Mobile workflow for AVCHD

I am using MacBook Pro and capture all my video with Panasonic HDC-SD9EP-S. I use large external Firewire disks to archive (already) and cut (soon hopefully) my video. However, I spend a lot of time away from home, so I am wondering if FinalCut (Pro or Express) will allow me to apply the following workflow:
1. Copy AVCHD media from my SD card to an external hard disk archive
2. Backup the AVCHD archive to another external drive
3. Convert each clip to a small (480x270) preview and store it on an internal hard disk
4. Away from home (no access to the external had disks) - review new clips using the small previews, name them, rate them and assing keyowords and other meta data to them, mark those I want to delete permanently
5. Back at home - delete the clips I marked for deletion permamently from the archive
6. Again away from home - precut a video using the small previews
7. Back at home - convert only the clips used in the video to AIC or ProRes, store the converted media on external hard disk, and finish cutting with all details
8. Export result video to the desired destination formats
Can anyone suggest whether FinalCut Express or FinalCut Pro will let me apply this workflow? If not, what would be the minimum necessary modification of the workflow to make it possible?
Also, do you see any problems with my workflow which I seem to be overlooking?
Thanks!
HOnza

Roger,
What is the workflow like for the newer AVCHD format hard drive and memory stick camcorders? Do you use the USB port to just pull files directly off the camcorders memory, then import these into premiere elements?
>> After connecting the camcorder to your system, you can either
1. Copy the files locally and then import them into Premiere Elements.
Or
2. Directly use Media Downloader and import files. A copy of file will be saved in the default location.
Does the camera make a separate file for each "scene" each time you turn on/off the record button that is?
>Scene Detect is available however this feature does not exist for AVCHD camcorders. For DV camcorders, one can certainly use this feature.

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Best workflow for AVCHD 1080i50 footage in iMovie 10.0.7?

I shoot video using both my iPhone 5 and my Canon Legria HF R16. The first shoots progressive video, but with the second I shoot AVCHD (mts files) interlaced 1080i50 (that is 50 fields/second, giving 25 interlaced frames / sec). I recently purchased iMovie 10.0.7 from Mac App Store and I like it a lot. I don't have any problems with iPhone's (progressive) footage, but Canon's (interlaced) footage appear very noisy. Do we know how this version of iMovie handles interlace video? Any proposed workflow for interlaced video for good quality of export?

To increase the possibility of getting an answer, I would like to set a simpler general question: when using interlaced video with iMovie, do you:
a) import it as it is (interlaced)?
or
b) deinterlace it and then import the resulting progressive video?

What is the best workflow for AVCHD with iMovie/iDVD 09?

I am recording AVCHD video with a Sony HDR-SR11. I don't have a blu-ray burner yet, so I want to create the highest quality DVD's I can from this source video using my MacBook and the software I have (iMovie 09 and iDVD 09).
Currently I am importing the video clips into iMovie 09 at the 1920x1200 setting. After creating a 16:9 movie I choose "Share to Media Browser" and export at the highest setting I see (I think 1280x720, I'm not on the MacBook at the moment).
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3) Share to Media Browser with Best Quality
For folks like me that wonder exactly how did you do this:
(I don't know what Media Browser is yet.)
I did this: (I got some warnings - did you?)
In iMovie:
Selected my 1280x720 "HD" video in the Project panel,
Share->Media Browser...
- if HD is greyed out, you already shared this size to Media Browser, go to next step,
or select "Remove from Media Browser, check HD, click Remove"
- if HD is not greyed, but is not check marked,
select Computer icon, then uncheck Mobile, Med, and Lrg, leaving only HD checked
With HD checked, Click Publish - watch "Creating the HD movie.."
Bring up iDVD, Select Create a new project, browse for location and enter project name
If Themes at bottom right is not selected (Dark), click it
Double click a theme - for example under Revolution, choose Chapters.
At bottom right, select Media, At top right, select Movies
Under iMovie should be your iMovie project - mine says "My First Project" (I didn't name iMovie proj)
Select your iMovie Project,
you should see a thumb of your video with dimension, size listed
(movie duration is down at bottom right.)
Drag the thumbnail onto the iDVD preview window (I don't what that window is officially called)
drop it under the theme title "Revolution Chapters" for this example
You should see a running preview of your video with the project name below it.
Important step: Project->Project Info, Under Encoding: select Best or Professional Quality
Ok re-encoding warning, close Proj Info window.
File->Burn DVD... Popup says "Warnings in Project", select Continue Burning
Insert DVD (Apple designed sharp edges on the SuperDrive on purpose?)
I used Staples 4x DVD-RW first.
Watch process proceed till DVD is ejected...Don't believe "Time remaining: about one minute"
My DVD-R120 player-recorder would not load the disk. It played fine on iMac, a WindowsXP laptop, and a Windows XP desktop. This DVD machine only likes old 1X RW media for some reason. I wish someone made a standalone Blu-Ray recorder/player. I burned a second copy to some gold Sony 1X/2X DVD-RW media, and this disk played fine.
Picture quality is soft compared to HD material, but the moire patterns on some edges is only somewhat reduced over the Share to iDVD version. This Share to Media Browser version is acceptable for folks that won't go to Vimeo or YouTube to see my videos in HD.

