Fps settings

*for the sake of this debate let's say I download a video that was originally set at 30fps and want to run it at 60p fps, my understanding is that if I just run it at 60p fps then frames will be added.*
120Hz refresh rate
The digital display technologies (LCD, plasma, DLP, LCoS, etc.) that have replaced picture tubes are progressive scan by nature, displaying 60 video frames per second — often referred to as "60Hz." HDTVs with 120Hz refresh rate employ sophisticated video processing to double the standard rate to 120 frames per second by inserting either additional video frames or black frames. Because each video frame appears for only half the normal amount of time, on-screen motion looks smoother and more fluid, with less smearing. It's especially noticeable viewing fast-action sports and video games. This feature is available on an increasing number of flat-panel LCD TVs.
*Now, let's say I take the video into photoshop cs4 add frames then export it to QT and save at 60p fps will it still add frames or will it run the frames it has at 60p fps on my apple cinema screen?*

for the sake of this debate let's say I download a video that was originally set at 30fps and want to run it at 60p fps, my understanding is that if I just run it at 60p fps then frames will be added.
If you simply "run" it at 60 fps, then nothing is added and the clip will play twice as fast in half the time of the original. On the other hand, if you export/re-compress the file using normal routines such as found in the QT Pro Player, each frame of the original clip will be duplicated and play back at twice the original frame rate but retain the original playback duration.
Now, let's say I take the video into photoshop cs4 add frames then export it to QT and save at 60p fps will it still add frames or will it run the frames it has at 60p fps on my apple cinema screen?
It would likely depend on what you started with (30p fps or 30i fps), what you are doing (field doubling, 'tweening, frame duplicating, interleaving black frames, adding subliminal messages/images, etc.) and the work flow used to "mix/merge" your results (motion clip, still image sequence, etc). Basically, if the source to be sequenced already has a time reference that equates to something other than 60 fps, then it will add or drop frames as needed to comply with your export target fps. If manipulated as a sequence of stills, then you are free to select an fps that will add the proper timing reference equivalent to 60 fps assuming you have added the proper number of new/duplicated/modified frames in proper sequence.

Similar Messages

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    hi all,
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    So, I've been playing around with this, and here's my initial findings.
    Pushing the frame rate up to 60 made things choppier, but I'm just using the Adobe example code and I think that can be optimized.
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    Some food for thought:
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  • Can a flash movie exceed its document FPS settings?

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  • Change fps and resolution in a Thorlabs DCC1645C camera

     Hello,
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  • 23.976 fps and exporting to film ...

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    > if i want to convert 23.976 fps footage to 24 fps, what should i do? just use interpret footage?
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  • CHANGING THE FPS IN ELEMENTS 10?

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    You cannot change the fps settings of any project. That is pre-defined for each project setting in PRE.
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  • Copy tracks from one project to another

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    !http://img59.imageshack.us/img59/4967/aglogo45.gif!

  • Animation in Photoshop

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  • Merging Clips - how to keep 50fps

    I have 2 quicktime-clips, both 50fps, same bandwith-rate and size. When I put them together in Quicktime and export the output changes to a lower as 50 fps.
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    I have 2 quicktime-clips, both 50fps, same bandwith-rate and size. When I put them together in Quicktime and export the output changes to a lower as 50 fps.
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  • Is 1080 at 24 the same as 1080p24?

    Hi,
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    Kona 3 is the only card that will cross-convert from 720p24 to 1080p24 (or PsF24)
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  • H.264 encoding issues with Premiere Pro CC 2014

    After updating to Premiere Pro CC 2014 yesterday, I see encoding artifacts on my H.264 exports.
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    Here are the source file (GoPro HERO3 Black Edition), the v2014 render and the v7 render.
    Original: https://drive.google.com/file/d/0B2rJe0xgMTxFYXJiMjZpZ0stUzQ/edit?usp=sharing
    CC v2014 render: https://drive.google.com/file/d/0B2rJe0xgMTxFQ1B0Z09GS3I0a1E/edit?usp=sharing
    CC v7 render: Premiere Pro CC.mp4 - Google Drive
    [Version numbers corrected.]
    Message was edited by: Jim Simon

