Overlay a sequence in and out point

I am trying to create a clip that will be played on a loop so I want to make sure that the in and out point are identical (the clip is of an object which is rotating). Is there a way to overlay the in and out point to help me line up the placement of the in and out points?
Thanks in advance,
Chad

Here's how I'd take the trial and error out of it:
Create a new sequence
Nest your main sequence in the new sequence twice--one copy on V1, the other on V2. Leave plenty of space before the one on V1.
set the opacity of the sequence on V2 to about 50%
move the playhead so you see the first frame of the sequence on V2
select the sequence on V1
use the Nudge Clip Selection Left/Right shortcuts to move the instance on V1 until the frames match as closely as possible.
Trim the instance on V1 and delete the instance on V2, or else note the frame and go back to the original sequence to trim it there.
Here's what the sequence with the two nested sequences would look like:

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In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

You can't. You can't export part of a sequence. Duplicate it and remove the bits you don't want to export from the duplicate.

Nesting just in and out points into master sequence

I have multiple sequences and want to put these into one master sequences. I only want to put the “in to out” points of these sequences and am not sure how to do this. When i select in to out and drag into the master sequence it gives me everything in the whole sequence. Can anyone help. thanks.

You are correct i worked it out, thanks so much for your help.
Is their any way to use the in and out points in the sequence to do this?

Problem - Title Cards in Vid Track 2 Skewing In and Out Points in Track 1 ?

Hi,
Vast confusion. I'm working with edits in a timeline, created from video files that are "Avid Meridien Compressed" Quicktime Files. These are files that I exported from Avid. They are 24P files. The timeline has been set to 23.97, and everything in Video Track 1 makes sense, no problems, no render line because the project compression settings have been set to "Avid Meridien Compressed".
Ok, so here's the problem. I am creating title cards with the video generator in FCP, and trying to super them into my edits by placing them into Video Track 2. But the moment I drop a title card into Video Track 2, (over an edit I have made in Video Track 1), there is a SHIFT in the in and out points of the source video in the timeline. For example, let's say an edit in my timeline has a source in of 02:02:30:17 and an out of 02:02:35:17. The moment I try and drop a title card over this edit in Video Track 2, the source video in Track 1 shifts, so it now begins at 02:02:31:29 and ends at 02:02:36:29.
It is as if the title cards refuse to conform to the 23.97 timeline, and are overriding the source video edit decisions in Video Track 1.
Does anyone have any thoughts on why this is occcuring? Does anyone have any suggestions for a remedy? BTW, I have also tried creating title cards in photoshop and dropping them in, but with the same result: it changes the source time code edits by shifting them later into the source video.
Thanks,
Mtbakerstu

Update!
While I was never able to get the Vid Track 2 title cards to stop shifting the edit decisions in Vid Track 1 when using the preset that is in tandem with the actual source video files (Avid Meridien Quicktimes at 23.98), I did find that by changing the Sequence Setting to DV/DVCPRO50 NTSC at 23.98 that I could drop the titles into Vid Track 2 successfully without any skewing of edit decisons. You now have to render the timeline, but a quick test of an MPEG2 export showed that there's no denigration in image quality with using this setting.
So that's the scoop. It seems that there's no pure solution to this issue. Perhaps if there's a way to generate title cards out of Avid that are importable into FCP, that would do the trick, but I haven't taken my research that far.
Thanks for your help!
Stuart

In and Out points not showing in source monitor

I've noticed this in the past couple of days: setting in and out points in the source monitor, the indicators don't show in the time ruler. In other words, even though I set the in and out points, it looks like nothing has been selected.
If I put the clip into the timeline, the in and out points I chose are respected, but they just don't seem to register in the source monitor, so I can't have confidence in what I have selected.
If I open another clip in the source monitor, then go back to the one I was working on, magically the in and out points are there again. Strange...
At the same time, if I apply audio gain to a clip in the source monitor, it sometimes doesn't "take". It shows that gain has been added, but there is no change in the sound volume when I play it back in the source monitor. Again, if I put the clip in the timeline, the volume is as it should be and the waveform reflects this.
So, is there some underlying bug affecting how clips are dealt with in the source monitor?
I'm on the latest version of Premiere CC 7.2.1 on Windows 8

