Need color management settings for photoshop version 8.0

I need to reset the color management settings for photoshop 8.0. Can someone let me know what are the correct defaults?

Probably the most commonly used is "North American Prepress 2" but which you choose depends entirely on the kind of work you are currently doing.

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Color management settings for the best print output

Color Management while Printing has been one of the challenging areas which has been discussed a lot over user forums and has been a painful area in terms of clear understanding while taking print outputs.
Here is an easy-to-understand KB (Knowledge Base) article ‘Color management settings for the best print output’ to help you get the best from your printers using PSE and bridge that knowledge gap.
This article explains color management in Photoshop Elements, how to get better prints, and addresses some of the following issues like horizontal/vertical streaks in print output, too dark or too light print output, ICC profile problems and Color differences between prints from PSE and other applications.
Thanks,
Garry

Thanks Noel.
Yes have shared in PSE forum as well. But I usually drop such posts on PS General forum so community moderators as well as our power users who mostly use both PS or PSE or are aware about can communicate to their students, audiences etc.
The idea is to reach out the message to as many as folks via relevant forums. Most of my otehr posts have found mentioned only on PSE forum.
Thanks for the feedback Nice to hear such a great feedback within 5 mts of publishing
Regards,
Garry

Best Color Management Settings for Web in CS3

I've seen tons of info on what color management settings can be used in CS3, but most seemed to favor work for printing. I'm just wondering what settings people think are best for color and B&W photo web work in particular... I already have both the monitor and PS set for 'sRGB IEC61966-2.1', but other than that, there seems to be a lot of opinions. I just want everything to have the best chance of looking the same on other comps as it did on mine. I also have Proof Setup set to 'Monitor RGB'.
Thanks,

1. Calibrate (I use ColorVision's Spyder http://aps8.com/spyder.html , but any hardware calibration device will be better than calibration by eye).
2. Set the Working Space to sRGB.
3. Set the Color Management Policy for RGB to Convert to Working to be sure you are converting content to sRGB. (2 & 3 addressses pfigen's concern about making sure all images are sRGB.)
4. Make sure your monitor is set to use the ICC profile generated by the calibration device.
5. Turn off Proof Colors.
6. Embed profiles or not, but if you do use the sRGB profile. Whether it gets used or not is another story.
As far as B&W, pfigen suggests Gamma 2.2, which would seem to be right for PC. Mac users might consider Gamma 1.8.
This should work well for most situations, but guaranteed consistency is an impossible task at this point.

Color management settings for HP Photosmart d7460 printer?

Hi,
HP Photosmart d7460
Windows 7 Pro 64 bit
I have the above printer, and I have recently used Datacolor devices to manually calibrate both my monitor and printer. I notice that when, for example, I use Adobe Photoshop Elements or Corel Photopaint X4 to print photos, that I am advised to select software to handle color management. I also receive a message informing me that i should switch off printer color management in printing preferences (i.e. the printer driver software). Unfortunately the only options available in the printer driver 'color management' drop down menu appear to be either Colorsmart/sRGB or AdobeRGB. I understand that there should be another option, either 'no color management' or 'application controlled' but it is not present. There is also no option, in this menu, for the ICC profile that I have created for the printer, although the profile is present in the Adobe Photoshop Elements application, and in Corel.
How do I switch off color management by the printer and allow the application to solely control color management? I understand that having both the application and printer control color management can lead to poor colours.
Regards, Chris

does anyone have any suggestions, any help appreciated.
regards

Color settings for Photoshop prints

Not sure if anyone can help - I'm still working with CS2 but perhaps my problem has a simple answer.
I did a lot of printing several years ago but had to leave it behind for a period. I'm trying to get bak into it but i'm having trouble with my color settings. My prints are coming out with rather garish or exagerated. My brain is somewhat disconnected of what I need to be paying attenion to. Anybody with advice on where to start again?