Workflow for avchd clips and meta data

Just started using a Panasonic AG-AF100 on a 5 month project. Will be producing 1000's of clips. So I have off-loaded the first 3 cards we shot and have discovered something about avccam material. If you just copy the .MTS files from their /stream folder or rename the file with a name instead of its original number produced in the camera you lose the timecode and other meta data.
If I leave the clips in that folder and other card folders in their associated directories and "import" clip with Premiere Media Browser it retains the timecode. Trouble is that I cannot see thumbnails in Media Browser and the clip number means little. Bridge on my Win7/64bit machine shows thumbnails (but no preview) and a double-click will preview in Win Media Player.
On my main edit station (Vista/64bit) Bridge neither shows thumbnails or previews and I get no avchd .mts playback in Windows Media Player. Everything worrks the same within Premiere, nice solid editing and playback of avchd clips. (I will probably upgrade this machine to Win7 next week)
So my request for advice/questions are:
Suggestions for managing and organizing large qualities of clips with what will be similar names, etc
Previewing updates or options to find media
How do you manage AVCHD material and still maintain meta data?
Thanks so much!! As I get older and the technology seems faster, stronger, sharper, the demands on my brain get tougher.
Rick

Rick,
If you just copy the .MTS files from their /stream folder or rename the file with a name instead of its original number produced in the camera you lose the timecode and other meta data.
If I leave the clips in that folder and other card folders in their associated directories and "import" clip with Premiere Media Browser it retains the timecode.
You mustmustmust keep the files in their folder structure, if you intend to maintain timecode. You've clearly discovered this Good you did so early. The folder structure thing is really not a big deal; there is very little need to manipulate these at the OS level, and the Media Browser in PPro makes it reasonably easy to bring these in for editing. You can pre-build a folder structure into which you can offload each card's worth of clips.
Trouble is that I cannot see thumbnails in Media Browser and the clip number means little. Bridge on my Win7/64bit machine shows thumbnails (but no preview) and a double-click will preview in Win Media Player.
On my main edit station (Vista/64bit) Bridge neither shows thumbnails or previews and I get no avchd .mts playback in Windows Media Player. Everything worrks the same within Premiere, nice solid editing and playback of avchd clips. (I will probably upgrade this machine to Win7 next week)
Windows 7 has built-in splitters and decoders for H.264 media, so that's the reason you can at least get thumbnails in Bridge and playback the files in WMP there. The Media Browser, even on Windows 7, won't show thumbnails as they are not saved into the folder structure the way that P2 saves a poster image into the folder structure. Note that even "standard" containers like AVI or MOV do not display a thumbnail in Media Browser.
As far as Bridge is concerned: I know a lot of people like it, but from my perspective, it's just about worthless for video. This is largely an application designed for photography workflows that has been shoehorned into "working" with video. I don't even like it for AVI/MOV.
The ugly truth is that Bridge is not going to be much, if any, help in this workflow. However, there may be another tool in the suite that will accomplish what you need: OnLocation. You won't get thumbnails, but you can browse through the folder structure without knowing you're doing it, import clips to preview them, and add metadata. You could do this for each card you offload. Then, in Premiere, simply use Media Browser to navigate to your OnLocation Project, and it will open up just like a folder, listing all your clips with the metadata you added. Granted, it is not a perfect workflow, but once you added that metadata, it will flow with the files wherever you move them around in the Adobe suite--it won't go elsewhere, as it's not injected into the files themselves. So long as you're editing in Premiere, you're good.