Thanks for these suggestions. I'll try and answer each one:
Is the Source Monitor zoomed out to show the whole clip? If not, please zoom out to see if the In/Out points are getting painted in the wrong place initially.
Yes, it is zoomed out.
Do the clips have non-zero start timecode? If so, please try with a clip with zero-based timecode. (If you don't have one handy, you can create one fairly easily by exporting a sequence with start TC of 0;00)
The problem is intermittent and in this project all the clips are DSLR .mov files. The problem occurs with some of these and not others.
Have you done anything like setting a custom start timecode or interpreting footage to change the frame rate?
I haven't set a custom timecode. It's true that there is a mix of 24p and 25p clips in the project, but surely this only presents issues in the timeline rather than the source monitor? In any case, I haven't gone to interpret footage on these clips.
Is this happening with all types of project items, including simple clips on disc, or only with certain items like merged clips, multicam sequences, subclips...?
In this project, the only type of clip I'm using is simple clips. There are nested sequences; I'm not sure, but possibly the problem has also presented itself when these are brought into the source monitor - but not exclusively with those.
I hope this helps. This is the first project I have worked on since the latest upgrade and I didn't come across this problem before. As I say, it is intermittent, and it's hardly crippling - just annoying when it happens!
Thanks

Color is changing the clips in and out points

I tried to import into color a fcp7 sequence. The original footage are quicktime clips.
When the project opens in color, the in and out points of the clips are not there and it gives me the beginning of the clip.
With other footage that I ingested in FCP I don't have a problem.
Can someone explain this to me.
Thanks

>The original footage are quicktime clips.
What FORMAT of Quicktime? Because QT is just a container that can be one of a dozen codecs. Color ony works with certain codecs, like ProRes, HDV, XDCAM, DVCPRO HD. If the codec is anything but those...it will have serious problems.

Video after In and Out points Changed

After opening up a video in the Viewer and setting In and Out points, and dragging it back to the Browser afterwards:
1. I tried changing the name of the clip that I dragged back to the Browser, though it changed the names of the other clips in the Browser to the same name. Why?
2. How come when you double-click on the new clip and it shows in the Viewer, it shows the In and Out points as well as the video from the original segment around it. Is this the way it is supposed to be? I thought it was supposed to just display the segment of video starting with the In point and ending with the End point.

1. do some reading in the manual. Might try making the clip independent.
2. Yes. I know it may seem weird, but it has some really powerful uses. Double click on a clip in the timeline, it loads in the viewer. You can then change your in and out points in the viewer and they will be reflected in the sequence. (with some limitations). If you want to "isolate" the material between an in and an out, check out "make subclip."
This is very basic fcp stuff. Skim the manuals, explore the menus, you'll figure this stuff out pretty quickly.

Setting In and Out Points for Render

Hi everyone!
I was wondering how to tell color to only render from and in and out point, instead of rendering for a whole clip. In FCP I take a ten minute capture, then break it up into sub-clips for each shot, and then edit some of these sub-clips into my video.
When some of these sub-clips require correction in Color the sequence gets sent to color just fine, but when it renders my changes it renders it to the whole clip that the sub-clip came from. This takes too much time because I only need the sub-clip to be rendered, not the whole clip, because that's all I use in my video.
How can I fix this extra rendering? Thanks in advance!

I think that you might find the answer to your question on this link below.
http://docs.info.apple.com/article.html?artnum=306566
Zia

How to remove all in and out points from extendscript code?

Hi,
I am creating a sequence from a clip from extendscript code to automateToSequence function.
But if there are some in and out points in the clip only the select clip part is converted as a sequence, what is the solution to remove all those in and out points from extendscript code, or to get the full clip to sequence even there are some in and out points.
I am using the function like this; qe.project.getItemAt(i).automateToSequence(seq,0,0,1,1);
Please suggest,
Thanks and Regards,
Anoop NR

Double click the pre-comp or nested comp, open comp settings from the menu or by using the keyboard shortcut Ctrl/Cmnd + k.
Note, changing the length of the comp will not extent the length of footage or layers inside the comp. You have to do that manually and it depends on your footage type.

New problem/bug when I set in and out points on a clip. Unwanted automatic zoom in on clip timeline.