Hi Petyer-2, welcome to the forum.
Chances are it's one or more color-management issues (having to do with profiles, monitor setup, etc.)
Are you printing yourself or sending the images out?
If the former, what color-management settings are you choosing in the Photoshop Print dialog?
If the latter, what color profile are you saving the images in that you're sending out for printing? What does the lab want?
Is your monitor calibrated and profiled? What profile is associated with the monitor?
Feel free to put a representative image up here if you'd like a judgment on whether the image itself is garish/exaggerated.
-Noel

Can't access Color Management options for HP 6700 under Mac OS 10.8.5 (Mountain Lion)

Hello.
I've got the HP Officejet 6700 Premium e-All-in-One and I can't find any way to access Color Management options.
The printer is attached (Wi-Fi) to my iMac running Mac OS 10.8.5 (Mountain Lion).
I want to correct a magenta cast to photographs that I've printed. I've had the magenta-cast problem under Lightroom and using Preview to print the photographs, so now I want to work with color profiles in Photoshop Elements.
Photoshop Elements recommends that I "disable color management in the printer preferences dialog".
However, I'm not able to find color management preferences for the 6700 in any of the settings under Mountain Lion:
Not under (Apple) > System Preferences > Print & Scan.
Not under (HP Utility) > Open Embedded Web Server.
Not under (HP Utility) > Printer Settings.
Not under Preview's print dialog.
Nor can I find any clear direction in the online help (at HP or elsewhere) that I've read so far.
Any suggestions would be most appreciated.
Thank you!
Michael
This question was solved.
View Solution.

Please note that in the Print dialog I get "Color Matching" not "Color Management."
Still, I am (at this point) able to control color from Photoshop Elements, so that's good enough to proceed.
Thanks again.

Color Management Module In Photoshop

Question: A color management module is the software that defines the mathematical manipulations by which color conversions are made?

Thanks for your quick reply.
From: ronzie99 <[email protected]>
To: IronEyesWally <[email protected]>
Sent: Thursday, December 8, 2011 1:09 PM
Subject: Color Management Module In Photoshop
Re: Color Management Module In Photoshop created by ronzie99 in Photoshop Elements - View the full discussion
There are different types of icc\icm profiles used in color management.
First is the color workspace. PSE is by default set to create files in the color space embedded in the image opened and if not then the default color space of your choosing. The type of color space describes the gamut limitations of that color space.
Next are device specific color profiles. These are the display and printer profiles but can also exist for input devices. These profiles serve as tables to fit the measured characteristicsof the device to the color space requireed. For output devices there are Rendering Intents that can be chosen to determine how the limitations of a device can be best interpolated to fit the color space of an image into the limitations of the device for best appearance.
A practical way to think of a display to output workflow think of the color space situated between the displayed image and the output device with the color space in the middle defining limitations as a standard. The devices profiles are then measured against the standard color profile to create corrections or translation table so they react appropropriately to present the image on the display for the output device target profile in an attempt to get a 'what you see is what you get' envirionment for the specific devices used.
You need to create via calibration either by you (better) or insttall from the manufacturer a profile for the display. This matches your display device to the 'standard' profile. If you go to print then you'll need to install a printer profile (which varies by ink and paper type) either OEM or from paper suppliers or created by a measuring device you can purchase if you go 'rogue' regrding non-OEM inks and papers.
PSE does not have a soft-proof mode built in like Photoshop. It does have a setup, though, where it will let you assign every time you print an output profile that you select if you want PSE to directly manage the printer for tonality and color, in which case in the printer driver itself you disable color management only leaving the driver to descrive the image quality and surface type of the paer chosen and choosing none or leaving icm unchecked in the printer driver. The profile is selected in the PSE printer driver under advanced.
Soft proof mode is where the display translation is further manipulated to approximate the printer output. This can happen because you have calibrated your monitor to a standard and a printer tothat same standard. I have an add-on for PSE 10 called Elements + that in addition to lots of filters and effects adds some soft-proofing capability and curve color level adjustments to PSE. http://www.simplephotoshop.com/elementsplus/index.htm
In practical terms that is the function of color management.
BTW: The defacto color space for the Internet web browsers is sRGB. Use this when correcting color for web distribution.
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Color Management Settings