Now, there is another thing you can do that may make clip management even easier, though it does require a bit of forethought in pre-production. It will really depend on the type of project you're shooting, but you can preload metadata on to an SD card and into the camera, and then automatically record this to the clips as they are shot! I don't have an AVCCAM to give you exact workflow steps, but I do this all the time with my P2 workflow and it's a tremendous help once you hit the edit bay.
If you haven't already, head over to the Panasonic support site: Support Desk Top / Broadcast and Professional AV. You'll need to register for a "PASS" membership (it's free, and you don't need to register a camera), but you can then download the AVCCAM Viewer application. Unfortunately, this application is not quite as helpful as P2 Viewer is (it's rather cartoony, actually), but it does have the metadata editor in it that will let you create your metadata files in advance and save them to an SD card. Then, after consulting the camera manual , you can set those metadata files to be a data source for the footage as you record it. Here's what you can add to the metadata files and, summarily, the clips:
Once you load this into the camera's memory, that data is saved into the clips, and is readable by Premiere. The "User Clip Name" field can be set to auto-increment (again, this is going off my knowledge of the way metadata works in a P2 camera, but the AVCCAM should be similar) so that each clip has a base name and then a serial number. When you're done with a particular scene/shot, you'd load the next metadata files, reset the indexing, and continue. Lather, rinse, repeat.
The biggest hole in the metadata workflow, at least as it pertains to AVCHD/AVCCAM, is that there is no tool (that I'm aware of) that lets you edit this metadata after the fact. With P2, you can--there are a number of applications, both free and payware, that let you do this--but I've yet to find one that works with AVCCAM. Even Panasonic's own AVCCAM Viewer is incapable of this, it seems.
The major advantage to adding file metadata like this is that it travels wherever the clips go, and into whatever application they land in. Not being able to edit it after the fact, though, just plain sucks. This is where the clip metadata you'd add in the Adobe applications comes into play, with the obvious disadvantage that it's only useful in Adobeland. As always, ain't no such thing as a free lunch.
So that's my take on this--it's good you're looking into this before you have a couple terabytes worth of footage on hand Let me know if I can help fill in any details that I might have overlooked. And be sure to check on the Panasonic site linked above for firmware updates to the AF100--I see one came out just a few days ago. It's always good to stay current.
Good luck!

What is the best workflow for AVCHD and iMovie/iDVD 09?

I am recording AVCHD video with a Sony HDR-SR11. I don't have a blu-ray burner yet, so I want to create the highest quality DVD's I can from this source video using my MacBook and the software I have (iMovie 09 and iDVD 09).
Currently I am importing the video clips into iMovie 09 at the 1920x1200 setting. After creating a 16:9 movie I choose "Share to Media Browser" and export at the highest setting I see (I think 1280x720, I'm not on the MacBook at the moment).
After a long while this completes and I launch iDVD 09. I drag the movie I exported above into the theme and burn at Professional Quality. After another long wait I have my DVD but I'm quite disappointed with the video quality.
Even taking into account that DVD is not a hi-def disc format it seems like the video quality should be better. Is there a better workflow I should be using with this combination of software? Maybe some way to avoid scaling/compressing the video twice? Or is this as good as it gets with iMovie 09 and iDVD 09? I may have access to iMovie 06, if that would help.
Thanks,
Gerald