Playing clips to log and set in and out points for scenes I will use later. Something changed with the new update and I think it is a bug. When I hit the I and O keys to set in and out points on a clip before dragging to the sequence, it zooms in on the clip timeline. I cannot see the full clip time line unless I zoom out which is a pain to do time and time again. How do I get it back to the way it was before? It did not used to zoom in and out, it just marked your in and out point as it played leaving the clip timeline unchanged.
I am using windows 7 with Premiere Pro CC

Hi,
Thanks for your post. I think you are using Premiere pro CS6 as the Project option is included in the file menu and in the video there is an option of project available and visible. Please update your CS6 with the latest 6.0.5 update and the issue will be fixed. The link is provided below. Please update once issue is fixed.
http://www.adobe.com/support/downloads/detail.jsp?ftpID=5631
Regards,
Vinay

Multiple In and Out Points?

Hi guys and gals!
Are multiple in and out points possible within one sequence/timeline on FCP6?
I'm looking to export a large number of individual segments using Compressor (so I can walk away and let it do its job overnight). Is it possible to set different in/out points on one timeline, and then apply the File>Export>Using Compressor settings?
If anyone has any ideas please advise!
Regards

Hey no worries, will give that a try.
Funny, I've been using Final Cut since version 2 and after all these years I've started to need through jobs the use of batching and exporting. I'm suprised you cannot select secondary/multiple in/out points though, that could be of great benefit. But sub-clips will hopefully work!
Will let you know, thank you
Regards!

Filters change in and out points?

This is the first time this has happened.
When I add certain 3rd party filters and/or composite a layer above my clip, the in and out points appear to change in the clip (i.e. a different portion of the clip is now in the time line.
When I double click the clip, the incorrect portion of the clip is loaded into the Viewer window, but when I do a Match Frame, the correct portion of the clip is loaded in the Viewer window.
Also, when the incorrect portion of the clip is loaded in the Viewer (like when I double click it to load), the current timecode display (upper right) is italicized. It is actuallly the correct timecode, but the video is incorrect and the timecode is italicized.
I did a Save As..., created a new sequence and cut and pasted the contents of the problem sequence, and set up a new project and cut and pasted the sequence in there to see if there was corruption, but I had the same problem there. i also trashed FCP preferences.
I have a Mac Pro dual Quad 3Ghz running OS X.5.4
I searched everywhere for "filters changing in and out points" and "Italicized timecode" and everything else I can think of, and found nothing. Anyone have any ideas?
Thanks!

Have you tried trashing render files with Render Manager and re-rendering?
rh

Help with in and out points not synced to footage correct

When trying to insert a clip from the source material into the sequence timeline, using insert/overwrite function , dragging in the clip etc. any of the methods to bring the clip in from a given In and out point. Certain clips are failing and coming in as different in and out points. So the footage or clip/sublip in the source material comes in with the same lenght but the program is selecting a random different portion of the scene to put into the sequence. Please help. We are on deadline for a project :(. If anyone knows whats going on please help.

It sounds like you're running into a known issue with subclips from merged clips, which the engineering team is working on.
Unfortunately, there's no way to fix the subclips. Rather than making subclips, you could try one of the following:
Duplicate the merged clip in the Project panel and set the desired In/Out range for each instance. For all intents and purposes, this is the same as creating a subclip--at least a "soft" subclip, which is what you get when you deselect the option to Restrict Trims to Subclip Boundaries. Admittedly the workflow is not quite as efficient, but the results are the same.
If it's not essential to save subclips to the project, then simply load the merged clip in the Source Monitor, use In/Out points to define a segment, and insert the segment into your sequence, then repeat for the next segment of interest.

How do I globally set in and out points on a large number of images?

As the post asks: How do I globally set in and out points on a large number of images before sending to the timeline? In AVID I can do this in the Script view. How do I do it in FCP?
Thanks in advance

Thanks. I assumed I needed to set in and out points. I have not done an image sequence in FCP. If I have a 10 second image and a 2 second transition, but then change the duration of the transition to say 4 seconds then FCP will let me alter the transition duration?
With regards to movie clips, what happens with setting global in and out points? How would I do that?
Thanks in advance

How do I crop my in and out points.

I have marked my in and out points. I don't know the correct term to use since it varies between applications, but I want to delete the excess clip that is not in my in and out points.
Can someone help?

Final Cut Pro is a non-destructive editor, i.e. the original media is left unaltered.
In order to delete the material you're SURE you will no longer use, you can use Media Manager to build a new project with/without handles that contains copies of only the media you are using.
Like this:
This shows 1 second handles.
You can also export a self contained movie of your sequence if you've completed editing.
In either case, you'd then delete your original media.
Patrick

Overlay a sequence in and out point

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