Track Mixer or Environment?

Hi.
Fo mixing and viewing tracks/objects........
I use the environment because i can see loads of objects on one page rather than having to scroll along to them like in the track mixer.
I have one top row of audio objects, then a lower row of instruments, then busses then auxes, then outputs so i just have to scroll down. This is all on one layer so i dont have to change layers to see different objects.
In the mixer its not as quick to use as you have to select what you want to view and then scroll along.
What do you all use and why?
Thanks, Ben

have one top row of audio objects, then a lower row of instruments,
then busses then auxes, then outputs so i just have to scroll down.
I do the same thing - it means I can see virtually everything in my mixer from one window/screenset. I only have two rows though, so everything fits in one window, with extra stuff in a second column off the right, although I rarely use that much - Powerbook is too lightweight for that.
I don't like the track mixer, I like being able to define my own, and I also don't like the "adaptive" settings either, as stuff is moving around when I add/move tracks - with a fixed mixer, I know exactly where everything is - if I stick something on track 12, I instinctively know where the meter is, I don't have to go "channel hunting"....
So environment all the way for me, here...

Similar Messages

  • Unable to perform multi audio tracks mixing with Audio Mixer

    How do you get a simple multi track mix with the Premier Pro 1.5 Audio Mixer?
    I got 2 audio clips, each sitting at the start of its own separate track (Audio 1 and Audio 2). I just want to mix them into the Master track.  Simple enough.
    So I go to the Audio Mixer. Position the CTI at the start of the tracks and hit the red RECORD button. The red spot starts blinking. Then I hit the START/STOP button expecting the tracks to start mixing into the Master track. Instead, I get this error message
         "PLAYER ERROR: You cannot record without enabling at least one track for recording."  
    I get the same problem if I try the mix onto a submix track.
    What am I missing? I combed through the Premiere Pro User Guide and J. Rosenberg's Premiere Pro Studio Techniques but to no avail.
    Thanks for any help.
    JB.

    Jacques, I havn't seen 1.5 for a while, so I need to stress that what I'm about to say is more of an educated guess linked to a rough memory.
    Each audio track in the mixer has a small chip (tickbox in 1.5??) that you click in order to enable that track for recording. In CS3 it's a little microphone.
    Having said that, I DON'T think that's going to give you what you want, as the intention of the recording functionality in PP is to record audio FROM AN EXTERNAL SOURCE (like a microphone) straight to an audio track, say, when doing a Voice Over for some video.
    You can't "mix down" to the master, as the master is not a track per se. It's just a "final" level control. The master will always be the sum of the active tracks, and THAT'S what will be rendered in the final output.
    You can still "live mix" your audio with the faders, it's just that those movements get recorded as keyframes on each of the tracks you modify (including, BTW, the Master).
    The advantage to this workflow is that every fader move you make is infinitley editable... a small error when riding the faders can easily be fixed by dragging keyframes.
    HTH.
    Matthew

  • Can we have the Logic 6 track mixer GUI in Logic Pro 7?

    anyone have a clue about this? particularly in the track mixer, something I am (and I'm sure many people are) watching constantly, I find the latest Logic Pro 7 color scheme very dull and often hard to read. Other day I opened up one of my old Logic 6xx apps using an old song of that time, and the color of the track mixer, I found, was much brighter and legible. I'm probably chasing rainbows, but does anyone know any way that we can get this coloring back in Logic Pro 7? many thanks!
    G4 PB 1.67GB 17"   Mac OS X (10.4.9)   1.5 GB RAM
    G4 PB 1.67GB 17"   Mac OS X (10.4.8)   1 GB RAM

    People have this problem all the time and every time it's that the app's hame has been changed or it has been moved from the Applications folder.  Make sure it's "Logic Pro.app", no extra spaces or characters.

  • No way to save Audio Track Mixer or Audio Plugin Settings?!

    Am I stupid, or is there really no way to save my Audio Track Mixer setup, NOR a way to create my own presets for Audio Track Effects???
    I spent a lot of time setting up the Track Mixer, with submix tracks, lots of effects on different tracks, etc.
    The ONLY way I've found to use this setup again is to duplicate the sequence. Which is a PITA when it's a new project, and I have to dig it up from an old project with the (annoyingly slow) Media Browser ... or create a "template" project.
    And what about settings for plugins??? Like the "Mastering" plugin ... the built in presets are pretty useless ... is there no way to copy the settings from one sequence to another? Or create my own presets?    