I am recording AVCHD video with a Sony HDR-SR11. I don't have a blu-ray burner yet, so I want to create the highest quality DVD's I can from this source video using my MacBook and the software I have (iMovie 09 and iDVD 09).
Currently I am importing the video clips into iMovie 09 at the 1920x1200 setting. After creating a 16:9 movie I choose "Share to Media Browser" and export at the highest setting I see (I think 1280x720, I'm not on the MacBook at the moment).
After a long while this completes and I launch iDVD 09. I drag the movie I exported above into the theme and burn at Professional Quality. After another long wait I have my DVD but I'm quite disappointed with the video quality.
Even taking into account that DVD is not a hi-def disc format it seems like the video quality should be better. Is there a better workflow I should be using with this combination of software? Maybe some way to avoid scaling/compressing the video twice? Or is this as good as it gets with iMovie 09 and iDVD 09? I may have access to iMovie 06, if that would help.
Thanks,
Gerald

Workflow for AVCHD 5.1 audio in FCP

I have a Panasonic HDC-TM700 cam using the included 5.1 audio offering. I know it's not "true" 5.1, but I want it anyway.
I 100% understand FCP does not natively support AVCHD, but worse....it mixes down the 5.1 to stereo when I Log and Transfer to any of the available codecs. I know FCP can edit 5.1.
I tried ClipGrab in hopes it would produce a ProRes file w/ 5.1. It did not.
Premiere Elements 9 demo not only allows me to natively edit my AVCHD files shot in both 60i and 60p (no transcode), but it also retains the original 5.1 tracks and can output either a Dolby 5.1 or an AAC 5.1. My issue is I don't know how to edit in Premiere. I've been using FCP for almost 8 years and would prefer not to learn a whole new app.
HDD space is not an issue and 3rd party apps are an expected solution.
I have a hunch I'll have to edit in Pre9 until Apple includes this in FCP/FCE, but wanted to ping all you to see if I've missed a work around somewhere.
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Hi Pi,
Yes I have setup all channels as you mentioned. I am not sure if this matters, but I am only given a1 and a2 tabs on the left though. What I mean by this is that there is the column in between the show/hide audio button and the connecting destination A tracks. I believe these are the source buttons. Does that make sense? Shouldn't I see a matching button for all tracks?
I would also add that my ending goal was to convert this file to multiple file types such as a .m4v so that it will work on aTV and iPads. I have tried exporting to .m4v from FCP and received a non-specific general error. If I try the self contained QT option I am downgraded to 2 channel audio which is not ideal.

Workflow for AVCHD -- Blu-Ray

I have a Canon Vixia HFS100 that I've been using for personal video. The camera can shoot 1080/60i or 1080/30p. I've been shooting 30p. I'm looking for comments on my current work flow, which is:
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2. Log and transfer into FCP from AVCHD folder using ProRes 422.
3. Place in sequence set to 1920x1080, aspect ratio HDTV1080i, square pixel, no field dominance, 29.97 timing.
4. Edit then send to Compressor
5. Compressor settings are H.264 for Blu-Ray, stream usage Blu-Ray, frame rate 29.97, average rate about 17 MBps, 25 MBps max, frame controls off
6. Burn in Toast or Encore
The result looks very good, but I wonder if it could be better or if I'm forgetting something.
Also, the result is almost "too good", meaning there is almost too much detail on the screen for the eye to get, so sometimes the image is wearying to watch, unlike a Blu-Ray film which is detailed yet smooth. Is there a way to "smooth out" the video? Reduce frame rate to 24 or some such?

Rob Reuland wrote:
the result is almost "too good", meaning there is almost too much detail on the screen for the eye to get...
LOL. Isn't that the point of HD; Quality? If I wanted less detail I'd probably shoot at a lower definition or add a slight blur to the footage on your timeline...
If I wanted less quality, I'd just tie a cam to my head and shoot in SD.

Server initiated workflow for windows mobile

Hello,
I have used SUP 2.0 for message based client to develop the workflow.but I want to devolop workflow for SAP which will
be must have server initiated .I have also tried the" sup_tutorials_mobileworkflow_james ",,but james is manual .so is there any
another possible way for server notification which is directly generated by SAP.Please replay as early as possible.

