HV30 HDV 1440X1080 export

Hello to all,
I'm starting to understand this 1440 x 1080 anamorphic HDV format, but as I try to export I should use Mpeg 2 right? and I should use the 1440 x 1080 29.97 fps setting with the Pixel aspect ratio set to 1.33. When I look at the video that is exported. it's size is 810 x 1440 . I don't understand what I'm doing wrong. I just want to see the 1440x1080 display as 1920X1080. Isn't it supposed to do that? I'm probably doing something wrong, I'm just not sure what. I've attached a couple of photos that will display the export settings in premiere pro and then the resulting info panel in quicktime showing the frame size. Any help would be greatly appreciated. BTW I updated my adobe products earlier today. Thanks!!!
-Jonathon Angelini

ok I really appreciate the help with DVD sizes and the assistance with attaching files to Adobe support forums. I'm just learning all this and It's overwhelming sometimes. I'm sure I'll be asking questions about encore soon. I think I may have stumbled onto something in the Manual that indicates Premiere Pro CS4 doesn't support HDV export to files on a disc. If I'm reading this correct, It's not possible to export HDV format. Correct?
Adobe Premiere Pro can export HDV sequences in HDV format only onto tape in a connected HDV device (Windows
only). However, you can export HDV sequences to files on the hard disk in non-HDV standard- or high-definition
formats.
-j

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Using H.264 1920x1080 together with HDV 1440x1080

Hello,
This weekend I recorded a classical music concert with two different cameras. My Canon XH A1 (HDV 1440x1080) and my photo-camera Canon EOS 1D markIV (H.264/1920x1080).
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Thanks

Hi,
length of time varies on a lot of factors really, but you have to get the canon material off its native H.264 into something you can edit with, so you convert this on ingest via EOS plugin, compressor or whatever you decide to use. Shanes tutorial goes through it very though.
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FCP 7 could not open bec of missing HDV (1440x1080) 30p

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1440x1080 export

Hello, I filmed with an Canon xha1 in 1440x1080. Instead of going through compressor I am going to export all the videos from FCP directly to save time, and burn them with DVD Studio Pro.
To get the best quality from FCP, I plan on exporting a png file, with the dimensions of 720x 405 to preserve aspect ratio.
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Thanks

I filmed with an Canon xha1 in 1440x1080.
The Canon is a HDV camera. It shoots Anamorphic 1440x1080 with a display aspect ratio of 1920x1080. How did you capture the footage and which Easy Setup and Sequence Setting did you use?
[Read this|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkfl ows/#chapter=2%26section=0] to make sure you did that part right.
I am going to export all the videos from FCP directly to save time, and burn them with DVD Studio Pro.
OK fine. Your video will take longer to encode in DVD SP than it would with Compressor.
I plan on exporting a png file, with the dimensions of 720x 405 to preserve aspect ratio.
PNG is a still image format. You said you want to save time??!
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HDV 30p export from FCP to Motion doesn't work

Hello all,
I have a sequence in FCP HDV 30P. Every time I am trying to export it to motion, FCP gets completely stuck to the point of force quit. How can I open the sequence in Motion?
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Final Cut Exp - Working with HDV format & exporting for web in 16:9 format

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I would appreciate any advice how to overcome this "squashing" of export when working with HDV footage.
Thanks
Peter

hI(Bonjour)!
Try this link:
http://www.kenstone.net/fcphomepage/qt_movies_fromfcp.html
May be it's a problem with the web interface programation on your upload site?
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HDV: best export format for client viewing?

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hemmster- thanks I really appreciate the specific info
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Export: (quicktime)
Use: set to current project
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The Output tab lets you choose from a full range of resolutions. I could select "Custom" and set to 1280. No options for deinterlacing to be seen. Interlacing is a big problem with this project....
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Premiere CS4 and HV30 (HDV 1080i 24p with 2-3 pulldown scheme)

Hi,
I am currently capturing video shot with an HV30. The footage was shot in HDV PF24 mode along with the CINE MODE selected. The results look great but I am wondering about the frame rate being reported per clip in CS4.
The project was setup using the HDV 1080p24 preset but I am guessing that could be wrong. I didn't see an HDV 1080i 24p preset but probably should have created one. The clips are showing in the bin as 29.97 and not showing 23.97 like the Sequence. I know the camera recorded the 24p in a 60i wrapper but I thought the preset would have covered that. When I select interpret footage the remove pulldown isn't available.
Is there anything I should have done differently? or is there anything I need to do at all?
I have shot with the HV20 and CS3 in the past without this being a problem.
ideas? or kind pushes in the right direction :)
Thanks
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I am not sure about PAL. I can tell you I am not having sync issues with my setup.
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Thanks
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Help HDV quicktime export is breaking

I am working with this footage in FINAL CUT PRO that was shot on HDV 720p format.
So i needed to lay off a small Quicktime for the music composer. I used a Custom Setting with the same settings as my sequence and exported. When i tested it on another computer, it was White and had been cut short. ( i am assuming it was a missing codec on that second computer that caused the White image)
My second attempt was to export the second 1/2 and used DVCProHD50 and it cut off again!!!
Please let me know what i can do to have it export entirely. The piece is 20 minutes.
THANKS!!