    Am I stupid?
    Heavens, no.
    ...is there really no way to save my Audio Track Mixer setup, NOR a way to create my own presets for Audio Track Effects???
    Nope.
    I do what you do... duplicate Sequences.
    You can file a feature request here:
    http://www.adobe.com/go/wish

  • How to add more audio tracks to my environment ? i forgot !!

    Hi. I dont see this in the Logic Ref guide.
    In my previous autoload (made through the initial setup assistant) , i had selected 24 audio tracks. My current project requires more tracks , how can i add more tracks to the environment in this project.
    I havent done this in so long , i forgot.
    In the Environment , i choose AUDIO layer , then New Audio Object , i'm lost from here on.....
    Please help. I'll try and find this in the manual aswell.
    Thanks a lot
    Faisal

    Hi
    If you want to do it the easy way:
    Go to the arrange page, go to the smaller menu labelled 'Track' and select 'create multiple' then choose what you want (mono, stereo or audio instrument). Voila.
    This will add the extra tracks to your environment too. If it doesn't happen then check your audio preferences for max number of audio tracks and adjust accordingly.
    Del

  • No Audio Key Frames Added When Using Track Mixer

    Yesterday this worked fine today not.
    I edited the video from a live panel at Comic Con. The audio was recoded on a Sound Devices 8 track recorder.
    After the picture was edited I added the 6 tracks of audio to do the audio mix using the track mixer as I always do.
    I set all tracks to write and lowered all the faders all the way down then as the timeline played I brought up one fader on the presenter and after a few moments I stopped the time line. All channels go to touch I move the scrubber back to before I started to raise the fader and played back, nothing. No audio no fader movement. When I look at the Show Key-frames,Track Key-frames I see no key frames added.
    Any one have an idea?
    I edited a panel yesterday in the same project different sequence same settings with video and audio recorded the same way it work fine.
    Thanks
    Dennis
    Well I found out how to fix it. Make a new Sequence copy my edited clips into it, add the audio and now it works right.
    It looks like the sequence got corrupted so just creating a new one fixed the problem.
    I have seen problems with corrupted sequences before but not  causing key frame write issues.
    Just a side note I also earlier had red frames showing up that usually mean dropped or bad frames but after restarting the program that went away.
    By the way this was with CC 2014
    I will mark this answered

    The in and out points, unless changed, are set for the whole sequence. The automation will not write if this in to out area does not included the mix section. It might be that the in/out area of your first sequence was incorrect but this was fixed when you made the new sequence.

  • Change Order in Audio Track Mixer

    Adobe Premiere Pro CC2014
    Windows 7 Pro 64-bit SP1
    How do you change the effect order in the Audio Track Mixer?
    Drag and Drop does not appear to work.
    Thanks in advance.

    Ok folks, I guess you can disregard my post... On a whim, I tried using the Built In microphone and Output, and it worked, though the sound is deplorable.  Though it identified the Sennheiser USB mic, it appears that must be the problem... odd, since that mic works fine in iMovie, and other applications.  Maybe I'll experiment, perhaps it doesn't like the USB extension, and I should plug the Sennheiser directly into the computer.
    The Automate to Sequence seems to now be assigning the correct still duration, at least with the small sample of about 6 stills, done in experiment.  Will try a larger sequence, shortly, with over a hundred stills, see what happens...
    To any members who were working on my problem, thank you.
    K.

  • Am I being stoopid - changing multiple sends in Audio/Track MIxer

    Hi
    I can set the send bus in multiple tracks by shift clicking and doing it in one channel strip. According to the manual I should also be able to set the send level, pan etc for all selected channel strips simultaneously. When I try this it doesnt work - is there any reason?
    best
    Tommy Banana

