7mins long 1080p footage with transparency placed over webcams image

Dear All,
I'm working on a flash project, where a 7 minutes long 25fps hd footage (at the moment as a PNG sequence) placed over a webcam's image. Importing the png sequence went all right so far, but when I'm importing the last scene (last 2000 frames) Flash crashes. I guess it's because I've run out of memory (I have 32GB).
Does anybody know a way to
A - import HQ footage with transparency (is there a codec that has alpha and works well with flash)
B - to increase an FLV's max bitrate
C - easily import a large amount of HD images (with transparency) without creating a 30+ gigabyte FLA file
Thank you in advance!

b (It took an hour to render a 6 min song. Is this normal, even though I've such a fast processor??)
With the number and type of filters you said you've added, that length of time doesn't sound out of the ballpark.
b I then placed the widescreen mask over the top of the nest. (FCP will only allow a max of 2min worth of graphics, so I copied it 3 times to fit over the whole song)
FCP has a wide screen matte filter that can be found in the EFFECTS tab in the Browser. It works by cropping the picture and the width and border (if needed) can be varied. You just drag it and drop it on top of the clip or nest in question.
b I then placed the widescreen mask over the top of the nest. I didn't have to render the mask and it played back fine. Unfortunately at each point where the mask met it caused a jump in frame on the nested track below.
You may have been able tyo watch the effect in real time, but it still needs rendering to play back 100% properly. The jumps you were seeing were most likely artifacts of RT viewing and would most likely have not been there after a COMPLETE render.
b A friend of mine has suggested exporting a Quick Time ref clip (not self contained) then importing it back into FCP.
This is one way of working and consolidants everything into one file. As long as you import this into a new sequence and keep your original, you can still rebuild anything you want by going back to the original sequence.
Finally, If you are doing any colour correction at all, you should be looking at a properly setup broadcast monitor to see what you are doing. Using the computer screen as a reference for colour is going to leave you very dissapointed when you view the final output on a television screen.
Good Luck
rh

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