).
    Render your sequences and export them as self-contained movies. Bring them into Compressor and (doh!) open that manual for a few hours of casual and frustrating reading. Compressor is where you will create your transcoded, encoded and compressed movie for delivery to the Web.
    What settings will you use in Compressor? Those are determined by your Web host's demands. The smoothest path to Web delivery is to give your Webhead a DV file and tell them to use their favorite compression and encoding tools to create their own favorite formats and bitrate settings.
    bogiesan

  • Sequence settings for Sony HandyCam video

    I'm working with video shot on a Sony Handycam HDR-CX550.  I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use.  It appears to be 16x9, but shows up as 4x3 in my FCP bin.  Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
    Thanks in advance for any suggestions.

    My understanding is that IMovie works with DV streams (files with a .dv extension).  You need to convert these to DV quicktimes (with a .mov extensions).  Use Compressor (which comes with fcp) to do this.  There is an apple preset for this format.

  • FCP sequence settings for Sony HandyCam video

    I'm working with video shot on a Sony Handycam HDR-CX550.  I had no problem importing it into iMovie and then to FCP, however I can't figure out what sequence settings I should use.  It appears to be 16x9, but shows up as 4x3 in my FCP bin.  Also, the sequence settings I've tried all require rendering every time I make an edit, which obviously becomes a huge pain.
    Thanks in advance for any suggestions.     

    I have FCP 6.  Should I put this question in the Final Cut Studio forum?

  • *** Sequence settings for Canon 5DmkII video

    I'm trying to edit video footage from the new Canon 5D mkII and I don't know the sequence settings. The playback is really stuttery and jittery so I'm wondering if there's a plug-in or something that I need. Does anyone know?
    Thanks in advance!

    That shoots h.264 I believe, which is a delivery codec, not an editing codec.
    Convert it to an easy set up for FCP, ie pro res, DVCProHD or something in the easy set ups using QT Pro

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