Hi there,
SAP can generate notifications for the SUP server to recognise and send to devices. There are tutorials and whitepapers provided on the [Sybase Infocentre website|http://infocenter.sybase.com/help/topic/com.sybase.infocenter.dc01333.0200/doc/html/fre1252343452818.html?resultof=%22%44%43%4e%22%20%22%64%63%6e%22%20] which show detailed instructions on how to achieve this.
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Brenton.

Sybase Mobile Sales for Window Mobile

Mateus,
antes de ir pra perguntas, só pra alinhar.
A SAP está com 2 diferentes estrategias para Mobile:
1) para microapps, backends apenas baseado em stack ABAP e empresas com plataforma móvel única, a recomendacao é o Gateway como plataforma de integracao mobile
2) para aplicacoes mission critical (incluindo processamento offline), baseado em multiplos backends (SAP, DBs, web services etc) e/ou com multiplos devices móveis, a recomendacao é utilizar um MEAP (mobile enterprise application platform), e o MEAP da SAP é o SUP (Sybase Unwired Platform).
Nesse contexto, vamos às perguntas.
1. O que é o AFARIA ?
O Afaria é uma solucao que faz parte da suite de Mobile da Sybase, juntamente com o SUP, Mobile Workflow & Mobile CRM, que foca no cenário de MDM (Mobile Device Management). Ela te permite ter uma gestão centralizada de todos os devices da empresa, controlando permissoes de acesso (usuario/perfil), bloquear/liberar funcionalidades (camera, email etc), install/update/remove de apps, remote wipe, remote lock, tudo remotamente, On-the-Air (OTA).
2. O que é o SUP ?
Como falado acima, o Sybase Unwired Platform (SUP) é o MEAP (mobile enterprise application platform) da SAP, ou seja, plataforma de desenvolvimento de aplicacoes móveis. Um MEAP é recomendando principalmente no caso de aplicacoes mais críticas e em cenarios heterogeneos em termos de fontes de dados (data sources) e plataformas móveis.
3. Como instalar o ambiente de desenvolvimento ?
Se vc for parceiro oficial SAP, vc pode receber as mídias para ambientes de desenvolvimento como faz para qualquer outro produto. Sei ainda que a Sybase oferece(ia) via site próprio um trial de 30 dias, mas não sei se ainda está disponível.
4. Qual a linguagem utilizada ?
No SUP vc desenvolve em Java, em Eclipse (além da linguagem de cada SDK, no caso de WinMo, .NET no Visual Studio).
No Gateway, é ABAP* + linguagem da SDK movel.
Mas em ambos os casos, existem aceleradores que te permitem criar apps "draft" sem nenhuma linha de código, só com cliques de mouse (wizards no Eclipse/Visual Studio/Xcode).
se for só pra disponibilizar no mobile uma RFC/Transacao existente, dá pra fazer só com config, sem código.
5. O que eu preciso fazer pra saber criar um u201Chello worldu201D ?
Os treinamentos. Ou se virar batendo cabeça. :P
No caso do SUP, há o treinamento SUP511 que a SAP Education já oferece (antes era oferecido diretamente pela Sybase).
No caso do Gateway, ainda não há treinamento oficial, mas para parceiros há o Gateway Hands-on sessions by COIL, que introduzi no blog que vc linkou acima.
6. Quais os cursos disponíveis no mercado ?
Como falado, SUP511 p/ desenvolvimento em SUP.
Ouvi falar tb de SUP611 para afaria, mas nao sei dizer se a SAP Education já está oferecendo.
7. Como integra com o SAP ?
O SUP pode integrar de 2 maneiras:
- lendo um data source SAP diretamente (há um "adapador" RFC no SUP, baseado em JCo); nesse caso, o staging é feito no SUP;
- usando o DOE (Data Orchestration Engine), componente do NetWeaver Mobile Infrastructure, como staging entre o mobile device e o backend SAP. Nesse caso, no SUP, é usado o DOE conector. É essa estratégia que as aplicacoes "standard" da SAP (por enquanto, Mobile Workflow & Mobile Sales/CRM) usam, mas não dá pra afirmar com 100% de ctz que essa vai ser a arquitetura "oficial" - mais informacoes devem sair no Sapphire.
8. Uso somente para o SAP ?
O Gateway sim, é focado em backends ABAP.
Já o SUP nao, vc pode usar para integrar quaisquer plataformas compativeis com padroes abertos como JDBC, SOAP & REST.
Espero ter ajudado.
Abs,
Henrique.

