Onlocation captured  mpg 's are corrupted when import in premiere pro

Oke, yesterday i made this really sweet time lapse recording in Adobe Onlocation CS3. In Adobe Onlocation I can view the recordings 30sec each and there really good. Now I followed the instructions and ejected the clips, but now that I've imported them into Premier Pro CS4, they cant play and there only 1 frame long? How can I fix this?

Are you recording HDV in .mpeg format? If so, On Location CS3 never recorded HDV .mpegs correctly for me. I had to use .m2t instead. I have no idea why (especially since Premiere's HDV capture is *.mpeg) but it just is...
JP

Similar Messages

  • How do I get audio back on single clip that loses audio when imported into Premiere Pro CC?

    I've got one clip out of many that for some reason won't play any audio when imported into Premiere Pro.  I am new to Premiere Pro so am hoping it's something stupid I've done, but this is a problem with just a single clip exported the same way as all my others, the original audio is loud (not quiet) and none of the FAQ issues seem to apply (ie I haven't muted the audio or anything stupid like that)
    The clip was exported from Plural Eyes into a "master" Premiere Pro project where the audio is fine. I exported it as a short MP4 clip and if I play the clip in Windows Media Player the audio is there loud and clear.
    But when I import the clip into a fresh Preimiere Pro CC project this clip appears with just the "film strip" icon on the far left in the Timeline panel, unlike other clips which have an icon that shows "film strip" in the background and "audio wave" in the foreground.
    I'm hitting so many glitches with the CC editions of Premiere Pro and After Effects which have annoying inconsistencies between them I'm tempted to just go back to Sony Vegas Pro (single program, no hassle) but hoping most of these issues are down to "newbie incompetence". Very hard to understand why this one clip out of many should be giving me this specific problem though. Any ideas?

    I'm getting so many weird results. Most go away by simply closing the project and re-opening and I only have 6GB memory but even so, I'm disappointed by what I thought was supposed to be more "world class" video editing software than Sony Vegas Pro which I found to be a lot more stable. Also struggling with differences between Premiere and After Effects. Every time I want to do something in Pro I seem to need to go to After Effects and vice-versa. After Effects lets me do more of what I could "just do" in Vegas Pro timeline, but it's hideous for lining up audio and having to render anything in RAM to even get a clue as to what a change has done.  Need to add Audition to the long list as well I suspect. Fun times!

  • Phantom Flex footage dark when imported to Premiere Pro

    Hi everyone (and hopefully Adobe Staff, also),
    I am aware this has been posted before, though from what I can see no one, Adobe Staff or users, have found a solution. I am hoping we can change that!
    I recently directed a Music video that was shot on the Phantom Flex. Everything went smoothly and after dropping the 3TB of footage via Seance (program by gluetools for Mac) I am now faced with a problem. While all the footage looks fine in Seance and on the Finder; when imported to Premiere Pro (CC v8.1, Caravan (latest update currently) it goes very dark, blue and flat. Premiere Pro is interpreting the colour/luma of the footage wrong.
    Adobe states that Premiere Pro supports Phantom Flex .cine files but it seems that while you can edit with them, the colour/luma is interpreted incorrectly. Many other people also seem to have this problem.
    These images below are all screenshots from Macbook Pros, one with ‘Glue Tools Phantom Cine Flex 4K’ installed (the gear house’s laptop) and one without (mine).
    I need to find a way to get Premiere Pro to interpret the colour/luma properly in Premiere Pro to edit the project, it seems the Glue Tools plugin is not the solution I was hoping for, as some people have suggested elsewhere.
    Is there a way to fix this within Premiere Pro or a plugin etc?
    Has anyone successfully edited Phantom Flex footage in Premiere Pro?
    Any help would be extremely helpful as I am really stuck here.
    Thankyou so much.
    Here is an example with some footage shot by the crew before me (still left on one of the cards), as you can see it is not just my footage that isn't working in Premiere Pro.
    Thankyou,
    Jack

    It looks to me like Seance (and Finder) are applying a LUT to the footage, whereas PP is showing you the flat image as it was actually recorded, which is normally the desired result.  Was there a LUT applied in the camera viewfinder or on-set monitor, something you might also apply in PP?