I'm not sure what to set my color management settings up as! I've been told a few different things! I shoot in Adobe RGB, but I've been told to set my working space to SRGB and then to set the color management policies to "Convert to working RGB, CMYK, and Gray." Then I've also been told to set the working space to Adobe RGB (1998) and then under "coversion options" change the "intent" to "perceptual."
Regardless of which setting I try to use, the coloring when I view it in Photoshop is much more yellow than when I view it on my monitor. I have callibrated my monitor, so I'm assuming the problem is within Photoshop. How do I fix this so that the colors match???
Thank you,
Jacalyn

I've been told to set my working space to SRGB and then to set the color management policies to "Convert to working RGB"
Yes, I'd back up what the previous poster says. Where did you get this advice? its extremely poor advice. If its valid at all, this would only apply to people doing an extremely narrow, low end type of work - destined ONLY for the internet.
'Autoconvert' in Color Settings is pretty nasty, it takes every file and converts it. And sRGB is a pretty dumb profile, I've always reckoned - as Bart says, its low gamut, designed for 'lowest common denominator' displays.
Spyder, and your monitor calibration: (because it sounds like your profile isnt being picked up) - I did some research and believe that there may be a "ProfileChooser" application somewhere on PC? - always thought monitor profiles should be stored somewhere in PC control panels. But lord knows whats happening with these settings on PC these days. On mac it does all this much more intuitively of course.;-)
But here's a thread I found where someone had a problem similar to yours…
http://photography-on-the.net/forum/showthread.php?t=57889

Best color matching settings for canon pro9500

I tried different settings for printing 13x19 photos. Printer color management, photoshop color management with different color options. Always a difference with preview... Help please. I have no problem when printing with my old ip6700d!

1. Calibrate (I use ColorVision's Spyder http://aps8.com/spyder.html , but any hardware calibration device will be better than calibration by eye).
2. Set the Working Space to sRGB.
3. Set the Color Management Policy for RGB to Convert to Working to be sure you are converting content to sRGB. (2 & 3 addressses pfigen's concern about making sure all images are sRGB.)
4. Make sure your monitor is set to use the ICC profile generated by the calibration device.
5. Turn off Proof Colors.
6. Embed profiles or not, but if you do use the sRGB profile. Whether it gets used or not is another story.
As far as B&W, pfigen suggests Gamma 2.2, which would seem to be right for PC. Mac users might consider Gamma 1.8.
This should work well for most situations, but guaranteed consistency is an impossible task at this point.

Color managed printing from Photoshop CC 2014

It appears color managed printing has either changed significantly or is no longer possible with Photoshop CC 2014. We're able to turn off color management with both Photoshop CS6 and CC when printing to Canon iPFx400 series printers, but not with CC 2014. Has anyone encountered this issues and if so hopefully discovered a work around?

Im using OSX Mavericks. Photoshop CC 2014 was defaulting to Color Handing: Printer Manges Color in the print Dialog box. I was not use to this and didn't notice. Switching to photoshop manages colors grays out color matching in the printer settings. Im still not sure what has changed as all my profiles are way off with Photoshop CC 2014.

Laptop Losing Color Management Settings When Docking or Undocking

I originally posted this to the general Windows 7 support forum; however, one of the support engineers recommended that I move it here as I'm running Windows 7 Enterprise, so here it is...
I am running Windows 7 Enterprise SP1 64-bit on a Dell Latitude E6540 with a docking station. I have color-calibrated the display on the laptop as well as an external display attached to the docking station. Whenever I undock the computer, the
system resets the color management settings and I lose the color calibration on the laptop's display. I then have to go in manually through the Control Panel and re-apply the calibration profile to get things back to normal.
I have everything set up so that the calibrated profile is the default profile for the system and I've verified that this is the case whether or not the machine is docked, but it still loses the calibration settings every time. All video system drivers
are updated and current as well.
Any thoughts or ideas on how to resolve this issue?
Thanks in advance for any advice.