I think i found a temporary solution, when I export as a Quicktime, i use a custom setting, and in their matched up my sequence settings to the Quicktime export settings.
I was able to export the HDV footage in 3 different pieces. i ran out of space when i left my whole 16 minute piece exporting overnight.
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gladiola

Interlacing/combing on HDV QT export, worsened with Compressor H.264

Greetings,
I have created a 10 minute video of a child moving back and forth against a black background. The material is HDV, captured and edited as HDV in FCP 7 with Pro-Res renders, and exported as QT using "Current Settings." In the exported QT, I see that the material is interlaced, although the "combing" effect of the interlacing isn't terribly noticeable. (although I'd rather have NO interlacing without affecting resolution.)
But Then, the final output of the video is intended for a wireless media player, playing the movie as a data file. I was told the media player needed a .mov file encoded with H.264 compression. When I do this, the interlacing/combing becomes REALLY apparent on the edges of anything moving in the video-- and is especially amplified becaise the child is against black-- so the limbs and edges of the kid look really jagged.
Currently I am exporting two 5-minute QT's that need to be put together with additional elements to make up the final 10 minute piece. I am putting both 5 min QT's into another HDV sequence before my final QT export. Would I have any initial success in not having interlaced edges if I put those two QT's into a ProRes sequence instead? And if so, would it be ProRes 422 HQ 1080i? Or would changing the setting to "P" help get rid of the interlacing, and keep all the digital information?
OR, should I try to get rid of the interlacing in Compressor? As I said, when I tried this initially, the "combing" got worse.
The settings I used in Compressor were:
Compression H.264, leaving size and data rate and key frames all "current/automatic" (compression set to "best")
Frame Controls set to "on"
Output fields "same as source"
De-interlace set to "best"
Adaptive details checked.
The video is playing on a 42 inch flat panel monitor and WD a Live Plus media player.
I think the monitor is 1080p?? Perhaps I need to get rid of the interlacing because it is a flatscreen, progressive monitor?
Thanks for your help. It is currently playing on the above equipment at the gallery and looks terrible so I need to fix asap.
Amy

Michael,
I just wanted to sum up what I ended up doing, for others folowing the post:
So I did three tests, and I will post settings and results below. Setting the de-interlace to "progressive" did do the trick, the "combing" effect went away.
The settings above, with H.264 codec, and leaving size/frame rate etc. as same as source, gave the best results visually in picture. Playback was good, I saw one or two tiny "skips" like a little stutter, barely noticeable. Quality was set to "best." This was only a 3-miute clip of the 10 minute piece, and render times were over 11 hours. So when I do the whole piece I'm wondering if I should adjust any of the settings. I'd like to get just as good of results but with less render time. Any ideas?
Thank you again,
Amy

OnLocation CS5 fails to record Canon HV30 HDV footage

Hi Guys,
I've recently upgraded from CS4 to CS5 and am running into problems with OnLocation and HDV video capture from my Canon HV30 (yes, it's not the best camera in the world... but it's what I have to work with currently).
Essentially anytime I try to hit the record button in OnLocation while my camera is in HDV mode (or HDV30, HDV24) no recording is started in OnLocation. However, if I'm in DV mode I'm able to successfully capture video from my camera. In CS4 I had no problems at all with HDV capture.
I've tried this on my laptop (which also shows a WebCam as input) as well as my desktop (which shows a TV Tuner as an additional input) and both produce the exact same results.
Currently I'm just planning to roll back and use OnLocation CS4 since it actually worked for me... but I wouldn't have expected this to be a problem in CS5.
Does anybody have any idea's to try?
Thanks,
Ben

I had the same trouble with a Canon XH-A1 HDV camera. Here is how I fixed it:
Open Adobe Premiere.
Create an HDV Project. I doesn't matter what kind (1080i60, 1080f30, etc.).
Open the "Capture" function (PCs: press F5; Mac, something like "file" "capture").
In the top right of the Capture window, click the "Settings" tab (next to "Logging").
Under the "Capture Settings" section, click "Edit"
For the "Capture Settings" menu, select "HDV".
Click "OK"
Close the capture window.
Close Adobe Premiere. (Save the project if it asks you).
Now open OnLocation.
Select the appropriate camera (i.e. a Canon camera instead of your Web cam).
Capture away.
I'm not sure if it matters that your Premiere project be the same type (1080f30 vs. 1080i60) as your camera settings.

HDV 720p24 Export / Conversion Problems - Help!