  • Captured .avi file much shorter when imported as Premiere CS3 clip.

    I'm new to Premiere CS3. My first project is to convert several old VHS tapes to DVD. My analog camcorder plays into an analog video-to-Firewire converter (ADSTech Pyro A/V Link). The Firewire digital stream was smoothly captured by Premiere and sent to my NTSF-formatted scratch disk under MS Windows XP Pro. The single .avi file (about 5 GB) plays back nicely in Windows Media Player which indicates a total length of 18min, 34sec. But when imported into a Premiere project, only the first 1min, 18sec appears.
    What's up?

    John--
    I downloaded and ran GSpot v2.70a on my AVI file. Lot's of data!
    In the GSpot "Container" window it reports these lines:
    File Length Correct
    DV Type 2 AVI
    Multipart OpenDML AVI (5 parts)
    (41160 frames in first part, -96 frames follow)
    The "Video" report window says "Codec(s) are installed" with the name "DVC/DV Video." Actual length is 22m, 46.979s (which differs from my original statement because there a stretch of blank tape conversion after the actual content).
    I think I'll repeat the transfer and be watching at the critical times.
    Thanks for the pointer to GSpot and also thanks, Jim, for your response.
    Bob

  • QuickTime 10.1 Screen Recordings are Blurry Once Imported into Premiere Pro CS6

    I am doing some screen recordings on my Mac using QuickTime 10.1, but when I try to import them into Premiere Pro CS6, they are poor quality and blurry. It's difficult to read text and logos on the recordings are showing up fuzzy. Anything I can do to improve the quality with what I have? I'm trying to do a new site demo, so I'd like to have things appear more clearly. I am, however, by no means a video expert or Premiere Pro expert, so a lot of the output names and labels, I'm not familiar with. Is that what I'm doing wrong?

    The NEW ITEM process will ensure that your editing sequence matches your video file
    CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 has a link to learn about the NEW ITEM process, including a picture to show you what to do

  • Encore CS6 crashes when importing from Premiere Pro CS6

    When sending a project to Encore as a Dynamic Link from Premiere Pro, Encore hangs then a message pops up that it has stopped responding then closes. How do we get this to work?
    The computer has an Intel Core i7 processor, 16GB of RAM and is running Windows 7 Pro x64 with Service Pack 1. Adobe CS6 Master Collection is installed. The computer is joined to a Windows Server 2012 domain and the user of the machine has local administrator rights.
    The Adobe suite has been uninstalled and re-installed multiple times without success. Sometimes after re-installing, sending a Dynamic Link to Encore will import as expected once, but then after restarting the computer, the problem will occur again. This has been tried with and without installing any Adobe updates. The system has also been wiped and had Windows and all software clean installed on it again which has not resolved the problem.

    More below... may not help, but does say that the programs are not designed to work on a network, and may not
    Some? versions of Premiere do not work properly, if at all, over a network
    -see messages #1 and #3 in http://forums.adobe.com/thread/771151
    -you MUST give all users administrator accounts to use Premiere
    -and especially Encore dual layer http://forums.adobe.com/thread/969395
    -a work around, of sorts http://forums.adobe.com/thread/957523
    -and not on a "domain" http://forums.adobe.com/thread/858977
    -http://helpx.adobe.com/premiere-pro/kb/networks-removable-media-dva.html

  • .mts files out of sync audio when importing in Premiere Pro CC

    When I import .mts files from my nxcam in Premiere Pro CC, the audio of the clips in not in sync. Can anybody help me with this issue? Thank you!

