Color Correcting in Final Cut general question

I am finding I'm at the end of a long process with my feature film and I'm preparing to output and yet again I've run up against a wall of my ignorance...
1. It's a dv film I don't want to just output the film and then apply a color correct as I'm afraid of a lot of clipping...so I'm doing the individual clips through the film and I'm finding a lot of them I have to limit the rgb to 90 some go as low as 88, some are just fine at 100 or 97...it was shot on the dvx100 and I looked up the dvx and see it is geared for superwhite...but I want to prepare my film for broadcast...I wonder though if this is why I'm getting a lot that I have to limit the rgb to 90??? I wouldn't have known to tell the DP please don't use the superwhite settings.
So am I doing this right?
After I output the whole thing, do I color correct the quicktime again when I letterbox it (it's 720x480 to be letterboxed to 1:85:1) before encoding it for the mpeg2? Or if I'm doing it this way is it not necessary?
Thank you

Also is it stupid to do this when I already went through the film and applied color correction as what is bothering me is a lot of the color correct with the range check shows that little arrow that shows it's on the edge...those are the clips I'm bringing down to code because a lot of them the rgb is too hot...for just preparing a professional dv is it necessary to do what I'm doing?
I really want to prepare it once and not do different color corrects again so if what I'm doing above is correct for broadcast quality though it's going to look more muted on a dvd but maybe that's my confusion as many of the bright hilights giving it that look are on the verge or are clipped.

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http://www.usa.canon.com/dlc/controller?act=GetArticleAct&articleID=3249
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