Greetings all,
So I'm pulling my hair out over this problem. I have some footage that was captured using the following settings from a JVC camera:
Apple HDV 720p24, 1280 x 720 (1248 x 702) Millions
16-bit Integer (Little Endian), Left, 48.000kHz
16-bit Integer (Little Endian),Right, 48.000kHz
FPS: 23.98
Data Rate: 19.89
I converted to ProRes, and brought it into Final Cut. All is well. The footage looks GREAT in final cut... I was able to do my edits and all that fluff and now I'm trying to export to an H.264 file for Vimeo / YouTube.
However, I CANNOT get something that works. I've done so many tests at this point its rediculous. I've read through all the forums I could and still nothing is helping.
My main problem is crazy jagged edges over all the video (some call them mouse teeth). The audio is fine though... at least I got that right.
I've tried de-interlacing but it didn't help. I don't get why IN FINAL CUT the video looks so pristene, but any sort of export (even a 'send to compressor') yields a bunch of jagged and pixalated mumbo-jumbo.
Please Help!

Thanks for the tips guys! Those shortcuts were helpful - and I was able to confirm that my settings indeed matched.
I think I fixed my issue though! My problem was in my render settings.
Sequence--> Settings--> Render Control
Mine was set by default to 33% for some reason. I've done many projects in FC, but this was my first with the JVC HDV 720p stuff - so i'm guessing when FC created the session to match the video, it changed that setting as well. I bumped it back up to 100% and all is well.
I'm rather surprised though that FC won't render at 100% when you export or send to compressor or anything of that sort. So anyone having the same "jagged pixelation" on output - thats probably the issue.
Thanks again guys. I wouldn't have stumbled upon that w/out your direction.

FCE 4 with Powerbook G4 with Canon HV30 HDV Camcorder

Just enquiring if it will be possible to work together a combination of Powerbook G4 with memory of 1.25GB and 1.33 GHz PowerPC G4 Processor, together with FCE 4. Also adding into the mix the new HDV Canon HV30.
Have previously been using an SD camcorder with the G4 and iMovie HD to produce a few movies/DVDs, but now want to upgrade to the Canon HV30. I am concerned that the Canon may not be compatible with using the iMovie HD, so am considering FCE 4, but am also concerned that this may not run well on the G4 and may also not run together well with the Canon.
The G4 is still fine so don't really want to have to buy a new laptop as well as a new camera.
Am a bit new to all this so any help/suggestions much appreciated.

FCE 4 will work well on your computer ........ look at what I'm using.
The only slight problem is that you may not be able to access the new FxPlug filters but as many of them are like the old FxScript ones, it shouldn't be too much to do without.
I can't comment on the camera though I would have thought it to be OK. HDV may be a bit of a strain with your old Mac.
Message was edited by: Ian R. Brown

Should HDV, being exported to DVD, be UFF or LFF?

I know that HDV is upper field first. We capture and edit, and then use the Adobe Media Encoder to export a .m2v.
What gives the best quality? I'm partial to clicking 'Deinterlace' and setting the Fields to 'Progressive'.
Is that the best way to export HDV to DVD? Should I be deinterlacing? Or should I leave it interlaced? And if I do, should it be UFF or LFF? AND, if it IS interlaced, won't it look all mucked up if the DVD is played back on a computer?

Alright, I just tested it.
Here is what I found.
I had an HDV file with a really "bad" pan in it where I quickly swept from one subject to another. I put no effects or anything on it.
I went to the Adobe Media Encoder with the following settings:
NTSC
Interlaced
Quality: 5
Bit Rate: CBR, 8 Mbps
I made one UFF and one LFF. I burned them to a DVD, and watched them back to back.
They were both so identicle that there was absolutely no difference between me and 3 other employees looking at the footage. Visually, there was no difference.
So then I imported both .m2vs into Premiere. I loaded both of them into the Source monitor, so I could look at individual frames.
The LFF one had a "dropped line" at the very bottom. As if the very last field was missing, and appeared as solid black, although I have a suspicion it might actually be alpha. In Encore, it actually showed up as a very thin line of garbled reds and greens and blues and whites. But only in the preview. Nothing appeared on screen.
The UFF seemed a bit more accurate. The fields spanned from top to bottom, with no "jiggling" at top OR bottom.
I went to the middle of a quick pan, and put matching frames from both files on top of one another, then quickly went back and forth to compare differences.
The LFF file seemed to have some "mushing" in the quick pans. As if someone went in there and kind of rubbed out some of the detail. The UFF still appeared sharp, and still had very concice interlaced stepping all the way through.
Therefore, on a screen, I saw NO difference. But in Premiere, comparing both, it seems that going UFF is a bit sharper and a bit more technically accurate.
If anyone wants to try this out for themselves, please share.
But in my oppinion, with HDV footage going on to DVD, here are the best export settings:
.m2v
(leave it interlaced)
quality of 5 (out of 5)
CBR, 8 Mbps
Field Order: Upper Field First
Let me know what you think.

HDV best export setting?

Hi, I.m finishing a project with HDV material, and I have 2 questions.
1. What compressor setting is the best to lose the less quality? I will burn it into DVD after.
2. How big can I project the video with this compression settings, if its with a Beamer?
Best Regars
Javier

Hi
Check this tutorial: [Exporting HDV Video from the Timeline to Standard Definition DVD|http://www.kenstone.net/fcphomepage/hdv_timeline_to_sddvd.html]
Hope that helps !
Alberto

HV30 HDV 1440X1080 export

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