    Hi,
    Please try renaming one of the footages from .mts to .m2ts and then import in Premiere. See if that helps.
    Regards
    Sarthak

  • Input video appears stretched when imported to Premiere Pro CS6

    I'm on a beginner level on Premiere Pro so please be gentle if this question is very basic. I'm trying to make a video that preserves the input video resolution exactly. My input video was an MP4 movie with resolution 1440 x 1080. It's an iPad screen recording using X-Mirage software. When I opened it normally in quicktime, it didn't seem stretched. However, when I imported the clip into Premiere, the clip appeared stretched. I checked the Properties of the clip and it turned out to have Pixel Aspect Ratio of 1.3333, which meant the pixels were stretched. My output sequence was also stretched out because of this, even though the output indicated that the resolution is the same: 1440 x 1080. I tried to comply with "Clip Mismatch Warning" and the result was still a stretched version. Please help!

    Hi,
    In premiere pro, you will see sequence on the top. Click on sequence and from the drop down select sequence settings. Under sequence settings there would be a tab of pixel aspect ratio. Try and change it to d1/dv ntsc widescreen 16:9 or hd anamorphic.
    Check if it makes any difference.
    Thank You
    Arjun

  • Still image size when importing to Premiere Pro CS3

    I was wondering if someone could help me.  I do a lot of Still Image Slide shows with music and all that jazz and I used to use Premiere 6.5.  When I would import the still images I could just lock the aspect ratio and it would automatically size the picture to fit the screen.  I recently upgraded to CS3 and when I try to import a photo it imports it at actual image size so if the pic to too big it just looks zoomed in.  I'm wonder if there is a setting in I can adjust so it autosizes the pic like it did in version 6.5?  It may sound lazy but I do these with a lot of picture and I don't have time to adjust the size of each photo in Photoshop prior to import.
    I have figured out a temporary workaround where I import the files into 6.5 and then open the existing project in CS3 but my new computer runs Vista and it's not allowing me to install 6.5 on it.  I would appreciate any help.
    Thanks.

    I copied this from the help.
    Scale assets automatically
    1 Choose Edit > Preferences > General (Windows) or Premiere Pro > Preferences > General
    2 Select Default Scale To Frame Size.(Mac OS).
    3 Click OK.

  • Arbitrary data param not importing from Premiere Pro project into After Effects.

    Hi,
    I have an AE SDK plugin effect that works in Premiere Pro and After Effects... the effect has a bunch of standard parameters and one Arbitrary Data parameter.
    I believe that the Arbitrary data parameter is implemented correctly, and I have implemented all of the cases for PF_Cmd_ARBITRARY_CALLBACK...
    PF_Arbitrary_NEW_FUNC
    PF_Arbitrary_DISPOSE_FUNC
    PF_Arbitrary_COPY_FUNC
    PF_Arbitrary_FLAT_SIZE_FUNC
    PF_Arbitrary_FLAT_SIZE_FUNC
    PF_Arbitrary_FLATTEN_FUNC
    PF_Arbitrary_UNFLATTEN_FUNC
    PF_Arbitrary_INTERP_FUNC
    PF_Arbitrary_COMPARE_FUNC
    PF_Arbitrary_PRINT_SIZE_FUNC
    PF_Arbitrary_PRINT_FUNC
    PF_Arbitrary_SCAN_FUNC
    The only issue I have found, is that when importing a Premiere Pro project into After Effects with the "Import -> Adobe Premiere Pro Project" option, the value in the Arbitrary Data
    parameter is always the default. There is no problem saving or re-opening projects within AE or PP... and there are no problems with cutting and pasting instances of the effect.
    Importing a Premiere Pro project into After Effects using the Dynamic Link works correctly... the Arbitrary data is imported.
    Thanks.

    Some kind of answer would be awesome... there are Adobe staff members on here right?