Sophia,
Thanks for the link to the article. While I still suspect that the color calibration issue is related to the Intel drivers, the only response that I'm able to get from Intel is that it is a Windows operating system problem and not theirs.
To be clear, the issue described in this article does relate specifically to power savings, which are typically only enabled when running on battery. I do have this particular setting disabled on my laptop in order to maintain color accuracy for
my work.
My issue is clearly with the Color Calibration Profiles. The default profile for the laptop, which appears to have no actual calibration at all, has the screen showing a very heavy blue bias. The bias is so strong, that the frames around the
windows, ribbons in the Microsoft Office apps, etc., which should be grey, are displayed as blue. The blue bias also tends to wash out most of the other colors and makes the screen look dull and unsaturated. However, as soon as my Color Calibration
Profile is used, the Windows elements display as grey and the screen colors look much more vibrant. It really is a night and day difference.
When booting up the system or logging into my user account, even on the default blue Windows screens, you can clearly see the change when my Color Calibration Profile is loaded by the system just before it brings up the desktop. Once loaded, it remains
working, as I've said, until the computer is undocked or docked. Then it immediately reverts to the default Color Calibration Profile and the screen shifts back into the blue range again.
I think that for another test, I'm going to remove all of the calibration profiles except for mine and see if that has any affect. If it doesn't, I'll rename my profile to the same name as the default profile and see if that does anything. It's
just something that I thought of now to try. I'll let you know how it goes.

Elements 10-color management settings

Using Elements 10 with MAC; color management settings aren't available

My understanding is in the Print Command, there should be a Color Management option that gives you two options:
-Printer manages colors
-Photoshop Elements manages colors
In Print command, I don't have that option.

Photoshop CS3 color management "Save for Web" problem

This problem is getting the best of me.......
After spending 3 full days researching this problem, I am no closer to finding an answer than when I started. I still cannot produce a usable image through the "Save for Web" feature of Photoshop CS3. I have read web page after web page of "Tips, Tricks and Recommendations" from dozens of experts, some from this forum, and still I have no solution... I am exhausted and frustrated to say the least. Here's the simple facts that I know at this point.
I have a web design project that was started in PS CS1. All artwork was created in photoshop and exported to JPG format by using "Save for Web". Every image displays correctly in these browsers (Safari, Camino, FireFox and even Internet Explorer on a PC).
I have recently upgraded to PS CS3 and now cannot get any newly JPG'd image to display correctly. My original settings in CS1 were of no concern to me at the time, because it always just worked, and so I do not know what they were. I have opened a few of my previous images in CS3 and found that sRGB-2.1 displays them more or less accurately. I am using sRGB 2.1 working space. Upon openning these previous image files, I get the "Missing Profile" message and of course I select "Leave as is. Do Not color manage". CS3 assumes sRGB-2.1 working space, opens the file, and all is well.
The problem is when I go to "Save for Web", the saturation goes up, and the colors change. The opposite of what most people are reporting. Here's another important point... new artwork created in CS3 does exactly the same thing, so it's not because of the older CS1 files.
I have tried every combination of "uncompensated color", "Convert to sRGB", "ICC Profile", etc. while saving. I have Converted to sRGB before saving, and my monitor is calibrated correctly.
I have tried setting the "Save for Web" page on 2-up and the "original" on the left is already color shifted before I even hit the "Save" button. Of course, the "Optimized" image on the right looks perfect because I am cheating by selecting the "Use Document Color Profile" item. Why do they even have this feature if doesn't work, or misleads you?
Does anyone have any ideas what could be happening here? Why is this all so screwed up?
CS1 worked fine out of the box.
Final note: I do have an image file I could send along that demonstrates how it is possible to display an image exactly the same in all 4 of the browsers I mentioned with no color differences. It is untagged RGB and somehow it just works.
I am very frustrated with all of this and any suggestions will be appreciated
Thanks,
Pete