    You are right that is what it seems to do. But the manual says:
    Audio Objects in the Audio and Track Mixer
    Audio Objects are the building blocks of the Audio Mixer, and an important part of the
    Track Mixer. In the following section, you will learn about the differences between
    Audio Object types and how you can use them.
    Multiple Selection of Audio Objects
    Logic allows multiple Audio Object faders to be selected (by Shift-clicking) in the Track
    Mixer and Audio Mixer. The class (Instrument, Audio, Bus, Aux, and so on) of the
    channel doesn’t matter.
    To deselect multiple channels, click on any unselected channel. You can also select a
    previously unselected track in the Arrange window.
    Once selected, all channels behave as a temporary “group”, allowing you to quickly
    adjust a number of settings on all selected faders by performing an operation on one
    of the grouped faders. To adjust the listed parameters on all selected channels, follow
    these instructions:
    • Volume: Simply drag the Volume slider on any selected channel. All volume changes
    are relative and logarithmic.
    • Pan: Drag the Pan knob on any selected channel. All pan changes are relative.
    • Mute: Click the Mute button on any selected channel. The Mute buttons of all
    selected channels will switch to the new mode.
    • Solo: Click the Solo button on any selected channel. The Solo buttons of all selected
    channels will switch to the new mode.
    • Record Enable: Click the Record enable button on any selected channel. The Record
    Enable buttons of all selected channels will switch to the new mode (note that only
    channels with different input sources can be record enabled simultaneously).
    • Send Level: Drag the Send level knob on any selected channel. All Send level knobs
    of the corresponding Send slots change accordingly (relative changes).
    • Send Destination: Click-hold on any of the selected channel’s Send slot(s), and make
    your selection from the list. The corresponding Send slots of all selected channels will
    be routed to the chosen destination.
    • Inserts: Click-hold on any of the selected channel’s Insert slot(s), and make your
    selection from the list. The selected effect will be inserted into the corresponding
    Insert slot on all selected channels.
    This I can't do - without using groups.
    Tommy Banana

  • Track mixer controls grayed out

    I have a track (loops) blue color, that the pan knob and volume slider is grayed out and I can make changes on the us. I did do some tweaking in the track info window. Does that knock out the track control onthe track mixer? If so, Can I restore it?

    http://www.thehangtime.com/gb/gbfaq2.html#pandisabled

  • Track Mixer Balance Bug

    It seems there's a new bug introduced with the 7.2.1 update.  Changing the Track Mixer's pan/balance setting for a track will cause it to behave as if it's set fully to one side, regardless of the mix setting.  For example, a setting of 5 will push all audio to the right channel, leaving the left channel entirely mute.  Here's the bug report I submitted for others to copy/paste.
    ******BUG******
    Track Mixer Balance Bug
    Steps to reproduce bug:
    1. Adjust the track mixer balance
    Results:
    No matter what the Pan/Balance knob is set to, it behaves as if it's set to 100% on that side.
    Expected results:
    Pan/Balance should mix according to its setting, not be an all-or-nothing function.

    Another work around.
    If you select the audio master to be 5.1 the joystick panner seems to work as expected. You could then just export as stereo, the fold down from 5.1 to stereo should give you the stereo mix. Make sure the joystick panner dot stays tight to the top of the box.

  • Pr CC: Audio Track Mixer VST Support?

    Like Audition CC will Premiere CC support VST Plug-Ins with the Audio Track Mixer?

    http://help.adobe.com/en_US/premierepro/cs/using/WS1c9bc5c2e465a58a91cf0b1038518aef7-7f16a .html

  • Mixed sap environment linux and windows

    Hello,
    I have a question regarding a mixed SAP environment. At the moment we are running win 2003 and sql server 2000. 1 central instance and two dialog. Now somebody suggested to migrate the central instance to linux and maxdb and keep the windows dialog instances! I've never heard about an os mixed sap environment!
    Is this common or do you know such environments? Please send your feedback and pro and cons to this suggestion!
    Thank you in advance!
    Does anyone knows how much the SAP migration service is?
    Best regards,
    Frank

    Why migrate off of Windows O/S?  I serve 1500 concurrent users along with 90,000 users on web services on commodity hardware ($20,000 per server), all running on Windows 2003 SP2 x64 with uptime of 99.9% per month.
    Just wondering.
    edit:  To answer your question, SAP is an application level program which deals with different O/S via different kernels.  However, from an SAP app to SAP app level, everything is done via TCP/IP pipes.  Doesn't matter if that pipe is provided by Linux, Unix, or Windows.
    Edited by: Kevin Lin on Jul 10, 2008 8:44 PM

  • How to change & manage different ports in a mixed web environment (BSP/WAD)

    Hi everybody,
    our scenario is the following:
    We constructed a mixed environment web application, consisting out of a BSP application and WAD web templates. Unfortunately the url of web templates and the bsp-application differs - meaning the server is the same, but the port is different. That's why it is not easy to link the application each other, because for transportation reasons, we would like to have relative url paths.
    After searching the SDN and reading several help files, we found out, that the port of the BSP can be changed by adding an entry to the HTTPURLLOC table.
    See also: [Configuration Table HTTPURLLOC|http://help.sap.com/saphelp_nw70/helpdata/en/42/d547ab30b6473ce10000000a114e5d/frameset.htm]
    We managed to do that and in addition we created a BEX role for our BSP application. But with the new port the BSP does not appear in the browser window. So we still didn't fulfil our requirement to call the BSP in a include item of the WAD without passing the complete URL server:port/sap/bsp/...
    Question: How can we link the BSP out of the WAD environment, respectively is it possible to call the BSP with the same port, being used by the web templates...?
    Thanks for any comments and hints!
    Best regards,
    Sebastian