  • Captured video using Premiere Pro CC on MAC, wont import when moved to Premiere Pro CS6

    Using a Captured video on Premiere Pro CC on my Macbook air, my video wont import when moved to Premiere Pro CS6 when i try to edit it on a pc (Windows 7)
    When I try to import the file into CS6 it says *error while decompressing file*
    If anyone has any idea what could have happened or what I might have done wrong please reply.
    Joseph

    mojo,
    Do you have QuickTime and the associated codecs installed in your PC?
    Thanks,
    Kevin

  • PICTURES ARE FUZZY WHEN IMPORTED TO DVD DISC

    I'm new to creating dvds.  Pictures are fuzzy when imported to dvd disc ( memorex DVD-R).  What am i doing wrong?

    Hi
    Hard to say as You don't suply any info on
    • What photo file format, size You use
    • How You go from photo to iDVD
    And ! - Please do not Yell ! - Capitalized letters = Yelling in most forums and here a low and polite conversation most often will get better and more rapid results.
    Some thoughts about DVD Quality
    • DVD can only be SD-Video what ever tool used to encode it. And that is much less than what Your Mac screen can show.
    • Tools used to create the SlideShow - give a very different (quality) result
    iMovie'08 to 11 - discard every second line = less resolution
    iMovie HD6 and FinalCut - full interlaced video over to iDVD (as good as it can be)
    FotoMagico™ _ Great and even more so if result is burned as a Blu-Ray Disk
    Some notes follows - if You are of interest.
    DVD quality
    1. iDVD 08, 09 & 11 has three levels of qualities. (version 7.0.1, 7,0.4 & 7.1.1)
       iDVD 6 has the two last ones
    • Professional Quality (movies + menus up to 120 min.) - BEST
    • Best Performances (movies + menus  less than 60 min.) - High quality on final DVD
    • High Quality (in iDVD08 or 09) / Best Quality (in iDVD6) (movies + menus up to 120 min.) - slightly lower quality than above
    About double on DL DVDs.
    2. Video from
    • FCE/P - Export out as full quality QuickTime.mov (not self-containing, no conversion)
    • iMovie x-6 - Don't use ”Share/Export to iDVD” = destructive even to movie project and especially so
    when the movie includes photos. Instead just drop or import the iMovie movie project icon (with a Star on it) into iDVD theme window.
    • iMovie’08 not meant to go to iDVD. Go via Media Browser or rather use iMovie HD 6 from start.
    3. I use Roxio Toast™ to make an as slow burn as possibly eg x1 (in iDVD’08 or 09  this can also be set)
    This can also be done with Apple’s Disk Utilities application.
    4. There has to be about or more than 25Gb free space on internal (start-up) hard disk. iDVD can't
    use an external one as scratch disk (if it is not start-up disc).
    5. I use Verbatim ( also recommended by many - Taiyo Yuden DVDs - I can’t get hold of it to test )
    6. I use DVD-R (no +R or +/-RW)
    7. Keep NTSC to NTSC - or - PAL to PAL when going from iMovie to iDVD
    8. Don’t burn more than three DVD at a time - but let the laser cool off for a while before next batch.
    iDVD quality also depends on.
    • DVD is a standard in it self. It is Standard Definition Quality = Same as on old CRT-TV sets and can not
    deliver anything better that this.
    HD-DVD was a short-lived standard and it was only a few Toshiba DVD-players that could playback.
    These DVDs could be made in DVD-Studio Pro. But they don’t playback on any other standard DVD-layer.
    Blu-Ray / BD can be coded onto DVDs but limited in time to - about 20-30 minutes and then need
    _ Roxio Toast™ 10 Pro incl. BD-component
    _ BD disks and burner if full length movies are to be stored
    _ BD-Player or PlayStation3 - to be able to playback
    The BD-encoded DVDs can be play-backed IF Mac also have Roxio DVD-player tool. Not on any standard Mac or DVD-player
    Full BD-disks needs a BD-player (in Mac) as they need blue-laser to be read. No red-laser can do this.
    • HOW much free space is there on Your internal (start-up) hard disk. Go for approx. 25Gb.
    less than 5Gb and Your result will most probably not play.
    • How it was recorded - Tripod vs Handheld Camera. A stable picture will give a much higher quality
    • Audio is most often more critical than picture. Bad audio and with dropouts usually results in a non-viewed movie.
    • Use of Video-editor. iMovie’08 or 09 or 11 are not the tools for DVD-production. They discard every second line resulting in a close to VHS-tape quality.
    iMovie 1 to HD6 and FinalCut any version delivers same quality as Camera record in = 100% to iDVD
    • What kind of movie project You drop into it. MPEG4 seems to be a bad choice.
    other strange formats are .avi, .wmv, .flash etc. Convert to streamingDV first
    Also audio formats matters. I use only .aiff or from miniDV tape Camera 16-bit
    strange formats often problematic are .avi, .wmv, audio from iTunes, .mp3 etc
    Convert to .aiff first and use this in movie project
    • What kind of standard - NTSC movie and NTSC DVD or PAL to PAL - no mix.
    (If You need to change to do a NTSC DVD from PAL material let JES_Deinterlacer_3.2.2 do the conversion)
    (Dropping a PAL movie into a NTSC iDVD project
    (US) NTSC DVDs most often are playable in EU
    (EU) PAL DVDs most often needs to be converted to play in US
    UNLESS. They are play-backed by a Mac - then You need not to care
    • What kind of DVDs You are using. I use Verbatim DVD-R (this brand AND no +R or +/-RW)
    • How You encode and burn it. Two settings prior iDVD’08 or 09
    Pro Quality (only in iDVD 08 & 09)
    Best / High Quality (not always - most often not)
    Best / High Performances (most often my choice before Pro Quality)
    Yours Bengt W