Dear siva,
Thanks for your replay.
which then can be moved to the devices via OTA or BES
I thought of that BES means BlackBerry Enterprise Server.
BES is manadatroy to work with SUP?
Can you pleas elaborate, what it means OTA ?
Regards
lakshman balanagu.
Edited by: lakshman balanagu on Mar 21, 2011 2:20 PM
Edited by: lakshman balanagu on Mar 21, 2011 4:27 PM

Best workflow for editing Logic Pro 8 regions/tracks in Soundtrack Pro?

I've searched for a solution for the below question in several forums and to no avail. Thanks in advance for any help!
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I'd imagine that a good amount of the time, I'd be editing regions rather than full audio files -- as in, once in a while, while mixing sessions that another engineer has tracked, I'll hear clicks and pops from pre-amps clipping; or I'll hear an air conditioner blower running or something.
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I'm looking for the best workflow for creating detailed log sheets of my avchd footage before ingesting/transferring it to FCP. I have many hours of footage shot with my Sony NX5U and only want to ingest the necessary clips. I'm using FCP 6.5 on a MacPro tower. Thanks.

>I'm using FCP 6.5
NO you are not. You might be using FCP 6.0.5.
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But, there's another issue here. The Sony NX5U uses an AVCHD format that is slightly different than normal...not that there is a normal. But I discovered that importing clips up to 10 min in length work fine, but anything over 10 min, and it took 4-5 times longer to import. meaning a 30 min clip took just over two hours. It was something that ClipWrap2 addressed before FCP did...and they only addressed the issue with the FCP 7.0.3 update. FCP 6.0.5...or even the last update for that version, 6.0.6, doesn't address this. There might be issues in importing this footage into FCP 6.
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And no, there's no way to make a logging sheet for these apps either.
The best you can do is watch the footage, note the timecode, and manually enter those numbers when you go to bring in the footage.

Screencasts on SUP 2.0 Mobile Workflows (Hybrid Web Container)

http://blogs.sybase.com/himagiri/
I've started posting screencasts for SUP 2.0 focusing on the Mobile Workflow/Hybrid Web Container functionality. Feel free to comment with any other topics you are interested in hearing about.

Posted a new screencast.
http://blogs.sybase.com/himagiri/2011/06/screencast-debugging-server-initiated-workflows-on-desktop/

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I have just read Lee Brimelow's tut on Lynda.com about a Starling game.
All the assests are loaded in the Assets class.
I have a rather large LMS (learning management system) and I need the workflow to be a little better as we publish for the web and on netbooks with AIR.
Also, I am goig to need to develop for tablets because netbooks have been taken off the market here in Spain.
I have a lot of screens with graphics and a lot of games that are loaded into a container/home screen.
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2. pc: swfs
3. swc
I would prefer to develop in flash develop now instead of flash CS5.5 so:
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Hi.
The link comes up as page not found but I will try and google around and read the adobe AIR site.
Cheers
edit: http://blogs.adobe.com/airodynamics/2012/11/09/packaging-and-loading-multiple-swfs-in-air- apps-on-ios/
Oh - it's the same link. I suppose copying and pasting in browser was best here as clicking on link didn't work for me.

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Dear Colleagues,
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The only information which I found at SCN about mobile devices within SAP Sourcing/CLM 10 is:
"(...) This enhancement was made in preparation for potential mobile applications that will be integrated with SAP Sourcing / SAP CLM."
If you have any further information, please share.
Thanks in advance,
Przemyslaw

Hello,
The short answer for the first question is no. However, there is more to say on the subject...
Support for mobile approvals are in the Sourcing/CLM product
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surveys on feature candidates for our next release (11.0). The surveys
were just completed. We will soon begin the process of identifying
features to include in our plans for Release 11.0. At this time, nothing
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I just loaded AVCHD clips for a project, is there a specific sequence setting I should use? The final product will be burned to a DVD

Yes....very normal.
New to this? Watch this tutorial
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