>> First of all... I'm using an Adobe RGB image master... I open it and get the Profile Mismatch Screen... I choose Use Enbedded profile... all looks well. Next I go to Proof Setup > Monitor RGB... again all looks well, no change that I can tell.
This has further confused the issue on several points, not the least of which version PS you are doing this with?
>> AdobeRGB> Convert to Profile > Working Space sRGB-2.1... all still looks well... but now, when I go to Proof Setup > Monitor RGB... I see the insane oversaturated look that is driving me nuts.
That is your strongest clue...it sounds like you have a bad system or bad monitor profile. To rule out the monitor profile: Set sRGB as your monitor profile in System Prefs> Displays> Color.
>> Adobe RGB image master... I open it and get the Profile Mismatch Screen... I choose Use Enbedded profile... all looks well. Next I go to Proof Setup > Monitor RGB... again all looks well
That doesn't make sense, stripping an embedded AdobeRGB profile should desaturate the color in Softproof MonitorRGB, especially the reds -- you have something wacky going on there.
At this point I think you need to review the links and get a grip about how color management and profiles work...
BTW, forget about setting ColorSync in PS COlor Settings, use Adobe ACE.
MO,
I think SFW is fixed under CS3 :) By default it Converts to sRGB and strips the profile.

Need suggestion on Color Profile settings for printing image

I am trying to print the image below on a Xerox Docucolor 242. Im trying to get a better understanding of profiles and all that, which I THINK I do now.
Under Color Settings in Indesign, I have under Working Spaces, RGB is set to my monitor brand and type and CMYK is set to my exact printer. I have both of the Color Management Policies set to Off.
When I print the RGB version of this image, everything looks ok except for a very faded look. Probably noticed mostly because of all the black background that is used. When I print the CMYK version of it, it seems to print nice and dark but there is a strong white halo effect showing around both the flames which doesnt show on the screen or the RGB printout.
Anyone know what settings are causing the faded look in the RGB printout and the halo effects in the CMYK printout?

As others have said, this is a complex process, but one that is solvable.
I agree with others the RGB profile should NOT be the monitor but the profile of the original image. For most midrange cameras this will be sRGB or Adobe RGB depending on the settings in the Camera when the images was captured. It is NOT arbitary and choosing the wrong profile will have a large affect on the image.
The CMYK profile for the printer is more complex. There are two steps in calibrating and profiling a Xerox printer. First the calibration, or linearisation, sets the printer to a known state that can be repeated. This is best done with a spectrophotometer and not the CalorCal software provided by Xerox which uses a known colour chart scanned from the glass of the copier. The glass method of calibration does not calibrate correctly at the black end of the curve actually turns over reducing the available black, and is due to reflections from the glass. Calibration is normally done daily.
When the calibration has been completed a full ICC profile is created by printing a profile chart of some 2000 colours and reading this with the spectrophotometer. This is only valid for a calibrated printer and for the type of paper used. Different papers will require different profiles. It is a once only operation.
Another thing to watch out for is how your RGB images are being converted to CMYK. There is a setting both in the Creative suite and in the printer to set the black compensation. What you want to achieve is the same black as in the original image. In the CMYK case this will be printed as a combination of black toner pus a mixture of CMY to incread the density. The profile takes care of this for you.
Your description of weak blacks suggests that the black me be being printed as pure black toner.
Ian
NZ ColourManagement.

CS4 Color Management Settings - Confusing for Brother Laser Colour Printer

I am new to Brother's Color Laser Printer and setting up the Color Management with CS4 for a document. Contacted Brother and they do not have informaton for Adobe Products. Here's what occurs when on the Print Screen:
Under 'Options' — CS4 has instated 'Let InDesign determine Color Management'.
Under Printer Profile: 'RGB-SRGB 1EC6' is indicated. I can pull down the menu for other choices. Brother Printers are indicated but I have no idea which one to choose. What is difficult to ascertain is that in one project, I am using card stock. There is no choice available for other weights of paper as there is in MSW.
Inexperience prevails with using a color laser printer with CS4's settings. In other words, should I leave the choices provided by CS4 rather than choose the Brother Printer settings that cannot be explained by Brother?
HELP!

What is difficult to ascertain is that in one project, I am using card
stock. There is no choice available for other weights of paper as there
is in MSW.
With an RGB (no postscript) driver you would access paper and resolution profiles from the Printer... button of the Print dialog. So typically output color would be Composite RGB, Let InDesign Determine Color would be your only Color Handling choice, and you would leave the Printer Profile as Document RGB. Then you would click Print... and you would find paper and resolution settings under the Print Settings pop-up.

Need color management settings for photoshop version 8.0

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