  • JPG images get corrupted during import to Premiere CS5.5

    I'm doing time lapse movies, and import a series of images by choosing the first file, and checking "Numbered stills". After the import (of about 420 JPG files), one of them was being corrupted. It now has a discolored break in it:
    The corruption was not present before the import, so it was definitely caused by Premiere CS5.5. Unfortunately, I no longer have the original file (from my memory card). So I essentially lost this image (although the embedded thumbnail is still intact).
    Is this a known issue? Will there be a fix?

    Thanks for your comments and links, everyone. I've read them, and want to clarify a few things:
    John T Smith wrote:
    >about 420 JPG files
    Have you already read this?
    Photo Scaling for Video http://forums.adobe.com/thread/450798
    -Too Large May = Crash http://forums.adobe.com/thread/879967
    Too many of too large pictures can cause problems
    Thanks for posting these. I find it disappointing, that large pictures are not being handled well by Premiere. I mean, the images that I'm using are 3648x2736. If that is considered too large, then I would need to batch resize them, e.g., to 1920x1440. But then I would not be able to get high-quality panning and zooming...
    Jim Simon wrote:
    I no longer have the original file
    You must have it.  PP doesn't do anything to imported assets other than show them to you.  If the image wasn't exactly where it was when you imported it, Premiere Pro would simply see it as offline.
    That's not correct, I'm afraid. Each time I import one or more images, Premiere edits the file(s). I believe it is related to the XMP ID. You can even "watch" it do the edits because every JPG file briefly gets rewritten with ._00_ in front of its original file name, e.g., IMG_1234.JPG briefly becomes ._00_IMG_1234.JPG. Afterwards, the original file is being replaced with the new one (which apparently contains the XMP ID tag now).
    On a sidenote: I've had several files stay with the ._00_ file name but the original was removed. Meaning that Premiere somehow "forgot" to rename them back. This happened on 8-12 images (out of 600). Very weird.
    Powered by Design wrote:
    I dont know if this is your problem but do you have "Write MXP ID to files on Import" on ?
    Maybe something went wrong.
    http://forums.adobe.com/message/3009053
    GLenn
    I'm assuming that's what's causing it. And yes, that option is enabled on my computer. So while the XMP ID tagging went fine for the other 419 images (and frankly for thousands of others before that), it somehow went wrong on one of them. (I should say two because it did happen twice to me so far.)
    I will disable the option "Write XMP ID to files on import" from now on, and hope that I can avoid image corruption by that. But from what I understood, this will have other consequences (performance degradation).
    The only alternative would be to keep a backup copy of all images before importing them to Premiere...
    In any case, I believe this is a bug that should be fixed - together with the above mentioned bug on large images.