    Hi Raja and everybody,
    thank you for your comments... meanwhile we just solved the problem by appliying method two mentioned above. Therefore we created a Customer web item class as denoted in [Creating an ABAP Class for the Custom Extension Web Item|http://help.sap.com/saphelp_nw70ehp1/helpdata/en/47/a1c1237d753ca2e10000000a42189b/content.htm].
    In the Initialize method I constructed the IFrame HTML-Code:
      DATA: serverURL TYPE STRING.
      DATA: serverPort TYPE STRING.
      DATA: bspName TYPE STRING.
      DATA: iFrameURL TYPE STRING.
    * Fetch the BSP port from internal table
      SELECT SINGLE VALUE FROM it_table.
    * Create iFrame URL
      serverURL = 'https://www.sap.com'.
      bspName = 'myBSP'.
      CONCATENATE serverURL ':' serverPort '/' bspName INTO iFrameURL.
    * Create the iFrame Tag
      CLEAR generatedHTML.
      generatedHTML = '<iframe src="%IFRAMEURL%" valign="top" width="100%"/>'.
      REPLACE '%IFRAMEURL%' IN generatedHTML WITH iFrameURL.
    In the execute the code is parsed with the method:
    CALL METHOD cl_bics_cons_webitem_util=>string_2_utf8_xstring
    Many thanks to Raja and everybody else for helping me!
    Sebastian

  • Copy and Paste audio track MIX from one track to another??

    Hi
    What's the best way to handle this.
    I have a video with one long music track, that I mixed using Adobe Premiere's Audio Mixer.
    The musician made a new version of the track with some very slight modifications in the music.
    Rather than having to remix the entire new track, I would prefer to either:
    1) Copy and paste the attributes of the orginal audio track onto the new music track -- retaining the Mix I did from the original mix.  Is this possible?  I tried it once and it did not seem to work.  (I used the Mixer, not keyframes, to do all of the mix.)
    or
    2)  Is there a setting in Premiere's Audio mixer to "gang" the new track to the old one -- with the new track cloning the old track's mix.
    Or would it be better to bring the two audio tracks into Soundbooth and do it there?
    Thanks,
    ...Rowby

    Thanks Colin
    I did a complicated mix on one long background music track and was not looking forward to doing that remix because of various minor music changes made by the musician scattered throughout that long track.
    Your Alt (for replace solution) worked perfectly and saved me a ton of time.
    The fact that Copy attributes for Audio doesn't work for copying audio keyframes is another reason do do audio mixes using the Mixer instead of using keyframes to adjust volume.
    ...Rowby
    P.S.   And a big LIKE to Adobe's clever programmers for including features like these.

  • Public folders in Mixed Exchange environment

    We are running
    - Exchange 2007 - a LOT of users and a LOT of PF
    - Exchange 2010 ( currently very limited )
    - Exchange 2013 - about 2000 users
    The Exch 2010 environment was pretty much stood up and had 30 pilot accounts on it before we decided to go to Exch 2013 instead/ These account have since been migrated to Exch 2013, so it is currently VERY LIMITED use.
    We have a large number of Public Folders in Exch 2007. We do not plan on using the Exch 2013 model of shared mailboxes, but are looking to create the Public Folders in the Exch 2010 environment so we can close down Exch 2007.
    The bulk of my users are still on 2007, but I have a couple thousand already moved to 2013. All users can access the Public Folders on Exch 2007.
    We have not created any Public Folders in Exch 2010 yet. Practically all the posts I read state to enable replication for the 2007 folders to get them to 2010, but what about NEW folders. If I create a new folder on Exch 2010, without configuring replication
    to 2007, will the Exch 2007 and Exch 2013 users be able to access it?
    Tom

    For Exchange 2010 or Ex2007 you will need to setup the replication but for Exchange 2013 it is different.
    what is your plan,, do you want to keep them on 2013 or 2010 or you want keep the mix environment?
    If I create a new folder on Exch 2010, without configuring replication to 2007, will the Exch 2007 and Exch 2013 users be able to access it?  Yes you can still access them. You will need to setup the database for the default public folders.
    Where Technology Meets Talent

Maybe you are looking for