Some ProRes clips are off when XML sent to Color

Hey guys, I have a timeline which I have tried exporting an XML and also using "Send to Color" but having an issue with both methods. My timeline is a mix of ProRes 422, AIC codec, 1080P scaled to 720P and 720p native footage. Alot of the footage is RED footage which I have rendered to 720 and 1080 ProRes. I also have HDV footage which has been captured in ProRes and AIC. The RED ProRes footage and HDV footage in AIC I am having no problem with. It's ONLY the HDV which was captured to ProRes. When I pull the timeline into Color, all the HDV ProRes footage has slipped for some reason. I can't figure out why the HDV ProRes is doing that. Everything about it seems to be right. In fact, the only difference I can see between the RED ProRes and HDV ProRes is that the RED stuff is at 7.2mb a second compared to 6.8mb for HDV.
Does anyone have a clue why this is happening and how to fix it? I've got Color 1.51.
Thanks,
Matthew

You haven't mentioned anything about the base framerate of the project.
How did you transcode the media?
And while mixing codecs, resolutions and frame dominances on a sequence sent to COLOR is not strictly speaking an open invitation to disaster, it is the next best thing.
COLOR does not look at source time codes for its I/O points. It calculates those by counting frames from a known point (usually the beginning of the source clip way back there in your Capture Scratch directory, for instance) and making an educated guess about that based on the project frame rate.
That's one of the reasons why keyframes are not successful on speed adjusted media.
There also could have been some kind of error built in on the transcode, where the HDV i-frame could have been misinterpreted.
jPo

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