    Mark Mapes wrote:
    This is a known issue introduced in CC2014.0. Some h.264 encodes have blurriness or noise periodically in some areas of the frame. The problem is most pronounced in regions of the frame with very little detail, like grass or pavement--or the T-shirt in the sample frame. We are working on a fix. Before you ask when the patch will be forthcoming, I'm not authorized to even hint at the timeframe.
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    Sorry, but thats not completely true and by far not the correct answer:
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    BTW
    Updating to CC and using the new Mac Pros with Mavericks is currently a total mess - no open cl rendering, random crashes, no usable h264 ... thanks adobe!!
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  • Pulling out my Hair, need some help from experts out there

    Hi - I have been struggling with an issue for a week now and I was wondering if one of you can help me to solve my issue. I have done numerous searches on this topic which got me somewhat in the right direction but I'm still not getting the results I want. The end objective is simple, a non-stuttering video on YouTube. Sounds simple right?
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    Field order: progressive (greyed out – can’t change it)
    Pixel aspect ratio: 16:9 – widescreen
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    Level: 4.2 or 5.1 (same result for both settings)
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    You can watch the video here:
    Furnace lake edit 1 - YouTube
    Thanks.

    sanderx1 wrote:
    Hi - I have been struggling with an issue for a week now and I was wondering if one of you can help me to solve my issue. I have done numerous searches on this topic which got me somewhat in the right direction but I'm still not getting the results I want. The end objective is simple, a non-stuttering video on YouTube. Sounds simple right?
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    Encourage you to drop back someday and let us know how you made out with Rick's advice.
    How to Make Professional Quality YouTube Videos: 6 Steps
    How to Make Good YouTube Videos for Video Marketing: 8 Steps
    How To Make Videos Look Great on YouTube - YouTube
    How to Make YouTube Videos Look Great
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  • Variable export results based on machine

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    Codec ID : mp42
    File size : 92.6 MiB
    Duration : 8mn 16s
    Overall bit rate : 1 563 Kbps
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    Bit rate : 1 493 Kbps
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    Color space : YUV
    Chroma subsampling : 4:2:0
    Bit depth : 8 bits
    Scan type : Progressive
    Bits/(Pixel*Frame) : 0.216
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    Title : Core Media Video
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    Tagged date : UTC 2015-04-29 01:28:29
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    Color primaries : BT.601 NTSC
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    Matrix coefficients : BT.601
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    ID : 1
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    Format/Info : Advanced Audio Codec
    Format profile : LC
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    Source duration : 8mn 16s
    Bit rate mode : Constant
    Bit rate : 64.0 Kbps
    Channel(s) : 2 channels
    Channel(s)_Original : 1 channel
    Channel positions : Front: C
    Sampling rate : 44.1 KHz
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    Title : Core Media Audio
    Language : English
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    Format : MPEG-4
    Format profile : Base Media / Version 2
    Codec ID : mp42
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    Duration : 8mn 14s
    Overall bit rate mode : Variable
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    Chroma subsampling : 4:2:0
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    Bit rate mode : Constant
    Bit rate : 96.0 Kbps
    Channel(s) : 2 channels
    Channel(s)_Original : 1 channel
    Channel positions : Front: C
    Sampling rate : 44.1 KHz
    Compression mode : Lossy
    Stream size : 5.77 MiB (8%)
    Source stream size : 5.77 MiB (8%)
    Title : Core Media Audio
    Language : English
    Encoded date : UTC 2015-04-28 22:08:37
    Tagged date : UTC 2015-04-28 22:09:55

    Your resolution is also different.
    I'd be interested in verifying the source project settings for both. Also to verify the Compressor settings that are being applied. Could you post screen shots (four in all) of those settings – that is, screen shots taken of the applications' Inspector panes?
    Russ

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