  • How can I capture video on a dvd disc in Adobe Premiere Pro Cs5?

    Hi! I'm an amateur, I'm trying to restore a video on a vhs tape into Premiere Pro Cs5.  I have Pinnacle Studio Pro 14 software, Moviebox Plus USB hardware ,Sony dvd player, and a Panasonic vcr player.  I captured the vhs video to Pinnacle Studio Pro 14 and burned it on a dvd.  I connected the Moviebox Plus to my computer via usb, and connected the input and output to my Sony dvd player.  I opened Premiere Pro Cs5 and went to file and clicked on capture.  I push play on the dvd player and nothing happened in the capture window.   I noticed at the top of the capture window were some info.  The info stated, "Capture device is offline".   I went into Premiere Pro Cs5 to Edit and Preferences.  I changed the Device Brand to Sony and the Device Type to Standard.   So far, nothing has been captured.   I would like to know how can I fix this problem.  I know this is a lot of information, but that's the only way to state my setup and what was done.   Thanks.
    Gerald Sr.

    The easy way is with the DVD in your PC's optic drive use Explorer to navigate into the Video_ts folder and there you will find the VOB file
    If you cannot see the file extension highlight the folder and right click, select properties and from the Tools menu select folder options then in View uncheck Hide extensions for known file types.
    Then you will see the .VOB file extensions.
    Copy the large VOB onto your hard drive then click on it and select re-name.
    Rename the .VOB to .mpg and use this file.
    There is some free software VOB2MPG which does the same job but far easier.
    As for learning PP go to the Creative Cow website and search there for video tutorials, there are plenty from absolute novice to full on expert.
    Enjoy PP

  • Audio gets lost when sending to Premiere Pro

    Hey fellow Prelude users.
    I encountered a nasty problem. I ingested some AVCHD Clips in Prelude and edited them and made many, many clips out of the footage. Then I sent it to Premiere for further edit. Unfortunatly at some Clips the audio is now missing, even if there's audio in Prelude. I tried to export just the audio from Prelude to match it with my roughcut but also the export has no audio at the points where the clips with missing audio are.
    When importing the Clips without the new metadata by Prelude the audio is just fine. This seems to be a pretty weird issue.
    Hope you can help.
    Thank you,
    Alex

    I have run into the same problem with AVCHD footage. Initially, I thought that the problem might involve the transfer feature in Prelude CC's Ingest function. I had used that when ingesting the problem media, to move source clips to a couple of different folders on my edit station.
    I subsequently realized that probably wasn't the case, since I had logged the clips in Prelude after they were ingested. So, they had sound when I ingested them, but not later, when I imported them into Premiere Pro CC.
    The audio loss was complete on one clip--no sound at all on the clip or subclips when I opened the clip in Premiere. The audio loss was partial in the other clip--the audio level flatlined about three-quarters of the way through the clip. Each clip was about twenty minutes long--an interview with a subject for a documentary I'm shooting. I set subclips for each response that I planned to use in my cut of the film.
    I keep my source cards as backup, so I was able to go back and re-ingest, this time without using the transfer feature. Instead, I copied the source card to my edit station, using Windows Explorer. Then I used Prelude ti ingest and log the copied media. That appears to have imported into Premiere without problem.

Maybe you are looking for